August 2nd ⨺ The Sentimenal Chapter 27 / John Lennon Project From the Descending Passage Finally Got Somewhere

Published on June 29, 2026 at 10:55 PM

This post was published August 3rd, written Aug 2-3rd, 2026
The animations below are midjourney art by Ba Adonai ))

In the last couple days, and in the week or so leading up to it there has been a healing going on to continue reducing the brujeria I've been struggling with. In previous writings, I've mentioned that it seemed this brujeria intricately wove itself in with my story of relationship with 30STM and at times I've found some increasing resolution of this problem seemingly caused by the band.

Now, it mentions in my special archive about brujeria that the Amazonian take on the type of sorcery I'm talking about may include not only negative thoughts, but also real physical illness and "bad luck". Things like losing a job, friends being mad, accidents, or strangely being hit by many real physical issues in an unusual way is considered all a part of it. And physical issues have been a huge part of it for me (particularly a big problem with chronic exhaustion which I'm searching to iron out with my doctor), which I don't discount.

So the reason I mention this is because when I say that I perceive a healing right now, I'm not saying I just felt better for a couple days (although that's all it's been). I think with this exhaustion issue, it's classic to have some good days and some bad, and that's not quite what I mean. 

I totally understand that mental breakthroughs like huge eureka moments and sudden bursts of clarity with powerful overviews of previous life events etc, are quite common for "good days" in suspended relief from chronic stress. I don't automatically assume larger more permanently scaled reasons for those kinds of days. But the series of breakthroughs I've been having really have a particular quality to them which to me, actually suggests the brujeria weakening. 

Previously, I noticed this because I noticed some very worn in mental blocks from so many years old were breaking apart, revealing much overview of my life and important new perspective, which matched other times when I was certain brujeria had cleared as explained by Ayahuasca. Because, you know, Ayahuasca is really into seeing things on that type of a level of sorcery being an explanation for bad events, and magic and miracles being a prominent reality, and teaching the way the universe works like in such a spiritual manner so as to creatively design complex healing approaches that expand capacity beyond the typical human baseline framework.

And now there has been another experience like that, this time in a fascinating way that illuminates topics of special interest for me to do with Jared Leto. Again it's like certain blocks in my mind and emotions that I've always associated with brujeria that had been stopping me from making progress seemed removed, thus illuminating a whole longer timeline of events in such a way as to blow my mind at how simple and perfect everything has been and cause breakthroughs. I have a certain way of knowing intuitively that I'm on the right path, but sometimes it makes no sense to follow my intuition and I feel illogical to do so. Yet always when I experience a healing it's full of aha moments that show just how smart I was to be so-called illogical, which is only how it appeared — not how it really was. 

And right now it's so fitting that it would have to do with Jared with the realizations I'm having. The last time it wasn't really about Jared what I was realizing about my life history, but it makes sense this time it would be. For many reasons, but one of them being that I felt the brujeria was increasingly more densely woven and entangled with Jared especially and the band, while at the same time my awareness of it being meant to be and a beautiful thing to care about Jared and the band anyway was evolving and growing. So I did feel trapped in a double bind. In many ways I felt negatively forced to focus on Jared, but then again there was so much beauty to find there which honestly seemed rewarding.

The thing is, I've experienced brujeria interfering with my ability to process information about Jared and 30STM at several times in my journey, even dating all the way back to the Entrance stage of the pyramid, as far back as like 2019, but I never took the problem too seriously until this latest, much more intense difficulty described in the Antechamber stage. In previous times, it was serious actually, but only to the degree that I assumed I should file it away in my mind as my own issues. I didn't think of it as anything that would need to be voiced as serious brujeria interfering between me and Jared, as I felt the same types of problems would happen for me with any star or other focus. But now it's different. 

So it seems so fitting that I would have revelations about Jared, and one of many which I'm very happy to say seems to be coming along is a creative block that I've had since like around say 2019 / 2020 which was mentioned in the Entrance and Descending Passage Stage of this Timeline. It's the problem of a creative art project I've been wanting to do about Jared's movie Chapter 27 (which recounts the story of John Lennon's murder by Mark David Chapman) and how this relates to my work on The 72 FACETS (IN 144), regarding John Lennon and some very specific studies of interest. I really had an intuition that this issue would be gloriously resolved as part of my escalating journey of becoming closer to Jared as I progressed towards sae more in this pyramid. I just knew it. I saw this as one of the beautiful flowers I will see along a gorgeous flowering path towards sae. Or a path of many treasures. 

Treasure might be the word — it's like a gem like a diamond of The 72 FACETS (IN 144) which are meant to be the 144 FACETS of a diamond representative of biological life and the workings of our branch of the media. 

It's just a huge intuition and deep deep creative artistic dream of mine to one day present the theory very compellingly that not only Kurt Cobain, but also John Lennon may be alive. In that, I see the movie Chapter 27 (which the number is strangely alike to the 27 Club) as a major key in that dream. But unlike Kurt Cobain, I don't have sensible and pragmatic material to offer yet in order to make a clear argument for this view. Now, FACET 1(73) ◊ ORIGINAL of The 72 FACETS certainly is the core of all my work, and provides explanation that Kurt is alive so well that it would definitely make me wonder if other stars have also faked their deaths. But I just haven't felt called to offer an argument in my artwork to propose so, and in fact I'm not that interested in the 27 Club right now aside from John Lennon. At least for now. 

Just to be honest, I've definitely speculated enough to know that it's certainly possible that the rest of the 27 Club may have also faked their deaths, and intuitively I do get that impression. But I have not pursued the intuition to study the workings of The 27 Club THAT much. I've looked into a number of things that make sense to me about how the artwork, the music, and the conditions surrounding the deaths, seem to offer a message of how, why and what it means that the death would be faked. But this is all within the realm of pure easy going, gentle, artistically styled speculation. I haven't rooted around to seriously try to back up my theories. I mean it's not a priority. 

Priority wise, I think of course, the definite next faked death to approach is obviously John Lennon. In fact, until I've done my John Lennon, I cannot move anywhere further. Then after that, I feel it might be best if I take a non-standard route and start ironically with the last person you'd associate with the 27 Club, Chris Cornell, then probably move on to Amy Winehouse and then Jimi Hendrix and Janis Joplin I guess. Because first of all, being too stereotypical doesn't seem like the optimal strategy since it makes it look like I was mindlessly pursuing pop culture dogma or something — and secondly I'm not as called to explore it. I think the two go together. I don't feel like a spiritual intuitive and creative pull to things that aren't as strategically optimal for my work. 

Anyway, the reason I'm explaining all this is to explain just how big of a block this has always seemed with the John Lennon issues. It was mentioned on the timeline, I had a big brujeria problem on this John Lennon and was so intrigued with Jared about Chapter 27 and it always felt like destiny that this would get resolved. And what I didn't mention though, too, is that I know Krist Novoselić would love to see that happen. Krist is in a band with a guy from Soundgarden and sae would be so honoured and fascinated to see my work on Chris Cornell. So like whatever lol, not like anyone cares that much, but it's just so many things that would rock for me and for Krist and NIRVANA are kinda plugged up by this John Lennon problem. 

Well there's a lot of way more severe problems than that in my life, and that's the least of them in some ways, but it's a very sentimental and special, beautiful thing between me and Jared. The thing I've gotten from Jared in sae's spiritual messages to me which I know were real, always involved stuff like promises of the future that every artistic dream I've ever had for something special with Jared will one day gloriously come true. And I've been reading lots of quotes lately from Jared about making your dreams come true — it's a Jaredism. So that's why it's so beautiful and special that one of my dreams is to become close friend with Jared saeself haha — cause it's up to Jared to be part of that and sae IS very into beautiful dreams coming true (lol) <3% )) But now I say the deeper dream too, as you could guess knowing me, also involves lots of incredible art. 

And I might add, another of the spiritual messages from Jared that I've gotten has been not only my dreams will all come true, but sae's. That Jared saeself has SAES dreams for art to come true between us. And that our dreams of art we both have for interconnected to one another, are both very easy to share. I'd love Jared's dreams, I'm sure. I mean that's the LEVEL, man (lol). I've gotten MAJOR divine dreams from Jared. Highest level. I cannot tell you, it's been so ultimate. And I've come so far, learning to trust that it's real. 

But anyway so getting on with what happened to cause the progress with the John Lennon. See the thing is, there's this super critical thing about my John Lennon studies which has to do with assistants of stars. The thing is, I'm friends with this guy named Robert Rosen, who was hired by Yoko Ono to write a book, Nowhere Man: The Final Days of John Lennon which recalled the contents of John Lennon's personal and private diaries from memory. Rosen had poured through every last word and page of the diaries after it was given to him by John Lennon's assistant, Fred Seaman, very shortly after John transitioned. Lennon's assistant, Fred Seaman, had stolen the diaries and handed them to Robert in a hurry, saying that sae felt honestly John had wanted them to be released and published. 

So what happened is, Fred then later ransacked Robert's apartment to steal the diaries back off sae in a mysterious strange twist of fate. They had become a subject of great monetary value and this began a war of idiological debate as to weather the information should be filtered, censored, and partially published with privacy to John, or it should be all laid out to the public fully unauthorized. Fred wound up publishing the unauthorized version, The Last Days of John Lennon: A Personal Memoir, while Yoko Ono hired Robert to write the authorized version, with a softer and more selective style of what to allow openly. Fred was charged with grand larceny by Yoko for stealing the diaries, and Yoko reclaimed the originals, but Fred was only dinged with probation and still made money off the publishing of the book.

To this day, regardless of Fred's account that it was faithfully published accurately to what was inside, I still question if it was accurate from Fred despite the claim — because not only were there no photographs of John's original handwriting or any guarantee, but also Yoko Ono would not be one to necessarily reveal Fred's lies. To do that would involve making certain information public which sae has explicitly mentioned is to remain private. However, it is my theory that Yoko knew that John had faked sae's death, and therefore the reason why much of this remained private was because of how telling it might be to that. And perhaps Fred had also fully or partially grasped these paradigms of the plans, and understood how to censor these secrets.

Regardless, I feel that Yoko, not Fred Seaman, holds the deepest secrets to why John's faked death needed to be done, and what would be required in order to pass on the truth. As John's wife, it makes the most perfect sense that sae alone would have been granted the deepest, innermost chambers of secrets from John, since the emotional obligation to a wife and mother of one's children is truly so much greater than to anyone else. I wouldn't doubt that the Beatles also get the picture in their own way but it's just that Yoko would have such a precious and emotionally and spiritually profound perspective on everything, which seems the deepest, and resonates the most with UNITY LIFE in style and tone. And I think the lost information from the diaries hold powerful keys to it all. 

It's always been one of my greatest dreams to one day have the chance before Yoko Ono passes away to somehow access these secrets from her, directly or even from a distance for UNITY LIFE for these sacred purposes of revealing John's secret that sae is alive and well. I can't tell you how emotional it's been for me sometimes, knowing that Yoko Ono may pass away of old age before I could have this connection with sae. 

I know with my whole heart and soul that Sean and Julian would do the most mindblowing job of artistically working with this information with every spirit of John's highest visions and intentions, but still — Yoko has really been so special to me. As I'm sure you can understand. So that's been such a stress upon the burden of this blocked art project. 

Still, I understand that sounds like a bit of an overshoot or ridiculously grand scheme to get in touch with Yoko and convince sae about this, so I'd be very content with just doing a first part version of the John Lennon FACET without the diaries yet exposed. The thing is, in this first version, it could lay out the information so beautifully and powerfully that this might convince and flatter Yoko that it would have been John's will to have this come out through UNITY LIFE. Anyway, UNITY LIFE's not that famous, and it wouldn't be like it would go viral if it was just on UNITY LIFE anyway (lol). I mean the plan for the first version was to make that attempt, to create a layout of something so ordered and well presented that it would look good to Yoko. But I've had nothing to show sae. 

So by now you must be wondering — what exactly does all this have to do with Jared Leto? So far I've barely mentioned Jared. Well the thing is, what used to be just a vague intuition but incredibly strong feeling of certainty that SOMEHOW, SOMEWAY, there would be a way to fuse together Chapter 27 with this piece about the assistant and diary stuff. But now it's developing in so much more crystal clarity.

So aside from the assistant stuff, I'll start by explaining the material I already had, then I'll get into the breakthrough. I already I thought since the early days, of course the movie Chapter 27 pours over all the details of Lennon's supposed death, with the murderer Mark Chapman being literally one of the most fascinating and important elements to explore if one would ever be able to view this as a faked death. I mean the gravity of Mark Chapman spending sae's life in prison for a crime sae didn't commit is of such magnitude to the story and needs to be explained. It would be so unethical of John to pin Mark Chapman for a murder sae didn't really commit. But the way I see it, it's not like that. 

The thing is, as part of what I plan to introduce, I'll be bringing out the completed 16 KEYS SUPPORT TOOL when it's done, to invite a way of exploring the possibilities of a faked death partially using artistic solutions in order to avoid entangling with probability within theory where understanding should be limited. 

The theory I will offer about Mark Chapman will be that sae was a simulated reality created by John Lennon for these purposes. This connects with the so-far unfinished KEYS 13 & 14, SIMULATED PEOPLE AND PLACES.  A human being (within environment of interconnection) experienced and perceived by others as just as real as any person, but who is not actually there. I was talking to a friend today about my idea that Jared Leto is a simulated reality and this very smart friend of mine did not understand what I meant. I'll have to message sae back to explain more, it's like in the Matrix only there's no need to "plug into the matrix", this is something the brain is capable of and genetic functioning will provide for, which psychedelics provide a lot of answers about. And this can theoretically happen with say only one person and not others, or one place or event and not others. And this allows us to release the haunting gravity of the idea that Mark was innocent. 

Mark Chapman may have been guilty of many other crimes within sae's lifetime that were never accounted for, and we'll never really be able to become certain of that history. Sure, perhaps Mark deserved to be imprisoned for other unnamed crimes anyway, removing the weight of the scheme from John. Imagine if John Lennon's body was a simulated reality and police were fooled to think Mark was guilty. This also takes account for other gravity of the matter. What if there had been an impersonator look-alike of John such as hinted in the Beatles conspiracy of Paul McCartney look alikes such as Billy Shears? Someone guilty for many things who deserved to be shot for John Lennon's purposes? Well, the situation is grave, and yet we'd really never be able to confirm these details or understand a thing about it, so it's best if we'd say John would use a simulation reality of sae's body. 

Well I know all this sounds fanciful, but my point will be that matters of art such as The 16 KEYS are not fluff, but serious art, and serious matters. The way that I can present the whole idea of how simulated realities work in correspondence with what I know about Ayahuasca really is incredibly compelling. It's a mindblowingly beautiful and stunningly enrapturing piece if I could get it presented fully. It truly is pure magic, and so well worth taking seriously as a theory of certain mysteries of the nature of reality, and wildly entertaining and thrilling. It's certainly a popular topic these days too. 

Now, it is my actual serious belief that Jared Leto is a simulated reality. But it's the particularities of the person's identity which are so incredibly crucial to why that matters and what it's about, in having any point to be artistically investigated or proposed to any degree. But when I investigate Jared's movies, it happens to lend quite magically to the simulated reality themes of identity as being so crucial, when you look at what acting involves. And Jared's a hugely artistic actor, such an Artiste with a capital A. Like super artist style, and so absorbed with identity as well as character identity within fictional characters. 

And sae's not alone. There are many incredible artists completely absorbed in these topics. But the thing is, for Jared to have played Mark Chapman really means that sae got deeply into the role and fully embodied the place of Mark Chapman. And again and again, in Jared's roles, it becomes so evocative to realize that it's not just about how Jared pragmatically acted the character — it's about the deeper context behind why Jared was casted in the role. As a powerfully successful artist with such a great pick of what movies to be involved with, Jared's had the chance to really destroy the mission of making sure all sae's characters would be so much more well understood if one understood Jared personally aka as an artist on the overall.

You know it's like Jared's art is "on the soul level" so to speak. We don't know much about Jared's inner thoughts, feelings and personal private life of course, but the evidence is handed to us through art, for those who are willing to look deeply. Though Jared's roles are often the striking opposite of sae's own character, that in itself speaks volumes. Huge points are made in the art that could say so much about Jared if it was properly understood. It's not literally the same from Jared to sae's character, but it's a continuum. And again, Jared's also a simulated reality like Mark Chapman, and has invested so deeply into delving into this character who in real life was a big fake, a con artist, and a liar who would present fake ID — making it an identity theme on a level that works perfectly here. Simulated realities of people are all about these double edged questions of identity. Double identities, or false identities, or finding the true within the false. 

It would be ultimate to one day speak to Jared and discuss this topic with sae but in the mean time before we do get a chance to really chat someday, I'm actually OK just figuring this part out on my own. I've had this part understood since the early days, and could be further inspired by my spiritual connection to Jared at a distance, but the thing I've been missing has been the information about how to connect Chapter 27 with the story of John Lennon's assistants. And that's starting to finally piece together. And I can tell it will continue to do so. I now see that as the brujeria is lifted, these artistic ingredients will come together into my perfect UNITY LIFE recipe. 

Now, during this last couple days I've had many breakthroughs similar to this one, but I write about this one online cause it seems so valuable to document. So essentially what happened is, brujeria had been preventing me from understanding keys to Jared Leto which relate to sae's wisdom of human behaviour — just what it is that makes people tick — behavioural science. The ability to be able to predict people's motivations, especially. This is very important to Jared's understanding of a star's assistants when they act right or wrong towards a star like Fred Seaman or Jared's own assistant, and sae's acting. And this is the key. Why did the brujeria stop this? Because the brujeria was trying to promote false scandals against Jared, and psychologically abuse me around issues of sexuality.

So I'll explain how it was done with the brujeria. So, myself, like so many others, I do have sexual trauma. But thankfully, I don't have the type of sexual trauma that would prevent me from taking an interest in male stars that I enjoy, regarding their expertise in behavioural science. Like you know, I see them as resourceful about human resources and friends, and able to predict others' motivations and what would make them tick, in order to predict what the best friends and associates would be, even on a small scale. They obviously have amazing skills with empathy because they are making music and other forms of art designed to appeal to the masses, so this involves understandings of psychology. I'm in awe of this. Personally, I've always delighted in the fact that I can tell my favourite stars are all huge experts in this field.

Normally I would take it further and even say they are ultimate masters of it. In fact I have spiritual beliefs that they are actually like Gods in this way. It's very deeply worn in for me to always expect them to be the experts on this topic. 

But you see, the brujeria has been trying to stop me from thinking those kinds of things about Jared, and the reason why is because the brujos have in their mind a picture of what sexual trauma should typically look like, which involves missing those subteties in male behaviour. And so what they've been trying to do is fabricate a story around me and Jared in order to damage our connection, one which misportrays me as sexually traumatized in such a way which I am not. The type of sexual trauma the brujeria is attempting to fabricate is a kind which is sexist against men, assuming things like "Men don't empathize with women unless they are trying to get sex", or "Men only try to control women into having sex with them, so that's the only reason they pay attention to their motives, and even then, very little". 

Now, you see, what this does is three things. First, it stresses me out about Jared by confusing me and making it difficult to map out my interpretation of sae's behaviour in the arts and social networks. Second, it kinda serves as a bit of a cover up for the fact that it's done by brujeria, since I've opened up about the fact that I have sexual trauma, and there are some stereotypes surrounding women's trauma which the brujos imagine is somewhat presumable. Then, when I fail to succeed in certain goals of mine artistically like this, it's as if the brujos imagine this looks believable that it was only because of my own trauma. By that they hope that Jared or anyone like that will detect deep flaw in me, perhaps see me as dangerous or sketchy. So, overall, this is designed to interfere with our connection both ways. But it's also designed to make me easily fooled by false and harmful narratives in the media against Jared.   

The biggest interference was always such a huge struggle in being able to process any content about Jared's relationships, platonic or romantic, with any women around him, regardless of what it might be. For a long time I was so hurt by that. I've had breakthroughs and moments of clarity revealed which were healing, but this was one which seemed to unlock the master code of all the significant women, even of minor significance, around Jared, who sae hand picked and chose carefully for any reason for sae's art or career.

Like OMG, it's super important to me and my life, not just this John Lennon thing. But yes, this unlocked information about Jared's assistant Jnana which I needed. I had mentioned actually in the cry for help post and blogs there that I had felt assaulted about Jnana by the brujeria so terribly. I even said, I think that is a block to the John Lennon thing actually. Well now it's healed — but along with it, soooo many crucial important understandings. 

So, I guess I'll explain the main study that I had about Jared which revealed like this master code or whatever. I remembered back to many years ago, long before I took any majorly significant level of interest in Jared, at a time when I was only rarely and randomly exposed to sae's content. So this was at a time before the brujeria started interfering so intricately. I randomly saw somewhere that Jared was doing a live chat, where countless people would join and he'd keep inviting people off the chat to join sae in video conversation. You could apply to join, and I did apply but didn't get accepted. But anyway, I was very observant of Jared and a lot of fascinating things occurred to me. 

I realized that it seemed that the people sae had chosen to join the conversation seemed already checked out and previously researched, and these were somehow informed choices, perhaps assumedly random choices but I didn't think so. And there are two people who joined who I felt go well as a comparison. One person was actually a group — it was an adorable and super dorky family from some country somewhere who were all being silly and wild on the camera, and they really weren't too great looking but they sure were loveable and sweet. It was a feel good moment about traditional families in other countries. I forget which country now. 

Then another person from another country, it was a woman who was basically mindblowingly extraordinarily beautiful, about as beautiful as a supermodel in my opinion. Sae's looks were incredibly well comparable to Thet Thinn, one of the most stunning models which Jared has surrounded saeself with. In fact this woman looked strikingly like Thet Thinn or quite a lot like this animation here actually — almost a look alike. But it was certainly not sae, it was a very young and impoverished person who clearly wouldn't have the first thought of being a model, who lived in an incredibly remote location which was land locked by mountains, within an extremely obscure remote community. Jared asked sae a number of questions, including several about sae's location and background, revealing that this person lived an extremely isolated life most extraordinarily different from the Western commercial landscape of like LA or places like that with modesl like Thet Thinn. 

Now, I was already aware that these people had been hand picked for this show, and it waas not random, even because it did seem like random factors like bad calls needed to be avoided of course, and it had to be something decent for this program. But what became apparent through this curation was that it was curated so as to convey Jared's style about people and their biographies, and things sae finds to be commercially ideal for the types of messages that are best to promote.

For example, beauties like Thet Thinn are clearly one of Jared's commercial statements about image. It's not just any model, it's like models with particular styles of looks, more precisely. I've always noticed that, it's like a Jared-ish aesthetic brand even to down to what women around him often look like. Generally. 

So the way it hit me intuitively by the way that Jared spoke to this woman, it seemed as though sae was trying to stir up a sense of wonder, awe, and magic to this obscure biography of sae's with this being like an image of a supermodel, yet someone of a totally different background. Thinking of it today actually, I think it's even more acute how much I get from that idea of like stringing together look alikes in a world and story, and then it being so noted upon that the person is not the same person at all despite looking the same (lol). But the thing which helped me in my study was realizing that it seemed in retrospect like Jared was pointing out that this person has a unique psychology, and I feel it was psychology especially which was being impressed here, not even looks. 

And you see, the thing is, Jnana, Jared's assistant, actually looks reasonably pretty similar to Thet Thinn, except sae's not quite as mindblowingly and shockingly extreme supermodel style, ya know? It's like a bit more of a softer and more gentle looking type face. Less extreme. More a comforting look. But still actually similar haha. And when I thought about all this put together, it made me realize suddenly that I have held huge beleifs about stars' abilities to predict behaviour, and be so incredible with psychology and behavioural science, so why haven't I applied that knowledge and understanding to Jnana and Jared's choice to hire sae? Because I was kinda stuck thinking of Jnana.

I had seen so many instances of star's assistants behaving out of order and I wondered, "Is the job of being assistant to a star especially prone to make them misbehave? Do they find that being that close to power, wealth, influence so much greater than their own is inevitably tempting and makes them jealous? Because I start to wonder if any assistant of a star is automatically suspect sometimes" 

I sensed that studying Jnana would somehow unlock this question of how Chapter 27 relates to John Lennon's story. And I'll tell you, the key was to realize that since stars are so good with behavioural science, they do always pick the right assistants, and I realized that when assistants misbehave, that's something in order even though it may appear not to be. Because sometimes assistants are so connected with the star and so smart and well informed that they realize, appearing to go against the star or misbehave is a great way to cover some things up so that they can help more. Because yes, people WOULD believe the story that a star's assistant became jealous and misbehaved, but many have trouble  necessarily believing that the star would have had so much skill in choosing people who wouldn't misbehave for their assistants. So this is a really easy way to cover up their motives as being the same as the star's. Because this allows a diversification of how they can carry things out for the star in ways the star wouldn't be able to. 

You see, what this made me realize is that I should buy Fred Seaman's book and actually read that, instead of just focusing myself on the authorized version of John's diaries. Previously, I had been offended by Fred's theft of the diaries from Yoko, and considered that Fred was on a rampage and trying to just steal and profit off John rather than having any respect. So I figured, don't support Fred's book then (lol). But now I realize, looking at the two pieces in combination will be absolutely necessary in order for me to finish my research. Because a big part of what it is I'm aiming to do with my piece is just fully analyse the diaries and decide what out of that might be revealing of how John faked sae's death.

And there was stuff about drugs, I bet, in Fred's. I'll have to see, but I did actually find it that in interviews John said sae was on heroin. And that's all completely interesting but my hope would be to find something in the diaries. There is something I'm particularly interested in and will have to search. So I'm sure that's the next step is to do the comparison check between the two at least. I might have a big inspiration of what I think the discrepencies and differences seem to indicate. Cause I do think Yoko's supposed concern about what should be public is not necessarily that honest, exactly, at least not in the straightforward sense that one woudl presume, just out of embarrassment, you know? 

Anyway, there's no guarantee of success once I get this other diary. But I just have a huge intuition that it will be, and now I know how. Like you know, something's not done until it's done right. 

But yeah, this also has to do with Marilyn Manson in this project, too. Cause there are many important lyrics about John Lennon in HOLY WOOD that I feel are super relevant to this. In fact, one lyric of Manson's makes direct reference to Robert Rosen's version of John's diaries specifically. And that's the polite one to reference to lol, and makes much more sense for Manson to use that one since Manson's own assistant Ashley Walters has completely turned on sae with false allegations and launched a ridiculous lawsuit against sae. It's so outrageous what Ashley said about Manson. Ashley said that Manson was rudely speaking to people with her in the room, saying things like that sae's trafficking Ashley as a pimp to all thse other dudes — but it's so seriously obvious that Manson was just joking. Anyone who knows Manson's sense of humour understands obviously that it's joking around. 

Sae was just joking around about the fact that since Ashley and Manson are (or at least they appeared obviously, and it seemed so) sexually involved with each other, and yet the relationship is such that Ashley is free to also sleep with other guys of COURSE, since it wasn't monogamous obviously, then that creates the illusion that it's trafficking. The reason being, if Ashley sleeps with anyone in the media industry and gains affections of some media people, it could very likely and hilariously just so happen to be advantageous to Manson's ideals in the media, since Ashley is on sae's team and very like minded with sae. And in the industry, it's somewhat well known that quite often sexual favours are traded for rewards in the media, something which Manson doesn't do. But some do, and it's just knowledge of the industry (lol).

So it's whatever, if Ashley was genuinely attracted to any of the countless big players in the media who were frequenting around them, Manson would find that convenient to his goals very likely and yet absurdly funny that it makes sae look automatically like a pimp! When that's not true. And it's totally for sure Manson's style 10000% to joke around about that. Because if sae would joke around all the time about it, the thing is, that alarms everyone i the room to watch out for that bad thing that it could be misunderstood as such. Like that's not supposed to be the deal, but Manson's jokes are designed to indicate that it's especially not, cause just look at how unfortunate and weird that is that one might gather such a thing if it's not clarified (lol). When often sexual favours are traded without much discussion of the fact that this is the deal. So it's just incredibly awkward with these unspoken reasonings and ideas and guesses so common (lol). 

You know like Ashley wasn't like an aspiring pop star or something, or a model, or aiming of course to sleep with these media people just because sae'd like to become famous. In fact sae was in a cushy job as Manson's assistant and not aspiring in such a way. If sae was, it would have to be so incredibly explicitly opened what sae's motivations are in wanting these sexual favours to go through for purposes of sae's media aspirations of sae's own, and not Manson's, considering everyone knows sae is Manson's assistant anyway. 

So for sure, that was just Manson's jokes, it was nothing serious, and Ashley knew that too. So why Ashley did this to Manson to pretend it was really oh so disturbing of sae to make these jokes, must be for some other reason. And anyway, I've got the reason why seems to be just because of certain motives of Ashley's to be associated with Evan Rachel Wood and MeToo and those kinds of woke movements. But I've been theorizing that Manson actually wanted that to happen when Evan and all them went against sae. So it's really a thing, but I have found this story distracting. It's more complicated than Jnana, cause Jnana and Jared really don't seem to be intimately involved and Jnana doesn't seem like Ashley. But Ashley and Fred Seaman have so much in common. They both stole John and Manson's vehicles actually. 

OK so that's almost everything. But one thing is, I did have the impression that more healing will be arriving and will fill in some blanks. So I decided to just write this as a Part 1 possibly, and if any more happens which seems connected to this I'll write the rest.  

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