◊ UNITY LIFE Archive Addendums ◊ The writings found on this website are termed under the genre of intermedia art. This is a form of art which contextualizes the process aka making of the artistic creation, as well as the audience, with the work itself. To illustrate that, some archives are followed by an addendum which explores this theme in some way. A common theme is to explore the audience through discussing any reception directly from the stars the archive is about — Because they are the most holistically & strategically aware of their own audience, which I share with them by writing about them and therefore promoting my work through their fanbase :
Addendum
◊💫 I’m so proud to announce that I received such positive response about this archive and the Part 1 which came immediately before it, on social media from Deadly Apples and Jared Leto. Alex Martel writes the lyrics and is the lead singer of Deadly Apples and Antoine Lamothe is the drummer who makes the music videos — and their reception has been glowingly positive on all levels. Also, I’m so excited to say @jaredleto of 30 Seconds to Mars also sent his love — though indirectly, which was so illustratively done — to these archives.
◊🖤🖤 What happened is, @deadlyapples (@alexmartelofficial and @tonythetricky) responded in-depth, liking the two archives in a strategic pattern from all three accounts, commenting, giving comment likes and replies back in relation to it, and sharing my stories about it to their stories (plus more likes on other things). Although we are in communication, they did not consult with me in such a way as to influence what I would say in the archives. Antoine only said once, many months ago, that he thinks it’s “really good” to interpret lyrics in my public work.
◊❤️ As well, Jared Leto liked a comment of mine on something unrelated the day after he was tagged in the post, and as I will explain, I took this as a fascinating indirect way of expressing his appreciation for the archives, which illustrates the points I’m making. This is the second time he has done that — liked a comment of mine on his posts directly after (around the next day or so) being tagged in something much more significant — leading me to be absolutely certain that the like had a double meaning. But why like something indirectly? Let’s look at that later.
◊🧬🕊 I also think Marilyn Manson may have taken a look at these archives. My website geographical statistics do report views from locations that he has been touring in during those times, although that’s never a guarantee. I also say this because as a psychic intuitive, I’ve really gotten a lot of impressions from him that he has taken an interest, but due to the severity of the scandals against him and the restrictions of his lawyer’s advice which limit his public interactions, he could not express that to me — since my archives often mention these issues.
Reception from Deadly Apples
◊💀🍎 Let’s start with Deadly Apples. The beautiful show of love and appreciation from them for both the archives, about the lyrics and video of SACRIFICE ᛉ was, needless to say, very sentimental to me. I feel so much respect emanating from them — and overall resonance. That’s true just in these archives, but it’s also a longer story between us. They are going to mail me an autograph, and I met them previously and have been in contact in depth. They followed my old Instagram account as well as this one.
◊❤️ To chronicle their beautiful response: @alexmartelofficial and @deadlyapples both liked the one about the lyrics, which were written by Alex, on Instagram. And @tonythetricky (Antoine Lamothe) and @deadlyapples liked the one about the video, which was scored by Antoine (the drummer). That way, of course, it’s transparent about who did exactly what in the band so that when I share this information, people learn a little about the making of it all.
◊🔑👥 Also, Deadly Apples shared my stories about each archive onto their story, and Alex shared to his story the one where I specifically featured the artwork for the lyrical archive. And Antoine also shared my story about the second archive to his story. Needless to say, they all gave likes to the stories. They even waited until the story was almost expired to share it to theirs in order to get the most overall view time out of it on Instagram. Also, they both checked out my other stories a lot and gave many likes.
◊🖤🖤 Also, DEADLY APPLES gave a love and a comment “🖤🖤” on Facebook for both archives. In fact, on the second one, they gave their comment a little “slow and late,” as perfect timing, which I took as a message to purposely say they respect my deliberate choice to be “slow and late” with my posts about this on Facebook, which I do to de-emphasize Facebook and show encouragement of Instagram. I think they just thought about it and decided to send a message to me that they perceive and respect my style.
◊🎙 Also, Antoine Lamothe and Deadly Apples both responded to my comment on their post about the video release. See the gallery included here to read my comment and their responses. The comment was designed as a sneak preview of something that was later said in the archive.
◊💎 This has all been such an honour 🖤🖤 ))
Reception from Jared Leto
◊💝💐 As a psychic intuitive, I have found that my intuition is stronger with stars, because that is where I’m most interested and curious. I got a lot of intuitive impressions from Jared (plus Shannon) and I see this has been confirmed by his actions on social media and possibly also my geographical website statistics too. I sensed that his interest in UNITY LIFE has been mainly centred around my defence archives: FALSE ALLEGATIONS AGAINST JARED LETO Pt. 1 and Pt. 2, DEBUNKING THE AIR MAIL, and the continuing expansions of it in these ones.
◊💡 I intuitively sensed this has totally inspired him, and really touched his heart, especially because he appreciates that it was created by an artist and with so much strategic emphasis. I feel that he and I are alike, both as very inspired strategic thinkers who can passionately get down with this kind of hard work — it’s brutal but has so much dignity. However, sad but true, logic dictates that since I’m the only person (as far as I can see) who is actively defending his name, at least in the fandom, I was obviously special to him in this case.
◊💫🔺 When he gave a like on my comments — the first about a monumentally beautiful 30STM concert in Italy, soon after I posted his first defence archive (and more), and more recently about the mystique of his 10-year background in the making of the new movie Tron Ares — it was not untrue that it was about those comments and posts. But the double meaning towards his defence archives speaks volumes about how a like can be misunderstood, and when information is unclear and taken out of context, false narratives can be spun around it by haters.
◊👽 Long story short, likes from a very famous star like him can be misinterpreted as a cheap and shallow form of currency, since they are known to equal status or other types of gain. My motivations in defending Jared have been explained really well in Part 1 of the SACRIFICE ᛉ archives, but are not explained in a like from him seen on a post only barely read. Hugely intrinsic to the process of defending any star is to understand that small de-contextualized bits of information can (and so sadly, often will) be weaponized by haters for the purpose of deception. We live in a time of information wars and misinformation politics.
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