MASTER ARCHIVE ◊ DITA VON TEESE ◊ OBJECTS MATERIALIZED FROM THIN AIR

First, resting meditatively at my altar, I knew that this exact type miracle was about to occur as I willed that my empty tea light cup would refill with a brand new candle — and then it happened — an empty tea light became a perfect new candle in the metal cup, with a new wax coated wick, which I lit and kept burning for the night.

After that, once it was burnt out, I willed for the miracle to happen again, hoping for another tea light. At that point, instead of a fully formed candle, a strangely shaped bauble of wax appeared in the cup. This didn’t include a wick at all, neither new nor burnt out.

This bizarre wax sculpture, I realized, was shaped in such a way as to prove that this could not have been the result of melting wax through the normal burning of a candle. I felt that it had manifested in that way in order to help psychologically imprint the truth that this miracle had really occurred, so that I would never doubt that this had really happened.

Then, a few short days later, I was gazing at my medium sized healthy and robust jade plant among crystals, on a casual altar space. I knew then that another of these astounding miracles would occur, but this time I didn’t know what kind it would be.

One distinct half, divided down the centre, of the jade plant quickly (in a matter of about 2 or 3 seconds) shriveled into a minor grey husk. It became essentially dust, though somewhat loosely shaped as the jade leaves, with only the slightest bit left remaining. It was nearly entirely gone and was now light gray.

This was fully available on display in my home to view ongoingly as a physical exhibit of the truth that miracles do happen.

After that, on another day that week, I had been meditating deeply on these miraculous events, dreaming of what could be possible if this could occur to transform the human body into anything I’d like to see and internally experience. I imagined my ideal physical form — covered in tattoos more beautiful than could possibly be rendered with a tattoo gun, and much more. I felt spiritually guided to view myself in the mirror, expecting to see my body transform into all I had dreamed.

I then witnessed, while watching in the mirror expectantly, my earlobes and upper lip dramatically change shape. My earlobes became much, much longer, extending down almost to the base of my neck. At the same time, my upper lip rose upward, exposing my upper teeth. I tried as best as I could to close my lips together, but this was completely impossible to close them together as I always do. Exploring the change like that for some time, I felt that the upper lip allowing for this experiment of closing my mouth was designed to imprint on me through physical limits that this experience had been real.

Thankfully, to my relief, after a while exploring these experiences, my ears and lips changed back to normal as I watched in the mirror.

All these miracles in 2017 occurred completely sober and outside of any influence (even alcohol), except for one, which was ideal to occur under the influence of the traditional psychedelic plant medicine of Ayahuasca. I will clarify which that is when we come to it.

This week included an Ayahuasca ceremony. In the days leading up to the ceremony, and after, it is commonly seen as a potent spiritual time in which the influence of plant medicine teachers are present, but there is no hallucinatory effects outside of the slim window during (and sometimes for hours after) the ceremony itself.

In my case (and most) the hallucinations of the psychedelic state would never last any longer than, at most, a handful of hours after the ceremony. As well, the quality of hallucinations induced by psychedelic medicines are easily distinguishable from physical objects.

During the ceremony I was routinely smoking a pipe with medicine tobacco from Peru called Mapacho, traditionally used in these ceremonies for important spiritual purposes. The old familiar, the pipe and lighter, were my steadiest companions. Nothing could be more tactile and core as a physical grounded clarity within the visions of the medicine, than this process of lighting the pipe.

Then, without any warning or anticipation, another miracle occurred : I had a lighter in my hand which I had just picked up and as I went to position my thumb to crank the lighter, to light the pipe as normal, I discovered not one but two lighters in my hand. The second was one that had been misplaced, which I was just searching for and failed to retrieve from the blankets, so this lighter certainly hadn’t been in my hand at all!

I could write much poetry to speak of what the meaning seemed to be, but simply put, I felt this was the medicine's gift designed to ultimately help project to the world the grounded empowerment that I embody within the medicine.

Throughout that time, many other miracles occurred. Small ones that would be hard to prove, as they would seem as though I had imagined them. Certainly, these main grand miracles that I witnessed had caused me to look everywhere for miracles in each moment. Even a small white downy feather on the street from a pigeon struck me as the feathers of the wings of an angel. My mind had been opened so wide to the infinite possibilities.

I processed the psychological effect of how, when searching for something avidly, you can find it in everything, and that makes it easy to imaginatively suppose things have happened when they haven’t … or at least haven’t been worth telling the story, as no one would believe it.

But was that feather materialized by the angels or was it a pigeon feather? We don’t ever really know — there is much more mystery in this world than we sometimes care to recognize.

In contrast with the way that these life changing, enormous scale of materialization, dematerialization and biological miracles had occurred — along with physical touchstones to have and to hold, to remind me that it was real — I felt this mystery of the unprovable was movingly inspiring along with it.

The strangely impactful thing about this series of events is that the miracles stopped, and never came back for five and a half years … and those years seemed like an eternity at times.

Struggling to reproduce the events of 2017, I considered that my lack of prowess in comprehending the scope of their significance may have been a spiritual block to further manifestation — and so I poured all my hopes and dreams into the study of this topic.

This way, I covered so much ground as an artist, visionary thinker, medicine woman, healer and a lover of philosophy.

I allowed my mind to expand, exploring the vast diversity of all kinds of miracles that this potent series from 2017 seemed to imply were also possible. It seemed that by extrapolating on these occurrences, this opened up thousands of related possibilities.

In its final form, this study was synergized into 16 concept models — 16 categories or types of miracles that may be imagined as the ultimate dream of our world. With 16 gorgeously designed artistic glyphs, I created formal and beautiful “plates” or digital artwork to represent each one — and writings which eventually became videos to describe them. This was the birth of The 16 KEYS SUPPORT TOOL.

These 16 KEYS have been re-designed and re-ordered several times and are now going through an overhaul, which this archive is a part of.

Thinking back on the miracles of that potent week in 2017, I asked myself so many times: “Why did this all happen at the time they did?”. That week was the week leading up to my graduation after well over a decade of traditional training in the Shipibo-Conibo Ayahuasca psychedelic plant medicine traditions, when I became a full-fledged Ayahuasqera master healer and Perfumera specialist.

But also a prominent life changing event within those ceremonies included how I was given through Ayahuasca visions the profound keys to all the mysteries which would become the diamond core of The UNITY LIFE Mystery School. These information and media sensitive visions contained the material which would become The 72 FACETS (IN 144) and directly lead me into the media, for life.

These mysteries I received at the time of those miracles of 2017 are the reason why UNITY LIFE is about the media, specifically stars such as Dita Von Teese, and many others. It was then when the seed was deeply planted — that my life would turn upside down and I would go from having no interest in mainstream entertainment, to being a superfan of Dita’s, and other like minded artists.

I also received insight into the potent language of miracles within the media, which reveal secrets of the nature of reality.

Of all the stars I examined in this light of The 16 KEYS, Dita Von Teese was the one who seemed outstandingly the most related with this topic. Some of her performances portrayed her as a magician, manifesting physical objects such as jewel encrusted high heel shoes right out of thin air. This touched me deeply in such a way that kept feeling affirmed.

All this was strongly connected in my mind with her former husband Marilyn Manson, as well, although I found her way of expressing this extremely individual — so unique to her artistic approach as a multi-faceted artist who goes far beyond burlesque.

At the same time, I was having potent dreams about her, such as one in which she was a dual androgynous being — both Dita Von Teese and Marilyn Manson in one person — in which (s)he advised me very lovingly that (s)he manifests gold coins out of thin air as his/her trade, to use as a high-value currency on the market.

This idea that Dita could make a good living from miracles of this nature really stuck with me.

To affirm that, I also discovered Marilyn Manson lyrics which explored the Bible story of a coin being manifested from thin air by Jesus Christ. I found these lyrics especially enriching to my views on these topics surrounding Dita. 

During this period, my contemplations expanded into questions of simulated realities, symbolic authorship, and the nature of representation itself. As these dreams, symbols, and media resonances gathered, I found myself returning again and again to mystic spiritual themes associated with some cultural elements of Ayahuasca psychedelic plant medicine. Particularly I was drawn to the figure of Christ — not as a religious claim, but as a modern archetype and symbolic horizon within my dreamlike mystic worldviews.

In these contemplations, Christ was viewed not as merely a historical individual but more as a divine image reflected through artists such as Marilyn Manson, Dita Von Teese, and many others — a radical inspiration of the mysteries of living form and the timeless wisdom of great miracles. This inspired me about how meaning moves through images, figures, and identities before being fully realized. I imagined a world of simulated realities, where veils upon veils of perception ultimately point toward the truth of biological form — not the historical Christ but something even more radiant than this world has ever shown.

This had been a long five and a half years of integration, reflection, dreaming, and art when 2022 came around, and I found myself purchasing VIP meet-and-greet tickets to see Dita perform for my first time, at her showstopping tour, GLAMONATRIX.

Deeply inspired by the connections I had found between Dita and these miracles, I took advantage of the opportunity in meeting her and prepared a long letter, to go with a package of gifts, hoping she would have time to enjoy it in full. The letter reviewed the miraculous events of 2017, how this tied in with the media and The 16 KEYS, and explained the connections I was seeing between these events and her art, as well as that of Marilyn Manson — along with my dreams and mystic contemplations on the gold coin, Christ Mysticism and simulations.

On January 10th, 2023, I enjoyed Dita’s show with my whole heart at the Queen Elizabeth Theatre, in my home of Vancouver, BC, Canada.
There, after the show, I had the honour of meeting her in person and presenting her with my letter and gifts about these miracles in connection with her. It was the most beautiful meeting, complete with an autograph and lipstick kiss on my hand which I plan to have tattooed.

Most importantly, she assured me that she looks forward to digging right into my letter and the gifts, after asking for a tour of what was inside the beautiful bag.

Immediately upon returning home from GLAMONATRIX, I experienced again the exact same miracle as what took place in the Ayahuasca ceremony in 2017, although I was, this time, not under the influence of any psychedelics. Now, in a sober state, a lighter materialized from thin air into my hand, just as it had 5.5 years ago.

Once again, it was my spare lighter which had not been available in that moment, and it was again suddenly in my hand at a time when I had clearly only had one lighter in my hand. I had picked up a single lighter, which I knew was the only one available in my pocket, to use it to light my Mapacho cigarette. Then, when positioning my thumb to strike fire from the lighter, there was two lighters in my hand.

This time it was a cigarette, as I was habitually smoking Mapacho for spiritual purposes at home, at the time.

Yet it is rare to be able to have Mapacho in North America.

This made the similarity of the presence of Mapacho in the story — which is a spiritual medicine plant well known for its grounding properties — especially striking and special as a mirroring of two miraculous events.

Only six months after that article was published, another miracle of a much grander scale occurred.

It was New Year’s Day, January 1st, 2026. This day is typically very strongly associated with Dita, as she often does especially major burlesque performances for this particular occasion, putting much emphasis on the holiday.

That day, upon waking up and going to change into new clothes, I reached into my small and very well organized lingerie drawer just as usual. There, I found a brand new piece of Dita Von Teese lingerie — a Rosabelle bikini (panties) in Ethereal blue, labelled size medium — shiny as new and complete with all the tags.

I owned several pairs of these in medium, of which the most recent purchase was six months prior. Of course, they were all de-tagged when I received them and well worn.

I realized then that this had been yet another materialization from thin air — and I wondered if this may have occurred at the exact stroke of midnight, New Years Day, inside the lingerie drawer. 

By this point in time, six months later, I had lost quite a bit of weight. My size had gone down from a medium to an extra small. Lately I had been ordering XS from Dita Von Teese lingerie and finding they fit nicely. My old Rosabelle in medium were extremely loose and very bunchy in the back.

But when I tried on this new Rosabelle in medium, it fit perfectly. Confused, I tried on my extra small new panties I had purchased, and they still fit just as nicely as ever.

As a model who exclusively models only the lingerie of Dita Von Teese, I use it every day as the only type of undergarments I ever wear. My lingerie is all de-tagged shortly after I receive it and kept in my small lingerie drawers with other pieces that I wear often. These three small drawers are meticulously well organized.

As my collection has grown, I have stored lingerie that I’ve become too small for, or which has worn out, in a bag, ensuring that everything in my daily-use lingerie drawers are all exactly memorized pieces.

Quite simply, there is no way that this new and fully tagged garment could have possibly been in my lingerie drawer without my knowledge, to strike me as a surprise when it was found.

When the lighter materalized after GLAMONATRIX, I began to experience the first glimmers that there was a 'pattern language' message in these events which pointed towards the importance of documentation.

So far, the previous similar miracle of 2017 had been tucked away as a quiet secret. Although I found it incredibly significant, I had not publicly documented it in my formal online stories of these events which accompanied The 16 KEYS SUPPORT TOOL. The reason for this was purely because I felt that the fact that I had been under the influence of Ayahuasca had made it sound unbelievable that it had occurred.

Now, thanks to this new repetition of the event outside of the influence of Ayahuasca, I felt deeply spiritually affirmed that there should be a place made in my public documentation of the events that allowed for this information to be shared. I knew that this new context would make it seem much more plausible that even under the influence of Ayahuasca, a misunderstanding of physical objects would not occur, and so this may have been real.

Immediately after the event occurred after GLAMONATRIX, I wrote out a draft for a video that I would deliver which would tell these stories. The manuscript for the video was written, but it was never quite completed and I did not prepare the video — I just didn’t feel intuitively ready yet.

But later, in July of 2025, I finally published an article which described all these events. This was promoted in my new Instagram which revolved around my new website, which had just opened along with the new UNITY LIFE Archive.

In that written format, I felt ready to deliver this information. I felt this was optimal timing, as the most exciting for the audience, along with the new artwork coming out constantly through UNITY LIFE. This artwork included my modelling of Dita Von Teese lingerie and explanations of my interest in her art for fans and community to appreciate in context - among many other things.

After I experienced the materialization of the Rosabelle lingerie on New Years' Day 2026, I checked back in my email out of curiosity for record of the last time that I had ordered the Rosabelle briefs in ethereal blue. it was the exact same date as when my very first UNITY LIFE Archive about Dita Von Teese had actually come out, 6 months ago.

This had been designed to kick off a series which would ongoingly keep coming out about her, discussing various topics that complement my modelling either literally or abstractly, in combination with my other artistic ideas. This one was among the very first UNITY LIFE Archives ever created, and it was specifically about her lingerie line.

I found this especially interesting when considering that my unfinished public record of the previous miracle after Dita’s show GLAMONATRIX had been sitting unpublished for a whole two years, patiently awaiting the day when the UNITY LIFE Archive would be born. It was that which would make it possible for this new miracle — and the previous related one in 2017 — to be publicly announced, finally.

This, in combination with the previous miracle, seemed to voice the importance of putting this information out into the public. 

In that, the synchronicity was awe-inspiring, when I now realize how potent the timing has been of the 2026 miracle, as I was mid-process in the creation of a new card system, The 7 of 9 ⨺ SOLVE COAGULA Mind Map System (Prototype), which would necessitate a complete overhaul of The 16 KEYS SUPPORT TOOL, which investigates these topics — thus deeply influencing this archive and its presentation methods. 

The combination of being in process with an overhaul of The 16 KEYS through The 7 of 9, while this newest miracle took place amidst work sessions, has actually forced me, in the most beneficial of ways, to integrate how I document The 16 KEYS with this archive, thus inspiring a whole new way of doing things on UNITY LIFE sometimes. 

This first effort at a collapsable menu technique to laying out events — and separately, their meanings, etc — has made me realize that these modules of information could be exactly replicated in other parts of the website, with different modules combined and in different ways. For example, part of this archive will also appear in The 16 KEYS resources, and it is created so as to span through UNITY LIFE educationally. 

The use of collapsible accordion panels indicates a documentation spine, rather than just a regular reading experience — and so I've decided to create a new archive genre on UNITY LIFE called "Master Archives" which can support more integration throughout the oeuvre. These pieces, unlike others, will be changed at any time, to support ongoing timelines. There's already one archive that I've already been dreaming of morphing into something like this.

To recap, the initial week’s period of several miracle occurrances in 2017 led to a huge explosion of creativity as a result. One extremely special and unusual piece of artwork was also created, aside from The 16 KEYS, which was since removed from UNITY LIFE’s public presentation : The 2021 Prophecy.

This failed attempt at an exactly dated future prophecy attempted to predict when the next miracles would occur, and described (in great visually illustrated detail) many countless examples of how exactly the world would change if the miracles of The 16 KEYS were instantly globally available to all.

The emotional charge surrounding this depiction and failed timing prediction caused it to be removed, although it contains a wealth of documentation of my artistic — and psychological — development surrounding all this which should someday be publicly reclaimed. In retrospect as I write this, I feel newly charged with inspiration to do so.

One thing that has made my interpretation of these events much more complex and dreamlike has been this pair of KEYS within The 16 KEYS series which are usually paired together :

KEY 11 ◊ SIMULATED PEOPLE
KEY 12 ◊ SIMULATED PLACES

While "people" or any biological life form come under the heading of "Simulated People", objects such as candles, lighters, lingerie etc. come under "Simulated Places". Indeed, there cannot be a person without an interactive world around them, and I find this connection most inspiring. 

In my dreamlike contemplations, I've always imagined Dita Von Teese as a simulated person and found her art to project that notion in discreetly coded layers. I often wondered : Would it be possible for a simulated person to materialize real objects? Or perhaps the more apt question would be, would the more crucial description of the source of these events lie somehow beyond her?

Philosophically I would argue no, offering Dita as the same source of miracles that lies within all existence. After all, a simulation is only perceptual (having no actual substance) while the creator of it is real — leaving only the true source to ever critically speak of. By this I mean that the simulated person is conceptually not separate from its own creator at all, as an expression of their profound creative will.

But practically in some ways, she and the circumstances of these events are perhaps best described as a symbolic convergence of meaning and symbolic language, rather than a final answer to where these miracles in my life have come from. 

Of course, the most obvious of The 16 KEYS which apply most immediately to this timeline of miraculous events, are these : 

KEY 6 ◊ MATERIALIZATIONS
KEY 7 ◊ MANIFESTATIONS
KEY 8 ◊ DEMATERIALIZATIONS

The difference between KEYS 6 and 7 is only the question of how long a physical object which has been materialized from thin air would remain in existence. Considering KEY 8 being in play within these concept models as well, anything may be dematerialized back into non-existence. I've proposed that the objects worth remaining in existence for eternity are of great inspirational proportions, leading to KEY 7 which refers to those special items.

Although this information is not currently documented in KEY 1, that is the key which represents the root of the entire 16 KEYS thesis : The scope of possibiity and potential in human biology and DNA activity which is not yet discovered by publicly available science.

KEY 1 ◊ BODY OF MASTERY

Currently this KEY describes a healthy physical composition of miraculous proportions. But the deeper vision for how it evolves as these resources expand is to give voice to a popular term — The New Human DNA. I'd like to discuss in this KEY the possibility of undiscovered mysteries about human and wider ecological genetic functioning which may explain these phenomenon. 

I've always seen the source of all divine phenomenon as being universally contained within each atom, each molecule — but DNA is possibly the best metaphor for these visionary philosophies.

I refer to KEYS 2 - 5 as "The Mental Abilities Keys". They describe various models of a fully miraculously expanded mind : 

KEY 2 ◊ MIND OF FREEDOM (strategic mastery)
KEY 3 ◊ MIND OF WISDOM (prophetic ability)
KEY 4 ◊ MIND OF PEACE (mental health and Enlightenment)
KEY 5 ◊ MIND OF VISION (creative mastery)

In my meditative contemplations on the miraculous events which I knew were about to happen immeditately before they occurred, and willed into being, I have often wondered if I was supported by someone else. I wondered : Would it require consciously or acutely aware knowledge of the every atom and molecule that would be altered, to the micro-detail, in order to materialize an object from thin air? ... or would knowledge or awareness of this nature be best reframed into more subtle architectures universal presence-awareness, making us all capable of miracles?

To me, this all adds up to so many possibiities that it seems the theoretical potential of miracles are fairly unlimited. The logical unfolding of related concept models seemed to beg for certain subjects to be accounted for. Those not yet mentioned include :

KEY 9 ◊ HANDS-FREE DIGITALIS
KEY 10 ◊ HANDS-FREE MEDIA
(These represent the miraculous distance creation of interactive code, AI, and digital media)

KEY 15 ◊ CREATION OF LIFE (materalization of a living being from thin air)
KEY 13 ◊ JOININGS (when multiple living beings miraculously become a single individual)

KEY 14 ◊ FREE ENERGY (could miraculous workings of the universe be behind scientific natural phenomenon we already understand?)

KEY 16 ◊ MASTERY OF WATER (how would the miraculous ability to instantly move, purify and change the properties of water affect ecological resource management globally?)