CONCEPTUALLY DESIGNING THE BACKS OF THE COAGULA ⨺ 27(54) SET

Published on March 19, 2026 at 6:05 AM

The COAGULA ⨺ 27(54) Strategies Have Been Composed

I've finished the process of writing the 9 strategies of the COAGULA ⨺ 27(54) set which all correspond to the bottom left area of the card backs. As well, the third symbol on the bottom right of the card is now composed with titles and short descriptions. Initially, in the documentation for The 7 of 9, the 3 symbol permutations on the top of the card were already defined, but this area has now been named.

Top Triangle ⨺ 3 "Dynamics"


1) non-cooperation

2) neutrality

3) cooperation


Bottom Left Triangle ⨺ 3 "Strategies" For Dynamic 1 (non-cooperation)


Strategy 1) molting

Strategy 2) shedding the eyes

Strategy 3) pooling

Bottom Left Triangle ⨺ 3 "Strategies" For Dynamic 2 (neutrality)


Strategy 4) enclosing

Strategy 5) scaling

Strategy 6) transversing

Bottom Left Triangle ⨺ 3 "Strategies" For Dynamic 1 (cooperation)


Strategy 7) coiling

Strategy 8) envenom

Strategy 9) crypsis


Bottom Right Triangle ⨺ "Pathway" 1 ⨺ filtering

 

Filtering

A process of realization through selection and separation, where elements are cleaned by removing interference and retaining what is essential. Filtering realizes purity by shaping the relationship through what is allowed to remain.

Bottom Right Triangle ⨺ "Pathway" 2 ⨺ exposure

 

Exposure

A process of realization through visibility, where hidden elements are brought into awareness so they can be recognized and related to consciously. Exposure restores clarity by revealing underlying truths.

Bottom Right Triangle ⨺ "Pathway" 3 ⨺ rendering

 

Rendering

A process of realization through transformation, where elements are reorganized into a coherent and functional form. Rendering restores clarity by allowing structure and meaning to take shape as a unified expression.

This process has revealed so much more to me about how wonderfully the game will work to support creative storytelling through the temporal cause and effect process of card placement. I'm thoroughly convinced that it's coming together much better than I had hoped. 

The Strategy Titles ⨺ Ayahuasca Serpent Biology Metaphors

Each “Strategy” title (positioned in the bottom left) represents a poetic convergence of multiple strategies unified into a single form. The first challenge is to cleanly separate these interconnected ideas — many of which naturally overlap — into clean groupings. In this process, the compositional approach to titling them metaphorically first has become a powerful tool in organizing these thoughts. I’ve found that this unified series of biologically inspired titles creates a strong synergistic effect — it goes way beyond just imposing structure for the sake of simplifying my ideas. The thematic cohesion of the titles carries its own intrinsic power, elevating the entire 7 of 9 system to a whole new dimension and influencing how I'll compose the interaction between sets. As becomes clear through the naming, the overarching strategic themes are drawn from serpent biology. From there, the system naturally extends into a deeper layer of inspiration, ultimately aligning with the symbolic and experiential frameworks of the ancient traditional psychedelic plant medicine, Ayahuasca.

My Research Process : Starting Off With The GAIACRAFT Elements Set


To kick things off in researching the strategies, I purchased a copy of The GAIACRAFT Elements Set — a card set which I designed many years ago, which features the artwork of graffiti artist Ben Tour and the painter Martin Bridge. This card set was mentioned in the Process Artifact Journal Entry : EARLY INCEPTION NOTES ⨺ MAY 2022. There I explained the breakdown of how I planned to use this set to expand beyond the ecological elements offered there. In short, I didn't really get much out of that process in terms of finding a lot of meaningful strategies because so much of the set is merely repeating the same practice over and over on so many cards. But certainly a number of these control strategies (such as spiral gardens, trellises, alternative energy sourcing, housing for wildlife and humans, water patterning tricks, and sharing stations) contain valuable breakdowns. It's just that the harvest was low compared to how much I feel I already have to offer to The 7 of 9 myself, not only as an ecologist but also in greater capacities. That said, I'm so glad I own a copy, since I did design it. I'll go more into this later. 

Turning to "Ayahuasca Visions" by Luis Eduardo Luna and Pablo Amaringo for Inspiration

 

At that point, hoping to come up with something much more relevant to The 7 of 9, I decided to source my knowledge of Ayahuasca plant medicine as a way of maximizing the potential for strategy which is not only ecologically sensitive but also deeply applicable to real-world situations such as society. For those not previously aware, I myself am an Ayahuasqera Curandera — a master healer of the ancient Ayahuasca traditions of the Shipibo-Conibo people of Peru. In these traditions, a person from the West such as myself may be allowed to achieve this role by following in their sacred practices called Vegetalismo. Thanks to this background, I do have an amazing wealth of knowledge — not only from the outside looking in like the famous anthropologist Luis Eduardo Luna — but from the inside of the plant medicine ways, deeply initiated into the heart of the medicine (Ayahuasca and the master plants of vegetalismo), comparable to the artist Pablo Amaringo. 

And so I turned then to the paintings of the retired (and now deceased) Ayahuasqero master healer, Pablo Amaringo in his famous book of Ayahuasca paintings "Ayahuasca Visions". This famous art book was a book of paintings described indepth with essays by the anthropologist Luis Eduardo Luna. Luna hired Amaringo to paint pictures of his immaculate visions and describe them to him as best as he could. Luis related these professionally into the articles. Without reading the articles, I perused the paintings, seeking to be reminded of the truths that I had been taught by the medicine myself throughout my career. Specifically, I searched for the images of the great anaconda, a being which symbolizes Ayahuasca. But read the book to learn so much more about its meaning. I looked for reminders of the strategies performed by the medicine this way. I wish I could show you photos of my favourite anaconda paintings, but I am not able to share artwork which does not belong to me. It's so beautiful. 

This way, I gathered so many strategies. Some of these strategies I felt were far too overarching to the type of work always performed by Ayahuasca to be broken up into different scenarios contextually without including it in everything. So I took the types that I felt were appropriate to explore only in certain scenarios — at least as an emphasis — and sought to compare these with the other types of strategies I was already thinking of and what I found in the elements deck. I easily found that everything was fitting together nicely and there were able to be equivalents found this way, plus a much better way of organizing my ideas. 

How My Background As An Ayahuasqera Led Me To Use Metaphors of The Biology of a Serpent


Very naturally this process led to choosing the biology of a serpent, such as its movement and physical shedding and molting, etc etc, as a metaphor to describe these things. The thing is, Ayahuasca usually teaches that way anyway. I remember the beautiful time when the Ayahuasca taught me that when it opens its mouth and shows its tongue as a serpent, that this means showing the inside of its body, so as to teach through its very beingness — and teach that all its teachings are syonymous with its existence and body. When you have taken the medicine into your body, you biologically become one with it, and so the teachings are given intrinsically to the body which you are now inside of or a part of here. So the medicine opens its mouth and shows the inside of itself. That's a very basic introductory teaching which I think kinda says it all here about my point in using these metaphors. 

The Final 7 of 9 Thesis of The Biology of a Serpent As An Extension From FACET 1(73) ◊ ORIGINAL


But there's more to it as well which really inspired me. As you'll find in FACET 1(73) ◊ ORIGINAL, the piece which the entire UNITY LIFE Mystery School revolves around, one very interesting lesson of the medicine was delivered to me through the visions in my graduation ceremonies with Ayahuasca when I became a full-fledged Ayahuasqera after my many years of training. That lesson was that Ayahuasca has a powerful agenda to take over the mass media. It is the full intention of these plant teachers to eventually fully own the entire institution as completely one with itself. This would in no way require people who participate in the media to participate in Ayahuasca ceremonies whatsoever and it would not require media content to be alike to Ayahuasca traditional practices. Mysterious though the ways of the medicine may be, it has its methods.

In FACET 1(73) I was much less forward about what the teachings had contained. I didn't want to seem too pushy or overwhelming, so I only said that the medicine is creating a bridge between their world and the world of the mass media. I explained that they are drawn to the moving pictures of the shows, the music, the dancing and the vibrant backlit colors of the shows on screen — as these reflect directly with the format of their vision and song work (and even their dancing). That's my way of explaining why they want to take it over. It is still very true that they are creating a bridge between two worlds through people like me, but (as you might perhaps imagine when you know how powerful they are) that bridge is for the purpose of total take over. It will happen. In the mean time, I'm here to create that reality by producing artwork that explores what that miraculous and healing outcome would look like, and in what ways this is already true. 

So, the 9 strategies I've devised are real life strategies which I believe the mass media does do but which also embody this final result of what kinds of strategies the medicine would do if they were the media. And in some cases they are. In my case, I am offering media here and I am one with the medicine myself. But in other cases too with some stars who have tried Ayahuasca, they too are embodying these healing strategies — in their way they are also actually one with the medicine. This way, I've designed the strategies to be oriented around a form of healing that will result. But I've decided to call it realization instead of healing. I just find that word more resonant with alchemy and perhaps more relatable to many people. In my opinion it's the same thing anyway. 

Creative Reflections On The Strategy Writing Process

I love these titles so much. My favourites, both mystically and aesthetically, are shedding the eyes, crypsis, transversing, and envenom. I’ve finalized the initial form of the strategy outlines, but I already feel the potential for expansion — there will be a much longer numbered list of strategies than only 4 to each category. At this point, I’ve reached a natural edge in my creative writing process — a threshold where the work needs time to sit, to breathe, and to percolate as I continue developing other aspects of the prototype. I wouldn't be able to force it any further right now, but I can feel that the next layer of articulation will come through continued reflection as I work on visual and presentation design. There’s a sense that these strategic forms already exist more fully in my mind, still partially abstract, seeking a voice. As I move forward, I trust it will unfold.

Preface To The Strategies ⨺ On Darkness & The Medicine

Disclaimer ⨺ This Is An Artistic Model, Not Ayahuasca Teachings or Ceremonial Practice


This system does not attempt to replicate the ceremonial or ethical framework of traditional Ayahuasca practice. It is not a ritual, nor a replacement for the medicine, nor a guide to engage with it. Rather, it is an artistic and strategic model inspired by the symbolic language through which the medicine teaches — translated into a different domain entirely.

What appears here is something more paradoxical. Many of the strategies described involve manipulation, concealment, influence, and controlled tension — dynamics that, on the surface, may appear contrary to the healing and integrative nature associated with Ayahuasca traditions. This contrast is intentional. The system does not avoid these darker expressions of human behaviour, but instead brings them into view and gives them structure.

The Paradox Of Darkness Within Transformative Intelligence ⨺ Reframing Manipulation, Distortion, and Strategy


These strategies are not illustrated in this way to glorify harm, but to recognize something deeper : that even within distorted or adversarial dynamics, there are patterns — and those patterns are not separate from the greater intelligence that governs transformation itself.

In traditional Ayahuasca experience, perception is not always direct. The medicine may obscure, distort, delay, or reveal selectively. It may disorient before it clarifies. It may conceal before it unveils. What appears confusing or even deceptive in one moment may later be understood as precise, purposeful, and necessary.

In this way, the system explores a provocative idea: that even the dynamics we label as manipulation, strategy, or control may, at a deeper structural level, still carry the signature of transformation — not because they are inherently pure, but because they participate in the same underlying patterns through which change, realization, and evolution occur.

This does not make all actions equal, nor does it suggest that harm is justified. Rather, it reframes the terrain: what is dark is not separate, but entangled. What is strategic is not outside of nature, but an expression of it in a different form.

Using This System As An Artistic Lens ⨺ Observation, Navigation & Transformation


By placing these dynamics into a symbolic and structured system, they become observable. By becoming observable, they become navigable. And through navigation, they may be transformed.

This is where the artistic dimension becomes essential. The strategies in this system are not presented as prescriptions for real-world conduct, but as forms — lenses through which interaction can be understood, explored, and reimagined.

The tension between darkness and healing is not resolved here. It is held, shaped, and made visible. And within that tension, something unexpected emerges : that even in the most complex, adversarial, or manipulative interactions, there may still be traces of a deeper intelligence at work — one that, when recognized, can be redirected toward clarity, balance, and ultimately, transformation.

The 9 Strategies of The COAGULA ⨺ 27(54)


Counteragent Strategies ( molting ⨺ shedding ⨺ pooling )

decoys & traps, deception, optimizing retaliation

molting ⨺ Repatterning The Counteragent Through Temporary Constructs of Decoys & Traps


Molting refers to the serpent’s biological process of shedding its outer layer — a necessary act of renewal where what once protected the body is released once it becomes limiting or damaged. In Ayahuasca traditions, this reflects the deep processes of purging and energetic repatterning, where structures of identity, behavior, or perception are broken down and reorganized. The medicine works through temporary states — intense, often unstable — which ultimately give way to a renewed and more vibrant form.

As a strategy, molting is the deliberate creation and use of temporary constructs to influence a counteragent, with the understanding that these constructs are not meant to last. They are tools, not identities.

Some examples: 1) Causing the counteragent to act at a moment which is convenient to how you’ve prepared — shaping the timing of their behaviour, 2) Redirecting their strikes toward decoys or alternative targets to reduce impact or gather information, 3) Influencing the counteragent to provide information which supports your retaliation, 4) Creating traps or incentive structures that lead them into predictable or disadvantageous positions — all while remaining ready to discard these methods once they have served their purpose.

shedding the eyes ⨺ Artistically Distorting The Counteragent’s Perception to Influence Behaviour


This strategy refers to the lesser-known biological process in which a serpent sheds the outer layer of its eyes, temporarily clouding its vision before clarity is restored. Though this strategy operates as a deception of the counteragent, it is metaphorically framed as though it were happening to you, the serpent — illustrating the method through embodied experience. By allowing the counteragent to believe you are deceived, you create the conditions for their misperception.

In Ayahuasca traditions, this mirrors the way that knowledge is not always given directly — the medicine may obscure, distort, or veil understanding when clarity would be premature or harmful. What is seen is not always what is true, and what is hidden may be part of a larger process of timing — the slow but inevitable evolution of perception.

As a strategy, shedding the eyes is the intentional deceit or redirection of a counteragent’s perception — influencing what they are able to see, understand, or focus on. Some examples: 1) Allowing the counteragent to form incorrect conclusions by selectively revealing information, 2) Distracting attention away from critical elements of your strategy, 3) Presenting ambiguous or layered signals that obscure your true intentions, 4) Creating conditions where they misinterpret events or motivations, reducing their ability to strike effectively.

pooling ⨺ Accumulating Evidence & Insight For Optimized Retaliation Through Passive Endurance


Pooling refers to the image of a serpent resting or drifting within a body of water — not actively pursuing, but remaining present and receptive. In Ayahuasca traditions, this reflects states of observation and patience, where insight is not forced but allowed to accumulate over time. The medicine often teaches through prolonged exposure, where patterns reveal themselves gradually rather than instantly.

As a strategy, pooling is the act of allowing a counteragent’s behaviour to unfold over time while minimizing harm, in order to gather information and identify patterns that can later be used strategically. It is a form of controlled endurance for the sake of collecting information for optimization of your later retaliation.

Some examples : 1) Focusing on harm-reduction while withstanding repeated strikes from the counteragent over time, 2) Carefully collecting data about their timing, methods, and network of collabotors or their tools, 3) Using this accumulated information to plan a more permanently effective and fully comprehensive retaliation at a later stage, 4) Allowing the counteragent to overextend themselves to expose themselves, or reveal deeper motives through their continued action.

Adjacent Strategies ( enclosing ⨺ scaling ⨺ transversing )

development, structured layering, oscillate to influence

enclosing ⨺ Progressively Creating Boundaries, Definition & Containment Around The Adjacent


Enclosing refers to both the round shape of the serpent’s body in crossection view and the circular, encompassing form of its body — not tightly coiled for constriction, but gently forming a boundary or container. In Ayahuasca traditions, this reflects the creation of a held space, such as the maloca or the energetic field of ceremony, where experiences are contained, structured, and made workable. Before intense purging or stronger visions occur, there is often initially a feeling of being watched and deeply seen or held — as boundaries, organization of thoughts, definition and groundwork starts to psychologically form in one’s mind.

As a strategy, enclosing is the gradual establishment of boundaries, definitions, and relational structure around an adjacent, allowing the interaction to become more coherent and navigable. Full cooperation is not yet attainable, but increasing clarity within the space of the relationship is actively cultivated.

Some examples: 1) Repeatedly defining expectations, limits, and roles to progressively stabilize the relationship over time, 2) Using the adjacent’s negative behaviour as feedback to refine and clarify the structure of the relationship, 3) Informally offering incentivized agreements without explicitly outlining consequences for poor follow-through, encouraging the adjacent to develop awareness of natural consequences and how to avoid them through improved behaviour, 4) Establishing areas of stability that can support the gradual evolution of the relationship toward a more cooperative dynamic.

scaling ⨺ Visionary, Developmental Layering of The Adjacent’s Increasing Cooperation Across Time

 

Scaling refers both to the serpent’s scales — a structured yet flexible surface — and to the act of moving across levels or layers. In Ayahuasca traditions, this is reflected in the perception of layered realities, often visualized through patterned grids or matrices such as the Shipibo-Conibo Kené. These patterns are not merely decorative, but literal maps of energetic structure which function as a grid or lattice through which multiple realities are organized into one — unified through perception itself.

As a strategy, scaling is the ability to hold a relationship as a layered process unfolding over time, rather than reacting only to its present state. It involves designing current interactions in a way that remains compatible with a future form of the relationship.

Some examples: 1) Responding to immediate situations in ways that are deliberately structured so as not to block a well-defined long-term vision of eventual full cooperation, 2) Maintaining awareness of multiple stages of the relationship simultaneously, as it progresses through the envisioned phases of its development, 3) Accepting that earlier, less-developed phases will continue to exist while gently guiding progression toward a more refined state, 4) Adjusting the intensity or scale of your responses to match the current stage of the relationship, ensuring that actions are proportionate to its level of development rather than prematurely escalating or under-engaging.

transversing ⨺ Oscillating Oppositional Pathways to Increase Adaptive Influence Over The Adjacent

 

This strategy refers to the serpent’s ability to move across terrains not by committing to a single path, but by continuously adjusting its direction — crossing, redirecting, and reorienting its movement in response to what it encounters. In Ayahuasca traditions, this reflects the fluid intelligence of the medicine, where opposing truths or emotional states may be presented in sequence or even simultaneously, not to confuse but to expand perception. Rather than forcing resolution prematurely, the awareness is trained to move through contradiction, allowing multiple possibilities to coexist until a deeper clarity emerges.

In practice, transversing is the strategy of maintaining influence over an adjacent by moving fluidly between cooperative and non-cooperative expressions without becoming fixed in either. This prevents the relationship from stabilizing into a predictable pattern, keeping it dynamic and responsive.

Some examples: 1) Alternating between openness and withdrawal to prevent the adjacent from fully categorizing your intentions, 2) Offering support in one moment and resistance in another to reveal how they respond across conditions, 3) Shifting communication styles or boundaries depending on their behaviour to explore multiple relational pathways, 4) Creating situations where the adjacent must continuously adapt to you, increasing your influence through their need to track your movement.

Symbiont Strategies ( coiling ⨺ envenom ⨺ crypsis )

Protection, amplification, concealment

coiling ⨺ Encircling The Symbiont in Protective Containment to Preserve Stability and Amplify Value

 

Coiling refers to the serpent’s ability to wrap its body around something of value — not only as a means of constriction, but as a deliberate act of protection, containment, and preservation. At this stage, the emphasis is not on control, but on safeguarding potential. Within Ayahuasca healing, this mirrors the protective aspect of the medicine, where a person may feel held, shielded, or energetically contained within a field that recognizes the importance of what is unfolding. The coil becomes a structure of integrity around something valuable so that the relationship can work without disruption.

As a strategy, coiling is about actively protecting and stabilizing the symbiont relationship so that it can grow without disruption. This involves recognizing shared value and ensuring that external pressures or internal instability do not weaken the bond but naturally interplay with grace and fluidity.

Some examples: 1) Intervening when external forces threaten the symbiont, absorbing or deflecting pressure before it reaches them, 2) Reinforcing trust through consistent supportive actions that create a reliable structure, 3) Establishing boundaries around the relationship that prevent unnecessary interference, 4) Temporarily concentrating attention, energy, or resources around the symbiont to ensure their strength during vulnerable phases.

envenom ⨺ Synthesis & Intensification of Venom Against A Shared Enemy With The Cooperative Symbiont

 

Envenom refers to the serpent’s ability to deliver venom — a concentrated biological substance that rapidly alters the state of another organism. In the context of Ayahuasca, this can be understood metaphorically as the transmission of powerful energetic or informational content — the songs, visions, and teachings that penetrate deeply and catalyze change. This is not inherently destructive; it is a precise and potent application of force that produces transformation.

As a strategy, envenom is the act of combining forces with a symbiont to deliver a more powerful, coordinated impact toward a shared enemy. It is no longer about acting alone, but about amplifying effect through alignment.

Some examples: 1) Coordinating actions so that multiple influences converge on a target simultaneously, increasing effectiveness, 2) Sharing information or resources that enhance each other’s ability to act with precision, 3) Directing energy, information, or access through the symbiont in ways that extend reach beyond individual capacity, 4) Supporting one another’s strengths while compensating for weaknesses, creating a unified force that is more adaptable and potent.

crypsis ⨺ Concealing Structure of Cooperative Dynamics With The Symbiont From Shared Enemies


Crypsis refers to the biological ability of an organism to avoid detection by blending into its environment — through camouflage, stillness, or deceptive appearance. It evokes the image of a supernatural serpent whose biological abilities are intensified — expressing itself through beautiful, rapidly shifting, visionary patterns across its form. In Ayahuasca traditions, this can be related to the way knowledge is often concealed, encoded, or revealed only under the right conditions. The medicine does not always present itself plainly — it may obscure, distort, or hide meaning until the observer is ready to perceive it correctly.

As a strategy, crypsis is the deliberate concealment of information, intention, or structure from shared enemies in order to protect shared interests with the symbiont and maintain strategic advantage. It is not merely hiding, but controlling what is visible and when.

Some examples: 1) Withholding key information about plans or capabilities so that shared enemies cannot anticipate actions, 2) Presenting misleading signals or neutral appearances to avoid drawing attention, 3) Coordinating with the symbiont to maintain consistency in what is revealed and what is concealed, 4) Creating layers of visibility where only certain aspects of the relationship or strategy are perceptible to outsiders.

Finding Alchemy Correspondences With The Strategies

In continuing on with this process to the visual design, I eventually made the decision after some experimentation to create variations of Marilyn Manson's finger tattoos, plus two more alchemical symbols chosen by me which go well with his curation, for The 9 Strategies of the COAGULA. These will seem out of order from the order that Manson seems to be referring to on his fingers, because of the way the 3 types of strategies are organized, but I don't mind that. These will be very stylized, minimalistic symbols which will likely be pretty unrecognizable from the actual alchemy symbols too, but I also have no problem with that. It's just important that they have meaning. Here is a quick outline of what I'm planning : 

I've researched quite a bit more than just these quick descriptions, and it seems to really work well. I'll share more on this when I have a chance. 

Under Construction

This post is a work in progress. The information below will be added to soon.

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