Author's Note : This post is almost an exact copy of the content which used to be on the main Timeline ://A\\rc)}’Hi\\V//e: )) You likely found this post as a link from that page. When I wrote this, I was not yet aware that the story had transitioned into The Antechamber Stage, so everything was documented in the same style as The Grand Gallery stage that came before it. When I realized that this time had been part of the Antechamber, I decided to minimize it from the main timeline by moving it here. Now you find it through a minimally styled Antechamber Meditations section with small titles.

Late March - June 8th '26 ⨺ I Reached Out To 30STM Requesting a Job
In a striking turn of events in late March, I perceived that 30STM was reaching out to me covertly through an agent hired to coach me about my dream stated on this timeline, that I would like a role on their team as a graphic designer. This person gave me an art grant of $240 for The 7 of 9 in response to my post which catalogued my needs for supplies in the 7 of 9 Process Artifact Journal — and continued on to provide another $500 after moving, indepth consultations about what kind of a role would suit me best. Through this conversation I felt coached to be more honest and admit what I really wanted — to be hired not as a designer who would customise my skills to any company, but as an intermedia art consultant to work in a two-way consultancy in which we would both influence each other, with like minded artists only. I would provide many mediums of art as a product of our check ins just as the intermedia genre suggests. This person found end to his role, and I continued with the understanding that I was being supported to appeal directly to the band — empowered by this new perspective on what exactly to ask them for. At the same time, I was producing many stunningly beautiful visual art pieces for The 7 of 9 and the corresponding 16(2) along with extremely professional writing to go along with it.
Co-Creating This Dream ⨺ 30STM Responded With Increased Interaction
By cataloguing our interactions here, I'd noticed that Jared or the band had strictly interacted with me about every month (except twice it was two months, I think due to extenuating circumstances) for about the past year. I felt they had actually scheduled me into a planner for it. I had come to expect contact from them at this regular monthly interval, but all this changed after I put out the call for the job. A month after the last time, they interacted — then two weeks later — then one week later — then half a week later (today, June 8) — making it exponentially increased. This was an obvious message that they were leaning into me more at this time in response. At the same time, so much was going on for me on my end processing the possibility of this job that it was hard to find the words to update this timeline. I felt embroiled in many layers of intense reflection. These interactions are recorded in the following sections.

A Cry For Help ⨺ The Other Side Of The Coin
Although I was charged with the professional and artistic impulse to start crafting a masterpiece proposal for the band to upgrade my initial request, real-life had a much more challenging path laid out for me. Instead, an ongoing 4 year crisis at my current business exploded, leaving me financially unstable and grasping desperately for hope of a better opportunity. I decided to use this scenario as a chance to be vulnerable with 30STM rather than polished and perfect — viewing this as a valid way to illustrate the other side of the coin of why they would want to hire me — to save me. I had already shown that I'm a good investment, but the necessity of this happening quickly took over the story by force. I posted this blog entry on May 7th, and formalized it on The 7 of 9 Process Artifact Journal 2 days later — and to my relief, I received what appeared to be an initial response from the band about this immediately.

Dark Sorcery From My Unique History Became Part of The Story
Brujería is a form of dark sorcery traditionally explored through the healing teachings of Ayahuasca psychedelic plant medicine. I've provided a dedicated UNITY LIFE Archive explaining my views on how this type of "witchcraft" may operate not only surrounding Amazonian traditions, but also within wider society. Ironically, this phenomenon which I had long associated with harm and obstruction eventually found itself woven into one of the most meaningful and inspiring stories of my life through 30 Seconds to Mars. Certain brujuería from a wide network centred from CoSM Chapel of Sacred Mirrors — that had been antagonizing me for years — had now been distinctly directed toward my relationship with Jared Leto. The agenda of this sorcery was clear : to powerfully dismantle my dream of working with him and Shannon. This proposed itself the complex extent that I wondered whether they had even managed to infiltrate parts of his broader professional network.
At the same time, I had suspected for years that this network was contributing to the difficulties within my work life. What appeared to me as an agenda to restrict my financial opportunities seemed to take an increasingly ambitious path, eventually intersecting with 30 Seconds to Mars, where a potential work opportunity existed. More information about this will soon follow when I have time to write more.

2 Weeks Later ⨺ Forming Pattern Languages of Connection
Two new patterns were formed by a new interaction, which — in combination with many deep layers of reflection — started to make me feel my posts, their posts and the comments were a beautiful game board that we were using for a co-creation of our interactions. This was the second time they interacted only 30 mins or so after I tagged them in a post. This time it was a post exploring how The 7 of 9 was coming along in such a way as to specifically support them as a band — by providing a cultural tool that helps people study the music deeper. I felt that they wanted to co-create a layered series of expressions to project the story of our connection to the community with various tiers of exposure. For example, a low-attention span, surface version that sums it up — and deeper layers of the story with more detail (which interconnect to these quick items). I was hopeful that this crafty approach indicated their intentions to hire me, showing they wanted the story of how they approach me about the job to be hyper-accessible (a multi-faceted diamond). At the same time, I reflected deeply on the quality of my intuitive connection with them, as this image illustrates. I will tell the story below, which inspired a plan for a Part 2 of the earlier mentioned archive : GOD'S EYE & BEAUTIFUL ONE ◊ TWIN SONGS FROM 2005.

Relief ⨺ Life Changing Realisations In Heightened Connection
For the first time ever, the band contacted me again only one week after the last interaction, and then again half a week later. The pattern of timing (as explained earlier) was now fully established to indicate that they were approaching with 'exponentially' increasing speed just as had been my greatest possible hopes at the time of our last interaction. This caused a huge sense of relief, not only to see that they were likely trying to convey their intentions to hire me before too long — but it also contained a very deep, real and true healing of the longterm brujería mentioned earlier which opened incredible perceptual integration for me within my inner world of intuitive reflection. The healing was not complete, but had been building strongly until the moment when they interacted it had reached a powerful level. 5 days later, I had a dream about the Foo Fighters (linked here) which perfectly explains the type of healing I'm referring to and my views on how bands may be able to cause it.
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