Artwork : Midjourney portraits by Ba Adonai
Well, this post is in the Raw & Uncensored section although it would make a lot of sense to put it in the main UNITY LIFE Archive. But the big thing is, it's always been a very awkward topic for me and has quite a few censorship complexities surrounding it still, even when I'm getting more free in speech right at this time. So I decided to just kinda make this Raw & Uncensored section as Foo Fighters as possible — because in my opinion FF is hugely, mainly themed around the topic of anti-censorship anyway.
Now, first thing's first : It's always totally OK to say that you think something put out to the masses by a band was made specifically for you. Generally, mass media is created for everyone, but more personally for everyone who resonates. The more deeply you resonate, the more personally it was created for you. And if you're like me and some of my awesome friends, you may have been lucky enough to have been seen a famous band in your posts expressing how much it meant to you and sae would have thought that's beautiful in your unique case — in which case it's even more personally for you at that point.
But the key thing is, since sae are putting it out to the masses, sae might not have literally thought of you personally at the time sae were designing it, of course.
Now, I am quite a psychic and mind reader, but I would never claim that a band designed something with me in mind unless I could prove it by explaining how it seems that the most central element of the piece seems to logically be what I propose, and how I uniquely embody that story of its meaning in such a way that no one else could. Because like, I guess I'd be comfortable saying that I felt it was for me personally even if it's only that I fall into a certain category of people I feel sae were thinking it should be especially for ... but that's not my style. AND whenever I say this, I would also point out just why it is I think sae knew of me at the point in which sae made it and were also thinking of me specifically as a main thing about this. So that's a grand claim.
And I do have some beliefs like that other than the Foo Fighters, but I would not normally say them because it relates to trade secrets of the media why would be so important as to theme things around me sometimes, and these are secrets that in some ways are best to keep secret anyway. So I have some secret compliments and loving things that have been said to me by various stars in their releases, and these are very important themes about not just me, but how my story could bring incredibly valuable healing and reframing context to the stories of so many others, potentially — depending on the thing it is. And quite often I can see so clearly that it's really very simple : If my work could become well known or famous and within it I would one day explain the significance of these shows in my special way, it would obviously unlock an incredible whole new dimension of potent genius and collective value which was in the show, but is tragically hidden. So this brings more monetary value of popularity to the show if it could be reframed famously in these ways.
Therefore, it's my belief that as long as I'm being beaten down by my enemies and prevented from success, the more potential there is for these shows to band a lawsuit together against my enemies. See, the way I see it, all sae have to do is have a formal "business plan" as I call it (which is much more than that) which shows how sae can see sae would logically benefit from my fame and plan to use it for increasing their sales. Then, while keeping surveillance on me (which is legal to do it this way in Canada where I am), sae then manage through a special technique to get my enemies to fall into legal traps that correspond with these business plans. What they do is, sae set up a logical way for me to become famous and get ready to do it. Then, sae trick my enemies to think they are entrusted fully to a position within their group, and in the process, sae share access information which I call "the keys to the castle" so to speak — the kind of information that could be abused in order to sabotage their plans. Then, sae capture evidence of these people abusing this sensitive information or tools and revealing saer motives of it being for the purpose of sabotage.
It's actually so much more complex than that even. That sounds complex, but anyway, long story short, it's even more complex how sae do this without violating saer own chances of succeeding in the lawsuits by having set this up with actual knowledge that these people were likely to act this way. It's quite a scheme, but from my understanding, the way this is done can hugely reward monetarily through the lawsuits, as well as bring justice, plus also (most importantly) create the conditions for my fame which as I explained, is good for their sales. You'd think it's ironic that this would create the conditions for my fame rather than do the opposite by putting it in the hands of saboteurs. But of course, they have a backup plan ready for how to execute the mission. It's like the first version of the mission might be seen as a first draft of a piece of artwork. That gets spoiled, but the next draft can be better. And in this style of art, sae create a rough first draft after the fact of creating the finished draft, and this rough piece is sacrificed to the mission.
So, this story of why it would be so commercially productive as I imply is not just because I'm a revolutionary. It's because of my work which brings forth the truth that Kurt Cobain is alive, and the incredibly unique and special story behind that. If you're not already familliar with that work, you have to check it out. It's the central piece from which all the art at UNITY LIFE Mystery School stems from : FACET 1(73) ◊ ORIGINAL Now I know that information that sae may be alive is hard to swallow and would be assumed an utterly unpopular opinion — and it certainly is. But I'll give you an example to imagine. If Dave and Krist and Pat and Courtney all announced together one day that sae conspired to help sae fake saes death and they know where sae is, sae's alive and doing so well just like I said, and then sae came back to prove it — just imagine how famous that would be. It is really good news and it is a really beautiful story. But the thing is, I was meant to play a special role in how that information would be delivered. The way I can deliver it heals so many problems — things like everyone being pissed at NIRVANA and Courtney for lying to us all these years and the whole plan to become more popular backfiring on sem.
But anyway, just for the record — I really don't think I'll become famous exactly from that kind of a crazy stunt from sem (lol). That would be so crazy for sem to do that, even though it's true sae is alive and sae could come back. I have another view on how it's going to happen. I must say, that's an evolving perspective for me of the future and I'm sure my views on it will continue to develop over time — but one thing's for damn sure, it's when the lawsuits are done which make that safe for me. Anyway, regardless of the lawsuits, I was kinda visualizing it lately and I thought probably it will slowly increase over time by stars giving away the secret about me and my significance and importance more and more over time until it starts getting out of control with the rumours and getting me more attention. In fact, I'm already experiencing like that already, but not to the point of my instagram blowing up.
But yeah, part of that process for me is obviously beginning to unfold with the latest Foo Fighters album, and there's a great story behind it. The new Foo Fighters lyrics for the song "Of All People" are obviously in full reference to the whole idea of Kurt Cobain being alive.
And anytime I ever hear any lyrics that imply that sae's alive, I would always find that super interesting — but of course the only band that would logically do that is one which has members of NIRVANA in it, because it's the most in saer interest to promote that complex and challenging topic. I mean it's a very hard one to open up, and so we know, it's up to SEM to rock it from "in house" to the deepest degree. And there are more songs than just that too which are about me, but that one is the one which explains why I'm important here at all to sem. Plus I want to say, there are also several songs as well from Krist Novselic's band 3rd Secret which are about me in this exact way. Particularly Diamond In The Cold which is a perfect metaphor for some crucial dynamics about the legal activism I've been describing. But starting off with this one.
So like, as I've mentioned in my stories within this Raw & Uncensored blog, I've totally been so fascinated by Dave Grohl's story in NIRVANA, because it seems to me that sae found out about Kurt's plan to fake sae's death at a much later time — or gradually throughout time — making it so mysterious when exactly this became clear to sae. Or how clear exactly it really was to sae. It is very clear that Krist knew about the plan from the start, from the earliest founding of the band with Kurt. But Dave, in my opinion, was not let in on the secret directly. It seems sae was heavily, heavily codedly hinted to, but that's not at all the same thing. It's such a different thing to only get things like that by hinting alone, when it's so incredibly important. So Dave's story (and that of Pat Smear who joined NIRVANA later on in the process and later joined Foo Fighters) is one of beautiful and incredibly rich layering and mystery, as to when exactly sae figured it out — or figured it out powerfully enough to believe in massively investing in it.
The time is NOW for sure with that new song. A huge new investment has been made by Foo Fighters into me and what the truth I bring. And it does seem like there's been a real lead up into this point. The last album before this from Foo Fighters really did have a song about me too. In that song, Dave describes a special person that sae saw in a vision (which I believe was a psychedelic medicine vision), who sae could not connect with directly, and this was very difficult for sae not to be able to. The lyrics go "There's something between us" with a double meaning — a barrier keeping us apart and also a real connection despite that barrier making it seem unbelievable that it could really be so. I was not confident speaking of that much in public (only a tiny bit), until now with the new song Of All People. Now it comes together, but this new song and the rest of the album is so much more specific than before about me.
Now, there's a story that I've been thinking might be at least true in some sense which might explain the timing in a way of why this is all coming out now. I admit, I suspect strongly that Dave was very familiar with me from earlier than this, but let's just say it looks like the case that sae knew sae had found me and sae was ready around this point : Well that could be imagined as because I introduced myself to sae and my work directly.
Actually, it was when the previous album to Your Favourite Toy (the newest one) was fresh out that I went to my first Foo Fighters concert, and launched a letter and a beautiful present in a package onto the stage, addressed to Dave. The letter fully introduced FACET 1(73) ◊ ORIGINAL at a time when it was a work in progress.
I can't confirm 100% that the package was ushered to Dave from the stage that night, but it's a possibility and I've always thought about that. It said, though, in the letter "Don't worry. I'll send Krist the finished work when it's complete", and I did, and received a MOST AMAZINGLY ABUNDANT AND BEAUTIFUL RESPONSE from sae about it. Directly in the mail. On multiple occasions. And more too. Also sae's wife Darbury helped sae make a shirt about it too which sae wore to many important events. And Krist collaborated with me artistically with UNITY LIFE, on my first artistic collaboration with a famous star on this website !! So logically, it's quite believable considering Krist's enthusiasm about this that sae told Dave and the Foo's about it all, even if Dave didn't get sae's special package as a work in progress version — and sae's special presents which were related to the art.
But anyway, timing wise, all this would have left Dave time to incorporate this incredible news into sae's newest album by now.
I mean, and the amount of contact I had with Krist was minimal. I was not granted deepest access to totally ask sae questions like if sae had passed this on to Dave about my work — and besides, it might be sensitive anyway. Plus, I do think Dave was already aware of my work from earlier in time when I explained it on ser Facebook page for NIRVANA, so it's not in some ways sounding like that honest of a question for my own reasons of just to find out if Dave knows.
I could theoretically contact sae to ask, but it just hasn't felt like the priority cause I feel like the guess work is really fun by detecting from the new album anyway. But now that I even write this, I wonder if it might be fun after all perhaps to ask. Cause you know, even if it's sensitive, Krist is a master at communicating in code, and sae might have a cool creative idea for how to tell me if it happened, in such a way I could use for UNITY LIFE. I'm only thinking of that idea right now as a possible next collaboration with Krist for UNITY LIFE, cause the thing is, that would be really sick about the new FF album. Krist really is crafty and an amazing communicator even without using words explicitly. It would be fun if sae could think of something that was able to be transmitted safely without the sensitivity issues of the way this information needs to come out into the public properly and not prematurely in the wrong ways.
But yeah, it seems like a convenient story if it were that — if it were that in the previous album at the level with Dave where sae was comfortable opening up about visions of me that had happened for sae, but was only comfortable later for Your Favourite Toy to go off super obvious about Kurt Cobain being alive, then it could be part of sae's comfort was just in how thoroughly well explained and backed up the theory was by me.
But there's other ways of theorizing the whole reason for this timing as well. It could also be that the conditions that made it possible for me to explain my point so well in F. 1(73) were the same conditions that allowed Dave to express saeself in a new level too.
Totally honest with you, it's always true there's many ways at looking at things, but it's just that with so many choices of how to frame a perspective, it makes sense to be creative and choose a story about life which you find most useful and practical. And my reason for even writing about this one is because I feel like this might serve as a practical way to tell the story so that people could grasp and come to terms with it more easily than some other versions. It's like it's probably easier for people to not worry about the questions of weather Dave would have necessarily heard of my work just through saes Facebook page from me commenting, and makes it simple if sae would have gotten this information from a letter or from Krist, directly to sae. So it might be handy one day to promote that idea — just for ease of believability. There's always a way to word it so that I'm not being dishonest considering I do theorize that sae knew about me much sooner, if this ends up looking like the way to go.
Right now I don't really feel like writing more to explain the meaning of all the songs I was referring to in the previous or latest album, and the 3rd Secret songs from Krist. But sometime when I feel like it, I'll probably come back to this post and do a Part Deux with just more storytelling about the specific songs.
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