DEADLY APPLES ◊ THE BURDEN OF TRUE SACRIFICE

◊🪞 In my case, it’s because I’m a healer, and that’s very central to my image in so many ways. The history of my enemies is to be intimidated by the level of respect that this would gain me, which is incredibly well revered in their circles because I am an Ayahuasqera Perfumera — a master healer of full traditional scale. In their sense of how this confronts them for their antagonisms, they seek to weave a story about me that my interest in certain artists shows that I am a disastrously opposite quality of a healer — mentally ill, you’d think — if I’d identify with these humans.

◊💎 I could have simply betrayed these artists that I cared so much about and, lying, retracted my support of them in public when I saw these allegations coming out, in order to avoid my enemies’ wrath and the burden of defending these stars in order to defend myself. That would have been easier, but that was not the truth, and I know that my actions matter, and I matter — therefore I would not settle for less than integrity in my public image.

Deadly Apples and Marilyn Manson ◊ Shared Alliances with UNITY LIFE


Baiting in the Media ◊ The Art of Harm-Reduction in Fame


◊💫 In the part of the MMII found at 5:02, entitled “EXPOSING THE SCANDALS,” I explain a harm-reduction strategy theory which brings light to the wiring under the board of certain waves of false allegations in the media.


◊👁️ Stars, due to being in the spotlight and subject to the mass public, always deal with intense scrutiny and dangerous hostility. Since the entertainment media began, artists have developed strategies to harm-reduce and even benefit from this type of negative public attention. Through a very calculated method, which I call “baiting” — which might be related to self-deprecating humour, provocative lyrics, staged intrigue, for example (and much, much more) — they control exactly what types of scandals or controversies will arise surrounding them, ensuring that these will be the types of problems they already have prepared solutions for in advance.


◊💎 In this way, the stars are orchestratively conducting the narrative about themselves. Untrusted people are kept close, and fed information in ways likely to help circulate these very specific baiting devices (such as specially designed and engineered negative gossip) into the news. Combined with their public persona and artistic style, this successfully assures the safety of their career in the long term. By having clear methods of resolution prepared for each of these dramas, their image is often supported, since resolving a misperception can sometimes defend their name more than if this had never come up. In this way, I would advise that those who have remained successful are the ones who are most exceptional with these techniques.

The Sacrifice of Scandal ◊ How SACRIFICE ᛉ Feels As If Real Life

◊🩸 Marilyn Manson has been an exceptional artist to go through this difficult type of journey with — defending his name — as his art focuses on illuminating the sicknesses of society in great detail, providing much comic relief and intellectual interest to produce a personally developmental experience in learning these bitter facts of life. Through his music I have gained the tools to understand the real root cause behind these false allegations against him as being not his fault in any way, shape, or form.


◊🌒 That said, his baiting, and that of any of my favourite stars, has often made it feel as if I were in the midst of an eerie ritual of sacrifice performed with rich theatrical illustration of the darkness so inherent to the situation. Within that thrillingly creepy landscape of art, which allows psychic space for the context of harmful influences in the masses, I sometimes feel energetically confronted by an imposition which seems portrayed as coming somehow from the direction of the star themselves.


◊🛡️ To defend Marilyn Manson is done by many fans, yet these are usually still called fans. But to dedicate oneself on a major scale — educationally and with great dedication to the defence of his character — is to be called “a Manson Defender.” I proudly claim myself to be an eternally loyal Manson defender — one who would always “hold on,” as the lyrics to SACRIFICE ᛉ describe in the chorus.

◊📖 Yet I understand that some defenders have struggled with worse troubles in the face of these challenging dynamics than I have because they have lacked the following information about how baiting works:


Baiting DeMystified ◊ Where to Lay Blame

◊⚖️ It is very important to properly define what baiting is. To bait is in no way to cause the criminal or legally respondeable behaviour of harm which is done in response. This cannot be called a cause-and-effect.


◊🔑 Here’s how baiting is done: 1) analyse the types of common attacks on your character that are most common in general in the world, and from the array of likelihoods, decide on the least harmful and those you have solutions available to tackle; 2) analyse the psychology of the likely perpetrators to see how they would wrongfully misconstrue certain innocent activities by their own violator mentality (keeping it oriented to your chosen themes); 3) make suggestions, indirectly or directly, which will fall into their patterns of violation-oriented projection, and allow them to spin a false narrative by their own flawed patterns around it.


An Example ◊ My Own Personal Baiting Strategies

◊💎🧬 For example, here is a baiting strategy I have often used with my antagonists. When I can sense that an antagonist is preparing an attack on me, I have often acted as though I don’t suspect a thing, and behaved as though my trust is only growing. At that point I’d “confide” in them, suggesting that this is a cry for support, yet in secret these confided struggles are completely fabricated. I know already that they, in their lack of love, would be triggered by any social pull for support, considering it only a burden. I channel the stress that their hatred causes me into my acting skills.


◊🖤 Inevitably, they begin spreading degrading, rude gossip about what I have privately confided to them, making a blameless personal struggle out to be reason to demonize me. They manipulatively twist what I have said into false “evidence” that I should not be respected in the community. Thankfully none of what I told them was true, so I can easily prove my innocence of these weaponized and exaggerated versions of my “confided” stories. I do this in calculated stages. For a while, I remain silent, and once the violation is extensive enough, I’ll burst forward with public evidence to refute their false claims.


SACRIFICE ᛉ ◊ A Healing Tool For Transcending The Veil of Misperception

◊🌈 SACRIFICE ᛉ, like so many of the greatest songs, really has the potential to be used for actual personal healing in one’s life. The subtle and delicate (beautiful) process of finding when this emotional chorus would apply with the most depth to your life situations is related to greater skills in discernment. The discernment to know where blame ultimately needs to be placed in life has sometimes for me been the most valuable healing tool with life-changing effects. This sophisticated inner search for meaning which the song encourages is not just for application with final decision making — it’s also applicable to subtle layers of perception.


◊🖤 Even just taking a busy urban bus route I can observe paranoid thoughts taking place in a large majority of people. This is not mental illness but commonplace paranoia. People are acting truly terrified that there may be no way to get off the bus when it stops, if they don’t allow themselves to be madly jostled around by getting up to be ready to exit long before it comes to a peaceful stop. Yet the bus always allows ample time to exit once it is stopped. Everyone is struggling with misperception sometimes. It’s OK to admit that sometimes in the most important dynamics in life, emotions are deeper, and so the veil could be thicker when it matters most.


Conclusion ◊ The UNITY LIFE Message of Healing Through Mainstream Music

◊🕊 UNITY LIFE Mystery School is not just Ba Adonai, the medicine woman who promotes personal healing transformation. It is a space of intermedia art as a vehicle of depth-level communication, which acknowledges the art of mainstream entertainment media — illuminating that it is not just entertainment in this music but a true vehicle which is being used by fans silently for their healing journeys every day with amazing results. It will take many archives to convey how much I have actually used this type of music to personally and radically heal.

◊💐 As one who promotes how psychedelic plant medicine has been so central to my healing path, but cannot offer this to the world and knows it is inaccessible as a route for most, I feel truly spiritually called to provide this critical information about how this type of incredibly well-produced and professionally designed, highly entertaining mainstream music can support us to heal in a hyper-accessible way.

◊💎 I invite you to continue exploring SACRIFICE ᛉ by reading the next archive which unpacks the music video : DEADLY APPLES, MM & 30STM ◊ SACRIFICE ᛉ Pt 2 ◊ GEOMETRIC ALCHEMY

Addendum : 

◊💫 I’m so proud to announce that I received such positive response about this archive and the Part 1 which came immediately before it, on social media from Deadly Apples and Jared Leto. Alex Martel writes the lyrics and is the lead singer of Deadly Apples and Antoine Lamothe is the drummer who makes the music videos — and their reception has been glowingly positive on all levels. Also, I’m so excited to say @jaredleto of 30 Seconds to Mars also sent his love — though indirectly, which was so illustratively done — to these archives.

◊🖤🖤 What happened is, @deadlyapples (@alexmartelofficial and @tonythetricky) responded in-depth, liking the two archives in a strategic pattern from all three accounts, commenting, giving comment likes and replies back in relation to it, and sharing my stories about it to their stories (plus more likes on other things). Although we are in communication, they did not consult with me in such a way as to influence what I would say in the archives. Antoine only said once, many months ago, that he thinks it’s “really good” to interpret lyrics in my public work.

◊❤️ As well, Jared Leto liked a comment of mine on something unrelated the day after he was tagged in the post, and as I will explain, I took this as a fascinating indirect way of expressing his appreciation for the archives, which illustrates the points I’m making. This is the second time he has done that — liked a comment of mine on his posts directly after (around the next day or so) being tagged in something much more significant — leading me to be absolutely certain that the like had a double meaning. But why like something indirectly? Let’s look at that later.

◊🧬🕊 I also think Marilyn Manson may have taken a look at these archives. My website geographical statistics do report views from locations that he has been touring in during those times, although that’s never a guarantee. I also say this because as a psychic intuitive, I’ve really gotten a lot of impressions from him that he has taken an interest, but due to the severity of the scandals against him and the restrictions of his lawyer’s advice which limit his public interactions, he could not express that to me — since my archives often mention these issues.

Reception from Deadly Apples

◊💀🍎 Let’s start with Deadly Apples. The beautiful show of love and appreciation from them for both the archives, about the lyrics and video of SACRIFICE ᛉ was, needless to say, very sentimental to me. I feel so much respect emanating from them — and overall resonance. That’s true just in these archives, but it’s also a longer story between us. They are going to mail me an autograph, and I met them previously and have been in contact in depth. They followed my old Instagram account as well as this one.

◊❤️ To chronicle their beautiful response: @alexmartelofficial and @deadlyapples both liked the one about the lyrics, which were written by Alex, on Instagram. And @tonythetricky (Antoine Lamothe) and @deadlyapples liked the one about the video, which was scored by Antoine (the drummer). That way, of course, it’s transparent about who did exactly what in the band so that when I share this information, people learn a little about the making of it all.

Reception from Jared Leto

◊💝💐 As a psychic intuitive, I have found that my intuition is stronger with stars, because that is where I’m most interested and curious. I got a lot of intuitive impressions from Jared (plus Shannon) and I see this has been confirmed by his actions on social media and possibly also my geographical website statistics too. I sensed that his interest in UNITY LIFE has been mainly centred around my defence archives: FALSE ALLEGATIONS AGAINST JARED LETO Pt. 1 and Pt. 2, DEBUNKING THE AIR MAIL, and the continuing expansions of it in these ones.

◊💡 I intuitively sensed this has totally inspired him, and really touched his heart, especially because he appreciates that it was created by an artist and with so much strategic emphasis. I feel that he and I are alike, both as very inspired strategic thinkers who can passionately get down with this kind of hard work — it’s brutal but has so much dignity. However, sad but true, logic dictates that since I’m the only person (as far as I can see) who is actively defending his name, at least in the fandom, I was obviously special to him in this case.