I've decided it's for the best if I post it just here probably about a problem that's distinctly been going on for me since when this all started in May. The brujeria has been REALLY strongly controlling what I write and produce as art and since I posted about that a bit, I've been feeling some spiritual response from stars aiming to help me look at potential solutions, so I started to feel in a more constructive mood to write more about this just to be clear what's going on.
I've mentioned already that I felt forced to produce a lot of writing and artwork about Jared Leto (and his brother Shannon, but mainly Jared), re: their band 30 Seconds to Mars and anything about Jared's acting etc. Now, always when I mention that, I've been clear that I have enjoyed doing that. It is an enjoyable topic and there are rewards, and I do care a lot about Jared and I find them both very worthy.
But the only issue is, it's very very obviously out of whack for how to balance my art. For example, I've been stopped by brujeria from continuing my unfinished work on The 7 of 9 because the next set that I need to finish after the 16 KEYS is not as focused on 30 Seconds to Mars as the initial set was. It is more Marilyn Manson.
The plan was basically supposed to be that the SOLVE et COAGULA set was more focused on 30STM with a Manson element, then it was going to be the other way around with the UNNAMED set which is upcoming — more MM with a 30STM element. But my view on it was, I could see it would go eventually from being like a yin yang, to being just a grey mix of everything more integrated and other artists fully present. And I planned on introducing more formal correspondences with other artists aside from MM and 30STM into the 16 KEYS, which would eventually permeate the rest more. But of course, the entire system definitely resonates of so many artists.
So what happened was, when I announced that the SOLVE et COAGULA was going to aim to work with information from Marilyn Manson's tattoos which relate to a certain alchemical canon, I got a brujeria false spiritual message from Jared and Shannon saying that they find actually that the alchemical canon that Manson's chosen for sae's tattoos is actually incredibly disturbing for the audience, and way too dark for the band 30STM to have any association with it (lol). But I said to that back in my diaries, I wrote in my diares to that — that's not going to be a problem.
Obviously I would do an incredible job of having it through the UNITY LIFE lens and not too disturbing of a canon. And I know there's a certain ethic of faithfulness to Manson's sense of humour and street-level wise and high intelligent master wisdom style and stories — to bring through the funnies and interesting insights of what Manson probably meant by it when sae actually chose that canon. But the fact is, those were for hand tattoos and this is for The 7 of 9 so it's not at all strict only to Manson, and it's also, this is UNITY LIFE not MM, so it's not cool to just copy and be a twin only. I will be bringing it through a unique lens, like light shining through a diamond actually.
So I argued firmly for that as wrong, but what happened was, I got no response from 30STM in spirit to my argument. And that's also a sign that it was not a genuine spiritual message from 30STM as well, because first of all it was actually rude against Marilyn Manson which I don't beileve they are because I think they'd actually kiss Manson's ass as best they could really, at this point, especially considering what's going on right now with Jared's BBC (lol). I'm just joking, they are not ass kissers, that's my sense of humour — I am kidding. No, the thing is, seriously, they have major respect for Marilyn Manson and are not rude. But most importantly they are not impossible to work with like as if they set the rules and that's it, no feedback. No negotiation.
It was brujeria, just posing as 30STM pretending to be them when it's not them. But this brujeria has often I think tried to pose with their real interests, and then make it into a sabotaged piece. And the thing is, I'm wide open to their ideas about how the SOLVE et COAGULA set should be done, if perhaps Manson's alchemical cannon is not the greatest piece, just incase perhaps that does overcomplexify the SOLVE et COAGULA too much. But obviously I'm not open to it as a stupid statement just that it's too dark, cause that's not getting alchemy and that's not with it actually.
But my point had been, if they allow Manson some presence within the SOLVE et COAGULA, they'll be glad they did, because Manson is very reciprocal, and would be grateful, and by that would allow THEM some presence in the UNNAMED set which is Manson's special set. And they would want that. And I've been shocked that "they" didn't want to play nice about this with Manson. But it was brujeria, not them.
But anyway, that's my style of a way to treat them, which is my sense of humour with them in how I interact with them when I write to them in my private diaries and look for spiritual response. And yet I don't actually believe for real that they are really that juvenile with each other as to fight with each other over things like this like toddler's just crying out "Mine!" because that's all they know about themselves and the world and they are still just in early development, forming their ego (lol). But I do find that kind of juvenile style is actually promoted by brujeria about them so often that I've completely embraced a language around it just to joke around but it's actually a code. It actually is my code to mean totally mature and wise, intelligent and hyper-respectful items that I feel might be a consideration (lol).
Like for example in this case, it's not for real about them being so juvenile. It's symbolic of their love and artistic connection to the 7 of 9 and this being sentimental and special to them. And then with it being so important to us all in my feeling, this is a way of simply organizing energy and information within the set logically. I mean harmony is one strategy of design. Like you wouldn't play just one note on a keyboard, you'd rather play multiple notes simultaneously to form a chord. When it's that.
But actually that's my background. Brujeria has really been so much worse, and so unbearable since May, but it's always been a problem. It's just that before it was totally manageable. With things like this, literally just a style of humour that I've developed to code myself out so that it seems as though I've somehow fooled paradigms of brujeria. It really is as though the brujeria was actually fooled by this. I would get spiritual messages from them saying these kinds of juvenile things and I guess I wasn't laughing like "haha" out loud for real or anything but I knew it was just a joke just furrowed into things and within it was simply clear harmonious and respectful information, and so my interpretations were healthy.You know, a sub-layer of healthy ordering and proper information. Not a war in the sandbox between toddlers.
Funny thing is, I just feel like now that my life demands a more radical clearing of the brujeria, I'm more called to expose some of my tactics from my diary, and I have sometimes done that. And today I have a couple to bring out. Just in order to explain what the problem has been.
As you can imagine, things that used to feel like obvious un-laughed at jokes and simply mean nothing, are now starting to become dominant paradigms.
Like with the 7 of 9. Right now it's been halted at this stage. The reason why is obviously because the next key in the 16 KEYS that needs to be done is about simulated realities, and there's been a motion from Jared not to hugely promote sae as a simulated reality right now. Which is totally all good, I'm fine with that. Yeah I got from Jared like, probably ultimate to just leave that topic in UNITY LIFE for another time in life and I completely respect that idea. It's just a topic that I haven't covered enough yet in the new version of the 16 KEYS to really be able to say it's even ready to be used on an art project claiming Jared is a simulated reality. But the thing is, I could get it ready for that, and just not do Jared as the main feature of who I'm talking about.
Cause there are other stars too that I think are simulated realities and I could mention them. But the thing is, I do know Jared would appreciate that kind of art about sae out there, just not right now. So that means, I'm not allowed by brujeria to do that key at all, even though that's totally not fair to other artists who would love to see this type of art about them on UNITY LIFE. There's the idea that Jared would rather be the first who was promoted in this way, so just leave it for now. But the thing is, listen, it's really up to me, and I really don't care just infinitely what Jared might like. I really don't. I have other stars that I'd like to do art about, I really don't need this. It's totally angered me now. And then it's going on for SURE into the idea that it's not allowed to do the UNNAMED set as well, as I implied earlier. Cause that's Manson's set.
Like I will be stressed with total panic attacks if I try to work on the 16 KEYS, or the UNNAMED set, the parts that need to continue for it to carry on. I mean not literal panic attacks, I can describe it more faithfully. What it is is like I get struck by a majorly intense sense of intrusive thoughts just miserably bitching and moaning like "Oh you're not gonna do this are you? You're not gonna do that are you? Oh WTF there's something wrong with that", and then it's like anytime I do something that doesn't look that good it's like hyper-anxiety, I'm dying of stress that it doesn't look good. But normally always when I work on any design, the art not looking good in some parts is completely normal for the process, and I'm a very experienced designer, completely adept to that whole entire process of developing something aesthetically. And normally I feel no anxiety around that. That's just nothing — it's pretty much a zero space — it's just when you are mid process creating a thing to look good. And for writing something on it, I know what I'm going to write, but I'm just blocked and can't go forward with doing it, no matter how much I am there and ready to do so right now. And like of course I have standards too. Regardles if my perception might be altered by brujeria sometimes to feel something doesn't look good when it would under other conditions, it's no worries — it's just up to my perception as an artist in my own subtle decision making process.
You see, when I started writing in this cry for help journal, it was not too long after that I realized it could be quite possible that actually the brujeria has been rudely and harmfully announcing real needs and intentions of Jared. We talked about this with the lingerie modelling issue. I see it as a design to somehow perceive Jared's real intentions or hopes or needs, and then try to execute them in such a way which will sabotage the entire process and make it all break down by how badly it was proposed, and how horribly sabotaged I was in carrying it out, etc etc. So at times this has really confused me a lot. Because I often do care a lot about Jared's needs, not because I'm overemphasizing sae's needs over my own, but because I see logically Jared is so smart and amazing that most likely Jared's needs ARE synonymous with mine because they are ethically and brilliantly devised.
Like what ended up happening with the lingerie was very telling. I was angry that so-called as if Jared, through brujeria, had horribly and abusively forced me to take down my sexy lingerie modelling from instagram. And much worse. But I did see Jared's side of the matter if indeed Jared had genuinely had any concern. It's not like there's no argument for being more careful about these issues. There were some great things that came from taking it down. Like just today I was followed by a 13 year old child and even though that child was a fan of Marilyn Manson doing child's pictures constantly of all kinds of media like Dita Von Teese, Marilyn Manson, all this — it was very relaxed to know that my comic art of my lingerie modelling is inarguably fine for their age group. INARGUABLY. On all levels. At least in my opinion (lol). At 13 I was allowed by the store to buy Heavy Metal magazine (lol). That's totally still true in our world. But also my statistics show that it's extremely rare that my page has ever been viewed by anyone under 20. Because of course, my target audience is thoroughly and clearly adults.
I mean when children see a comic like that or Heavy Metal magazine and it goes through them in the wrong way, that's because they're being physically sexually assaulted by predators in their physical space. Seriously. Rather than censor the entire media, why don't we actually upgrade the police efforts against these problems? Cause we could silence our whole world while the police sit around doing nothing about these issues. They really don't have enough going on at the police. And real child predators are not seen in public. It's about rooting around in the shadows for real predators, not silencing the media.
But then what happened was perfect. I took it down and got all the benefits from doing so, but without losing the benefits of what it had for me in the first place to have had it initially — AND I got the benefit of being able to expose the brujeria — AND I got the benefit of a way to continue fighting the brujeria. Because I'm still fighting to get back my lingerie modelling and I am serious about that — VERY SERIOUS about it. And that's the thing. When I get it back, how will I do it? Will I try to retain the beneifts of taking it down by only putting it up on Patreon and not instagram, or will I put it right back on instagram? See the thing is, it's entirely up to me, and I can make that choice then, and that's my point. The choice is mine in any given moment. The choice is not outside of me based on an outside weighing of the benefits for me by others if that seems it should be allowed as my choice based on ethics, or anything else. It's just my choice, my body, my freedom. That's what I'm fighting for.
But also I'm fighting for my right to make a living. Because my modelling is all part of how I advertise myself in my business. I need to at least privately model. And that being taken away from me actually takes away my ability to support myself at all. To pay my rent.
Does Jared want me to not be able to pay my rent? No. Does Jared want better for me? 100% a billion millino percent yes. But UNTIL THEN Jared doesn't need me out on the street. You know? Like this was all engineered to make my business fail and have me out on the street, then ideally I'd be unable to finally access better opportunities for work as a result.
But coming back to it though, that experience really shaped my thoughts. I understand the distinction between brujeria and my favourite stars — I mean the difference is like day and night — but I also see that when the two are mixed and blended together I'm pretty fucked here cause my goal is to achieve great things with the stars. The benefits of having the lingerie down ultimately seem very beneficial to getting a job with Jared and Shannon at 30STM, but just has some benefits in general even now. But not if it destroys my life of course cause I can't privately model either. But you know what I mean — I ask myself often — what are the benefits though? When do I allow the brujeria to get its way, figuring I've actually tricked the scheme and gotten my way over it. Right now I feel like I've gotten that iwth the lingerie at this point, cause my new comic of the lingerie really works. But I can't easily do more comics of the lingerie so I am stuck from here on in, but it's serving well enough for now. I mean the brujeria has totally stopped me from doing more comics too, but it takes forever and is hard.
But no, like, that's the way it's going for me with the 7 of 9 and other things. Like I'm like "Is there some divine plan? Perhaps there is a higher path orchestrated and destined within all this?" because you know, I've suspected that all this brujeria was caused by some kind of interaction between Jared and this evil person who I felt was from their staff. But I've also considered other things, like maybe it wasn't their staff, maybe it's just that Jared created a fake phone that does fake texts and fake communications that sae's not really having, for these evil ones to put surveillance on that phone and get a whole false impression of Jared. And it's programmed. Maybe on there, it's with advanced technology giving this huge wide open communicating false impression of what Jared wants etc etc etc in so-called as if real conversatinos, and these evils think they actually have captured Jared's secret conversations about me on surveillance. If it's that, it's with advanced technology that could program it to work against these bad people, these brujos.
Cause lately, I've been writing on another post that I realized it's actually quite clear that Jared has gotten into advanced technology, and I just had this intuition once years ago that Jared and other stars that I adore so much were doing the same thing, but this was more a Jared focus. That it was with fake phones with fake texts and all this. And I noticed lately it seems Jared and Shannon have automated interactions on meta and I realized this could be done by registering a deepfake as their staff with a staff login and having it follow programmed instructions of a very complex degree. So what if that's done on a phone that these brujos have on surveillance assuming it's real?It's like comparable to an extreme deepfake technology but it's a different thing.
Well yeah I think that for sure. I'll be honest, I'm certain that's happening. It's just the only question is, how much relevance specifically does this have to my situation in one thing or another? It's not necessarily true that 30STM didn't have this staff member, but I think in this case, it might be a great theory to think that Jared's got it programmed with these fake texts to complex fool these violators into doing brujeria on me in such a way that would work out. But how?
Like the trick would be, announcing Jared's intentions like "I don't want Ba'sie to keep doing the 7 of 9 anymore cause I'm a juveline jealous boy, freak boy, and I'm jealous of Manson's UNNAMED SET", or "I'm a retard — I don't want Ba'sie doing the modelling anymore, cause that's trashy and brings down the vibe of my show if I'd ever hire Ba'sie", but knows that's going to make these violators think they can get away with all this brujeria without Jared coming down on them for it. So that's terrible. But the strategy would be, know that there's a way that it will be OK once we get them for this because they were on surveillance in what they were doing aginst me? Cause maybe they have a plan B for me that woul dbe better after Plan A gets destroyed. Or maybe it is like a superplan how Plan A gets destroyed gloriously into something that just shows it can never be destroyed as such a better effect. But I'm really not sure which sometimes.
But anyway, it's not just those two problems. There's also "I'm Jared — I'm addictive compulsive to seeing shows about me on UNITY LIFE and I don't give a fuck about Ba'sie. I wanna see NOTHING BUT JARED ON UNITY LIFE. No more other stars ever talked about. Only shows about Jared and Shannon". Because that one's going on too.
And Foo Fighters has managed to break through that issue. Just enough to get a few raw & uncensored rants about their band. And Manson has gotten it broken enough to get the new Exit Wound archive up and one post about sae's movie Wrong Cops. And I've been striving very hard to make sure at least the instagram is balanced, and has various bands, ideally AT LEAST a healthy balance betewen Manson & Jared, if not also some Foos, and ideally I was hoping some others too. But on the website it's just been pure Jared and Shannon nonstop.
And I'd way rather that than there be nothing at all I can work on. And that's my danger if I stop just going on about Jared and Shannon. I could be much more upset just not being able to produce anything at all :( But the thing is, it's OK to focus my art on Jared and Shannon but no one else normally at all :( And that really disturbs me.
But I do worry sometimes that it's supposed to happen. Like for example, I was so upset for a really long time writing blogs about deepfakes in the Echelon, the 30STM fanbase, which was a disturbing study. But I didn't know when I was working on that that soon there was going to be a BBC documentary coming up against Jared which I would need to answer to in my UNITY LIFE defence materials for sae's innocence. And that's not a problem, that's just keeping updated on my important projects that would always be fixed up and done nicely if there was news out. But I was amazed to see that not a lot needed to be done on it when the day came, because inadvertently I had been adding these deepfake studies which were perfect as a way to respond to the BBC. I was very happy to see that thanks to my detective work, a link had been found between the BBC documentary makers (likely Jared's accusers) and these malicious deepfakes who were proposing false narratives against Jared wtihout any evidence obviously, because they had been causing a big disturbance right before the docuemntary came out which showed that they saw the release date coming up. But how would they have known that? It was able to be tracked.
So that was strangely ironic that I released my new updated defence post for Jared just days before the BBC came out, and then all I had to do was lightly rearrange and comment on my existing materials to answer to it freshly.
And the thing is, that's great, but that's the kind of thing that really confuses me sometimes. Cause it turns out that was meant to be. That was I guess OK that my life was miserably absorbed into being forced to work on Jared stuff against my will, cause I did find out later that saved me time anyway on things I'd totally be interested and feeling the need to do my by own volition. But then there is absolutely no guarantee that everything else is like that too. Because it's like just today, I was thinking of a COUPLE different posts I'd be interestedin putting up about Jared, and that would interest me for sure. But then I thought "Hey, I can easily think of a couple for Manson and one or two for NIRVANA, plus I've got one that's been waiting for Dita, so why not those ones?" and I just thought "Fuck it, I'm doing the other ones instead to be more balanced" but BOOM te brujeria stopped me :( It was ike so obvius I had no choice, I could do the Jared posts or nothing. And that's why I'm writing this instead. I just thought "I tell ya what. This is such a big issue it's too serious, I have to write this in the cry for help".
And you know, the way I used to manage this kind of a problem was by just punishing Jared and Shannon for this when this kind of thing would happen. Before it got so much worse in May, I used to think of it for sure as just brujeria but something I could manage through joking around about this juveline attitude in the brujeria. I would laugh it off. So in my diaries I have a longterm story about it and how I manage it all. And today I'm going to tell that story in order to explain punishments against Jared and Shannon which have worked ebfore to get things back into balance. Because I'm thinking seriously about punishing them now.
So the story goes, when I was very young, say between 12 - 14 or so, living in Barrie, Ontario, Canada, there was a magical coffee shop called Reggie's. It was the most iconic place I've ever been to almost. It was low key, yet deluxe. There was scratches and graffiti sometimes on the wooden booths, but the place was decked out semi upscale in style. It was that kind of old-fashioned wood fashioned fancy wood kinda styles you saw a lot in the 80's and 90's, complete with red carpetting. It was a large place with a front and back, each with around 10 and 20 booths in the back, as well as round tables in the centre. There was a smoking section — a very large area for it — which was raised with a single step higher which had a fancy wood railing you could lean on to talk to your friends. The place was a social hub. The attempted fanciness of the design as combined with the ragged, scratched and casual feel there created a perfect atmosphere. The place was filled with high school teens and adults there, all regulars around town in Barrie who all knew each other. The key was, you'd pick out a booth for yourself, but then generally wander around to the other booths and join other people as well. It really was a tight scene which became like a mixing community — almost partyish social club. With coffee, muffins, brownies and sandwiches. Everyone was addicted to being there at nearly all hours. Most people spent a ridiculous amount of time there. Booths were toned with the styles of main friend clusters who usually hung together, but we all mixed.
At that place I was well known for my zine which was called Koshure. I was trading it for smokes quite often and everyone was a fan. People enjoyed my sense of humour with the zine name. It included a comic called cannibal chick, and the notion was that it would be your meat to consume, loosely blessed somehow and yet perhaps with questionable or corrupt workings to the blessing. You know, like how cows are blessed by Rabbais and then immediately sent to their execution and doom straight afterwards. Question really rings as to weather the blessing worked, since they were murdered immediately after, and these Rabbais were being paid to go bless them supposedly, but only within those kinds of conditions. I mean these blessings did not save their lives. Yet people don't question Rabbais because they are in authority, and that's just how our society works.
Rabbais oversee quality of the meat, yet we much wonder how much or how helpful that really is. Still, it's not really questioned. It's just something people consume. That's the zine I was offering. That was offered as a metaphor for what I was providing with like cannibal chick and all that. I mean even in my youngest days I was presenting myself casually as an authority on media. I would dictate what these people would consume. As a teenager, you might wonder if you'd separate the art from the artist? Would you say the art is inseparable from teh artist or was I somehow a product of a sick society as a teen? How much blame goes to the rabbai? But then again this meat they were consuming, was it that society's sicknesses were actually butchered by my comics? Whatever the questions (lol). It was a funny metaphor. I even took it further and literally printed the zine unauthorized on the church photocopier at my Dad's church where he was the minister (lol). I eventually got caught and my Dad said it was OK, but some of the staff said it wasn't really truly to the glory of lord Jesus Christ, so it was banned (lol).
OK so you get the coolness factor at Reggie's. You know? It was actually iconic. But also very interesting about it was that because of the casual energy, the management was very strict with guests and always had a "buy something or get out" rule. Like literally every 30 minutes they would come over to your booth and simply say "Buy something or get out" just bluntly like that (lol). People often found that annoying when it interrupted their converstations rudely like that. They just didn't care. That was often joked about at Reggie's, to the point where I added it that at the end of one cannibal chick comic, someone from the back would say "Buy something or get out" as the finale of each comic strip, just as a "badoom ching" on top of the cannibal chick finale of the story.
So you see, the Reggie's management had a harsh side yet it was all super iconic cool people who I've later found are very comparable to my favourite stars in a way. I remember there was even a goth booth usually, or two. The goth booth had totally built outfit black goths who always smoked the fancy dark cigarettes with teh gold foil, which are much more harsh smokes. Quite often epople were buying cigarettes from each other, or begging, and I enjoyed trying the goth cigarettes and sitting with these hyper-intelligent and cool, cavalier, styled out goths sometimes. They were very cool, you know like really styled and suave.
So the goth booth is obviously Marilyn Manson's both you see. And the other booths, obviously just assume it's other bands. And everyone's mixing. And the fact is, I use Reggie's all the time as a metaphor for UNITY LIFE in my diaries when I talk about it. I used to play the game, like saying that stars have to buy UNITY LIFE stuff about them by giving me cool dreams and beautiful spiritual experiences tha seem caused by them. But after a while, Jared and Manson gave me too many wonderful and incredible experiences and dreams, as well as NIRVANA of course, so it became actually way beyond this kind of monetary exchange. It got so ramped up that they were all so rich beyond imagination with time at Reggie's, that there was no way I could keep up with everything they were all owed. So I started abandoning the monetary sense of exchange, and just trying to go for fair balance. You know, like you're not allowed to create simulated reality copies of yourself to take all the booths at Reggie's with many copies of your band. You do have t obe fair, and allow other bands to have their own booths too, that's all. So this became like Reggie's rules of the house.
And one time, what happened is, during the earlier period at some point this had become a problem so I actually banned Jared and Shannon from Reggie's entirely and they were kicked out. I never said anything rude like that online, cause of course this is all my jokes liek as if they've been fully juvenile and misbehaved at Reggie's, when I know it's only brujeria. But the thing is, the brujeria is pretending to be them, so what I did was just pretend I'm down with that and figure, Jared and Shannon wont' like it if they're banned from Reggie's so regardless of teh fact that this is not their fault, they are banned until this is resolved. I mean it wasn't literally a punishment, but my sense of humour was totally to joke around pretending it was. And to this day I wonder if that fooled the brujos because I think it has many times worked. But anyway, I wasn't listening to 30STM music anymore, that was all removed from my playlist, and all their content nad fanpages were removed from my feed on instagram, and it was strictly prohibited.
This went on for like months or something and went down in history in my internal spiritual world. All the time it felt like Jared and Shannon were totally expressing that they were super concerned about the ban, working constantly to get it resolved, and were being totally proactive about this. I happily just carried on putting the focus on other stars instead.
And eventually it seemed that we were safe to remove the ban. It just felt right. It felt like this wouldn't be a problem anymore, and for a very long time it wans't a problem. The ban was removed and everythign was back in order at UNITY LIFE aka Reggie's again.
But right now, it's like somehow these evil replicants of Jared and Shannon who are taking up all the Reggie's booths have also stopped other stars from even claiming their booths, even if the replicants werent' at Reggie's at all if they were banned again. It's like other stars aren't able to join at Reggie's booths very much except a few stray pieces lately about Foo Fighters and one about Marilyn Manson. I mean they've had to probably get in with like a big machine guns or something.
So I'm thinking about trying to ban them from Reggie's again. But yes it would be much harder to do at this ponit, since now I follow a lot of 30STM stuff on instagram and one of my best friends is obsessed with Jared and Shannon. But ti's possible. Of course without being impolite to anyone. But my only worry really is, if I do that, will I be blocked from doing anything at all then? I worry that it's the case.
You know like when I speak of the possibility of banning them FROM REGGIE'S ENTIRELY, that brings up such gravity. Immediately I feel them coming through in spirit so tense, like "OMG based on this history — it's happened before and it was taken so seriously then. Oh — that's SO SERIOUS to be BANNED" (lol). Like it was very much with a sense of joyful companionship for sure that we went through all this stuff. It was so wtih love and joyful co-creation with this whole facade. Although the metaphor wasn't just a facade, itw as a code for just working out my artistic practice with mature respect to all involved.
But yeah that's been a fun metaphor. I mean I've played around a lot with the metaphor in my diaries, so much. I've even considered some people in my life who are not stars, can be like superstars like Manson and Jared and all of them, in a way, by joining Reggie's. Like for example, my bestie Yang. Sae's one of my very best friends. I always used to sense that on some subtle level, Yang was in the back smoking section of Reggie's, angling to get in. It was like a VIP lounge that it can be hard to get into (lol). There WAS a thorough social environment in the back, in the parking lot area as well behind Reggie's too, with people who didn't feel like buying something right now but wanted to be part of it.
And what did happen is that Yang became well featured eventually in UNITY LIFE. Yang ended up having a huge part in the 30STM Timeline ://A\\rc)}’Hi\\V//e:. Sae's incredible joke about celebretarianism ended up being such a splash. It was such an incredibly lit thing in that archive. Really provided some intellectual comic relief to a very negative part of the story.
And my friends who are not famous stars are never going to have quite the same role in UNITY LIFE of course, cause it is not quite the same. But their roles matter. They have their place. I'm in the process of practically deifying my friends sometimes on here actually. It's just an artform that I like to do to bring out true stories of my life and who I hang out with in person and stuff I'm into, as a bit of an autobiographical element, but it's one with a huge importance beyond the obvious. I mean the more well my friends are accurately and well deified here for wha tit is that really is true of them, the better they can be seen as what part they could additionally play.
And I mention that because it's not just other stars that are loosing their booths here to replicants. It's also innocent characters from the back smoking section of Reggie's too. I mean you might even say that's just ME. It's like will I even not be able to score a booth at my own establishment?
It's not like I can't just do personal posts about myself but I assure you, it's as if I dn't even run my own establishment anymore all thanks to these replicants of Jared and Shannon. Everyone does need the real Jared and Shannon in this restaurant, not the replicants.
But yeah no, just to finish off this writing. This is a top grade establishment despite appearances of being so low key casual with graffiti and scratches on the booths. The food here is just so beyond deluxe. It attracts stars like nothing else. The quality is absolutely ladida like any of the fanciest restaurants you coudl go to, and BEYOND. It's really a quality unmatched by anything else. It's like some kind of a futuristic quality. Like these are levels of quality to the food and coffee which is literally just beyond imagination, and proportions. And yet it's got this low key casual atmosphere to it. So that's why stars are trying to get in. They do enjoy their time at Reggie's. They do enjoy socializing nicely with other stars with other booths. This layout and setup just works. Stars, and even people like Yang from the back smoking section are DYING TO GET IN. It's not just Yang. There's a lineup and a back scene.
I remember when Dita Von Teese first visited Reggie's. Sae was one of the first stars to arrive. Just for a small treat and coffee at first but this turned into full scale quality meals. There have been shmorgesborgs. This was all fully appreciated.
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