TIMELINE ://A\\rc)}’Hi\\V//e: ⨺ JARED & SHANNON LETO ◊ 30 SECONDS TO MARS / B(A)

A New Genre ⨺ UNITY LIFE Timeline ://A\\rc)}’Hi\\V//e:s

Within The UNITY LIFE Branch Archive, new genres of writing occasionally emerge. This is the first of one — a UNITY LIFE Timeline ://A\rc)}’Hi\V//e:. As is common of intermedia art, this is a fusion of two genres.

Timeline Archives document the history of my interactions with certain stars, bringing these experiences into fuller context. This format expands from the typical fandom-culture genre of sharing screenshots of interactions to Meta without much context as they happen. These timelines are intended to both entertain and illuminate, but much more importantly to reflect with authenticity on these events. This way, what you observe here is not only a story for the reader, but powerful evidence of my own personal development through the structured arts practice of reflective documentation. These works retain will their original publication date, but the content within remains open to change — combed through, reflected on, and expanded over time.

://A\\rc)}’Hi\\V//e:s are a term for archives centered on J⨺red Leto and his band 30 Seconds to Mars with Shannon Leto. These pieces naturally thread related UNITY LIFE Archives throughout, forming a networked hive of meaning. The term “Hive” was originally used by J⨺red to describe his uniquely personal and high-touch approach to managing his social media presence — a system once known as The Hive. While it is unclear whether this system is still active, its influence appears to remain. Although it likely referred to a hive of Echelon (fans), I extend the concept here to represent a hive of stars — since many of the interconnected archives feature other artists who meaningfully align within this network. In this sense, the structure can be understood as a collaborative field — as though, on some subtle level, these connections have formed together like bees co-creating in their hive.

A Journey of Intuition

This timeline of my direct interactions with Jared Leto — and expanding from there, his band 30 Seconds to Mars which includes his brother Shannon Leto — is best understood as a powerful journey of intuitive development in practice. It is not just a personal story, but an applied study of intuition as a trained perceptual system — unfolding through pattern recognition, reflection, and real-time testing against experience. The journey begins long before any direct contact took place. At a critical point, I experienced a strong intuitive perception that Jared would one day contact me and that a meaningful connection would develop between us. This was not without challenge. I faced self-doubt and wrestled with how unbelievable that sounded, continually testing the premonition against reality through a process of observation, adjustment, and refinement — including moments of uncertainty, delay, and reinterpretation. Eventually, after about a year, Jared reached out to me directly — and continued to do so along with his brother — in meaningful ways. I found this deeply moving — not only because of the connection itself, but because of what it revealed about my ability to learn to trust and work with my own perception.

When I speak of intuition in this story, I am referring to something much more developed than a passing feeling — a trained perception shaped through experience, reflection, and relationship. This includes pattern recognition, testing perception against real-world outcomes, and refining accuracy over time. For more about this, see : INTUITION FROM THE PERSPECTIVE OF AN AYAHUASQERA MEDICINE WOMAN. This archive provides a deeper look into what intuition is, how it develops, and how it can lead to real, verifiable outcomes. It explores intuitive development across psychology, spiritual traditions, and Amazonian plant medicine, alongside my own experience and perspectives — including areas such as pattern recognition, light language, and the depathologization of non-ordinary perception. This piece serves as the methodological foundation for understanding the process demonstrated throughout this timeline.

J⨺red & Sh⨺nnon Leto of 30 Seconds To M⨺rs

Jared Leto is a well-known actor who has starred in films like Tron : Ares, Morbius, Fight Club, Requiem For a Dream, Chapter 27 and so many more — and has also produced and directed his own films. He works in music alongside his brother Shannon as the band 30 Seconds To Mars.

◊⨺ I’m sharing here one of many sentimental photos of Jared that I’ve printed just to appreciate since very early days. I love how Jared and Shannon are forming a diamond from 2 triangles, which reflects so well with UNITY LIFE Mystery School. In fact, so much of what they create together does, and this image is only a small surface reflection of something much more sub-surface and layered which for me is an extremely valuable mirror. My discovery of Jared in 2019 was of mystical proportions, but despite that I had no idea just how important he would be to my life until so much later. If only then I had known what I know now, that his fascination with transformation, spiritual templates, hidden systems or codes of meaning and peace within “paradox” or catalytic ambiguity would become such an important mirror for me. Jared and I have much in common. We both thrive on immersing ourselves completely into our “work” and by that I mean art. To us both, identity is not something that happens to you — it is one’s own creation — the greatest work of art is your own identity, meaning your actual self. I've always thought Jared's artistic statements were more than interesting, but now I see a deeper purpose and higher reasoning behind my call to putting a focus on him and his brother.

2019 ⨺ Discovery of Jared Leto

I discovered the existence of Jared Leto and this caused many important inspirations which lasted to this day.

The very first time I was exposed to Jared (in such a way as to know his name) was through a random YouTube video found in my searches for videos about Kurt Cobain. There was an indepth video which compared his voice with Kurt Cobain's voice indepth, using special sound technology.

The video featured many pictures of Jared on stage performing with his band 30STM. Looking closely at him for the first time, I was immediately consumed with the idea that if simulated realities exist, he must be one. To me he seemed like a simulated reality which represents Kurt Cobain. I laughed, thinking to myself that I don't know why this person would be on my videos if he doesn't exist. It seemed absurd.

I had been studying simulation theory, thinking a lot about the idea already — Jared struck me instantly as someone who profoundly illustrates this whole viewpoint on the infinite possibilities of the universe. It was just intuition and carefree imagination. But this view has never left my mind in all the years I've followed his work.

Soon after, I found another YouTube video of an impersonation of Kurt Cobain by Jared. It was some kind of music video for a NIRVANA song, with Jared dressed as Kurt. Just as Kurt used to do, he hid his face with his hair. I found that incredibly moving, as I was already a big fan of how Kurt does that — taking it symbolically as to represent the importance of identity to his journey. As you can imagine, this particular choice of Jared's for what he would immitate struck me on a deep level as mystically potent.

I quickly became familiar with 30 Seconds To Mars, but initially found much more interest in Jared's many incredible acting roles. To me, the fascination was entirely about how his roles seemed to voice many very improtant interests of Kurt Cobain's which I had been avidly studying. To offer an exhaustive list here of all these would be quite an effort. The list simply went on and on, where every role seemed to scream of things that I had already been focused on about Kurt's core values. Many of these discoveries became deeply sentimental to me.

This whole process led me to feature Jared in a series of weird, artsy 15 second videos that I was creating at the time. I had just begun my first NIRVANA fan page under the handle @ba.adonai, and it was abstract art — yet with an info rich theme. In each video, I would fly at a screaming pace through way too much information to register that quickly, all of it completely fascinating and interconnected, deeply emotional and mindblowing content. Some of these ideas are actually represented on this website today.

It took a long time to make these little micro masterpieces, and I was getting incredible vibes from Jared as I worked to do them. His vibe came across really clean, professional and clear — with a sparkle of love and respect. It felt right. I knew in my heart Jared would have loved this. But that feeling really increased for me in later years. In much later years I could not believe how much I was intuitivey sensing that Jared would really powerfully treasure that old art story. This resonates, as the value of my art often increases greatly over time.

Tragically, most of these videos were lost. I deeply regret deleting them in an accidental purge of earlier modalities in my artwork. But some are saved and will one day be brought out of the vault for discussion.

2019 - 2024 ⨺ Poetry & Dreaming

Over the years, I always maintained an appreciation for Jared's movie roles and music. This led to a series of attempts to break down my inspirations into workable art for UNITY LIFE Mystery School.

During those years, one favourite movie of Jared's was Chapter 27. To this day it's pretty much my favourite of all his roles, due to the way this has impacted my visions of where my art could be headed for so long. It has been such a struggle to finalize this particular project which was defnitely poured over at many occasions during these years but has often frustrated me by it not coming to fruition.

The goal has been to make a connection between the lyrics of Marliyn Manson's 2000 album HOLY WOOD, some fascinating interconnected themes regarding Kurt Cobain and John Lennon, and specific information about the movie Chapter 27. Chapter 27 is the story of John Lennon's murder by Mark David Chapman, a character investigated in depth in HOLY WOOD.

It's more than certain that Kurt was deeply inspired by Lennon, as is Jared, and there are certain bridges of ideas that I find compelling about all this. But for certain reasons, it has been too hard to finish this particular piece ... so far. But one day I'm sure it will be completed. Right now, I'm more focused on Yoko Ono as my method of slowly working through this creative block.

I continued to ponder my inspirations about Jared's music and movies, especially his movie roles, throughout the years. This led to so many huge ideas about how these fascinating themes in his work correspond with the core values I see in Kurt Cobain, that I eventually had enough brilliant poetry in my mind to need to make my plans solid. I decided at some point that I would dedicate one of the FACETS of The 72 FACETS (IN 144) to Jared.

Which FACET it would be was in a morphing and evolving cloud in my mind, and there were 2 different plans made. I think I still have the old backups of the instagram account where I actually wrote down what ideas would go with what FACET in the series. But plans have changed since then. My way of structuring the information around the FACETS has shifted, and so Jared's special FACET is moved to FACET 34(106) ◊ CREATOR in late 2025.

I think it might have been 2020 when I wrote a long comment on Jared's Facebook page, expressing one of the topics of this planned FACET in his honour. It was about the theme of identity, in relation to his tendency to always do dramatic transformations in his acting roles. Jared is often completely unrecognizable in his roles. I shared how this really speaks volumes about the deeper truth of Kurt Cobain's journey. His has been one of false appearances which reveal the truth, however ironic that may sound. Jared was the embodiment of that to me.

Seemingly as a result of my comment, I was given the award of a Facebook Top Fan Badge. Now, I'm told that these are awarded by the Meta algorithm, the AI driven intelligence behind Facebook, so it's hard to say this has much significance. However, as a weird anomaly, I have never lost that Top Fan Badge in the entire time I've remained connected since then. To this day, I continue to get constant notifications that I have somehow retained my badge, when for years I never interacted with him on Facebook.

Whatever it means, if anything, this always remained in my heart.

My views on Shannon in those years were limited only to a certain joke about how he doesn't look anything like Jared, and this seems to lend well to a humorous conspiracy theory that I've seen circulating. This was a popular theory that Kurt Cobain had faked his death and secretly became Rivers Cuomo of WEEZER.

I thought someday I should do a comedy sketch about Kurt Cobain faking his death and becoming Jared Leto, as a way to explain the difference in physical characteristics between him and Shannon. Unfortunately, that's the extent of my thoughts on Shannon at the time, but I do think that's pretty fun.

As much as these events all sound terrifically important to my life, I admit that they were a small part of it. Jared was, in my experience, a trusted and beloved star with really good vibes, but he was definitely not an overall main focus in my mind. I loved those occasional bursts of inspiration about him, but it's not like this was a major personal pursuit. I admit that my art about Jared was never reaching a very well developed place in comparison to other things I was working on much more.

2024 ⨺ Jared & 30STM Came Into Focus

After years of only lightly continuing to pursue these interests, Jared arrived into my life as a powerful force. I felt a really intense positive energy from him and suddenly became extremely curious. This led me to connect on social media with him and 30 Seconds to Mars.

I’ll have to search my diaries for the exact timing — I believe it was late spring of 2024. One day, while writing, I felt an intense and seemingly spontaneous pull toward thinking about Jared. A surge of new ideas began to arise — playful, imaginative, and continuous — and the inspiration simply wouldn’t stop. It felt as though he had suddenly become the central focus of my thoughts. I thought this experience would be temporary but it has continued to this day.

You can’t rush good art, and this experience did not immediately resolve my ongoing creative pursuits of how to integrate Jared into UNITY LIFE. For example, there was still no progress on the Chapter 27 quandary from earlier years. However, this period gave rise to many new in-depth studies, along with a number of fascinating themes that I hope to explore further within the UNITY LIFE Archive and The 72 FACETS (IN 144). I trust that this will come into form in time.

I began to wonder — what caused this intense experience? It wasn’t the first time something like this had happened. I’ve spent most of my life developing my intuition, and I approached it carefully, using those skills to interpret what I was experiencing. In my view, powerful individuals and groups can generate a kind of spiritual influence through strongly held, emotionally charged intention. This effect can be amplified with superstars like Jared Leto due to the collective energy of the Echelon (their fanbase). It is not only their own intention, but also the many people holding supportive, emotionally invested thoughts — such as wishing for all of his goals to come to fruition — that contributes to this overall field.

For example, when artists enter a promotional period, I often find my attention naturally drawn toward their work. I begin noticing fine details and feel a surge of inspiration without effort, as though I’m responding to the energy and intention behind what they’ve created. I find this dynamic enjoyable — almost like an added frill to their promotional activity — and I sometimes only realize afterward that it coincided with a tour or release cycle 😂😂. But actually this felt much stronger than that type of pull.

Over time, I’ve learned to discern when an influence feels beneficial and trustworthy by my unique standards for myself through careful contemplation. For me this has to do with strategically optimizing where I put my focus so that my art will benefit the most here at UNITY LIFE. It is always possible to push something like this away, but ultimately the choice is mine. Jared had already been thoughtfully considered years earlier, and I had developed a sense of trust in his alignment with my work.

I continued with the process on the basis of that trust, and it proved to be deeply rewarding. What stood out most was the difference in intensity — his presence had always felt gentle before, but this time it was much stronger than anything I would normally associate with a promotional cycle (as explained in the previous section).

I considered different possibilities — whether something about me had come to his attention already, or whether there was another explanation — but none of my theories could be confirmed or denied, leaving me lost. Without clarity, I chose not to force an answer, and instead continued observing, allowing time and further understanding to unfold.

For many months, I began dreaming of Jared Leto almost every night and morning. Although my dreams are often blurred and difficult to recall, it gradually became clear that I was experiencing the same recurring dream repeatedly. This single dream would unfold at length, with a highly repetitive structure that somehow remained engaging each time.

In the dream, Jared would sit with me and explain — in a loving yet assertive and deeply attentive way — how things functioned between us. He returned to the same central idea : that problems between us arise in such a way that they are meant to resolve, and that each resolution carries with it the resolution of a much larger, unrelated problem.

Eventually, these dreams subsided. I was struck by how long it had continued, as this level of repetition is not typical for me. My other recurring dreams tend to appear only occasionally, usually involving places connected to where I might live or have lived over time.

Early in this process, I began checking in more intentionally with Jared and his band 30 Seconds to Mars on Instagram. As always, an artist’s social media presence can be a valuable resource for research and orientation. However, actors often have much less presence on Meta, due to the shifting nature of film and television projects, which move dramatically between themes and audiences over time making it hard to use the platform in a consistent longterm way.

In Jared’s case, his online presence stood out. Because his work as an actor supports and intersects with his work in music (and vice versa), his account brings both sides of his art into a cohesive expression. The themes of his acting and musical career appear integrated into a unified field, which was especially helpful in allowing me to process my experiences. At the same time, this naturally led me to deepen my understanding of the music.

It was during that time that I finally found an interest in Jared's brother Shannon. Although Shannon has very little to no media in the public sphere in which he is solely featured outside of context with Jared, I am still a very deeply intuitive person. I felt a really beautiful positive vibe from Shannon. I imagined everyone loves Shannon, as he seems like such a sweet, beautiful human being. I supposed he would be the most helpful person to talk to, if I ever had the chance. I decided that we are probably very like minded individuals. And to confirm all that, I did see a lot of meaning in his symbolic choices of fashion and his ways of expressing himself.

2024 - 2025 ⨺ A Dream Of The Future

During this time connecting on social media, a dream was emerging and strengthening — that I would one day form a deeper connection with Jared, eventually developing into a personal friendship. As beautiful and clear as this felt, huge challenges also came up — leading to Jared personally resolving a problem in his staff and making contact with me.

Very early in this process, I developed an extremely potent intuition that I would be contacted in depth by Jared. This perception unfolded as a sequence of stages — beginning with likes on my comments and replies from him, then progressing into direct messaging and ongoing conversation, and eventually developing into a meaningful friendship over time. This intuition did not feel dependent on any single explanation for why I had experienced such a strong energetic pull earlier — aside from simple impressions like “beautiful things are meant to be.” Questions about cause — what may have been happening on his side or what initiated those earlier experiences — belonged to a separate line of thought. One part of my mind was engaged in exploring those possibilities, while another remained focused on perceiving a clear intuitive trajectory of events between us.

The reason I keep these processes separate is because the explanatory side of this experience felt complex and unresolved. I experience reality as layered. While I don’t relate to the common “multiple dimensions” framing often used in new age spirituality, I do perceive distinct layers operating simultaneously. My aim is always to eventually unify these perspectives into a cohesive understanding. In this, there were many possible interpretations, and my unfinished process of unifying them made the whole picture feel unstable and unfinished. In contrast, the intuition itself felt clear. For that reason, it was more grounded for me to allow the intuitive perception to stand on its own, while leaving the more complex set of theories open and unresolved until greater clarity could emerge.

This intuition brought forward a deeply challenging process. In my understanding, it is extremely rare for a fan to be contacted directly with the intention of forming an ongoing personal connection. For this to occur, I felt it would have to be for a meaningful reason — something of real value that would justify that level of time and attention from someone with such a demanding life.

I could imagine what that value might be, and there was one particular quality I felt made strong practical sense in this context. However, I was also aware that this was my own perception. It is difficult to separate one’s sense of value from their own perspective, especially when it is so deeply tied to their life and work. I was cautious not to assume that he would necessarily see me in the same way I saw myself.

Without a way to confirm this, I found myself in a state of uncertainty. I couldn’t test the intuition against reality or ask directly, and so I was left navigating the experience without external validation.

At the same time, this intuition carried a strong emotional resonance. It felt beautiful and meaningful — something I did not want to dismiss. Letting go of it entirely felt like disregarding a dream worth holding onto. And yet, without confirmation, I also worried that I might be misinterpreting the experience.

I eventually realized that the intensity of the emotion was influencing my sense of timing. The strength of the feeling created an impression of immediacy, as though the connection might happen at any moment. I found myself repeatedly expecting contact within short timeframes.

Over time, I came to understand this as a common challenge in intuitive development. When an intuition carries a strong emotional charge, it can compress the perception of time, making future events feel much closer than they are. Learning to recognize and refine this distinction is part of developing accuracy.

I accepted this as part of the process. Although it was often difficult — and at times painful not to see it unfold right away — I chose to remain engaged with the experience and continue learning from it.

As I continued interacting with Jared on Instagram, I became increasingly aware that my comments were not receiving engagement. Eventually, I discovered that my account was being repeatedly restricted and then restored (unrestricted).

Being restricted functions similarly to being blocked, except it is not openly visible. You can still view the account, but your comments and tags are hidden from others. Through checking from my other accounts, I confirmed that my comments were not visible. Attempts to tag my other accounts also seemed to trigger additional restrictions.

The pattern became clear : my account would be restricted, then later restored, only for the cycle to repeat. This inconsistency suggested that the actions were likely coming from social media staff rather than directly from Jared himself.

This experience was deeply upsetting. Despite knowing that my interactions were positive, I found myself questioning how they might have been perceived. At the same time, I considered the possibility that the restrictions were not coming from him personally, but from others managing the account.

What made it especially difficult was the uncertainty. I could accept the idea that we might never become friends, but the thought that he might actively dislike me — enough to restrict me himself — was much harder to reconcile. That possibility challenged my underlying sense of a positive connection.

The repeated cycle of restriction and restoration created a confusing and emotionally intense dynamic. At times, I chose to step back entirely — distancing myself from his content and even from 30 Seconds to Mars in order to regain a sense of balance. Despite how difficult this period was, I moved through it and continued forward with greater clarity.

Eventually, I gathered enough indications to conclude that the restrictions were not coming directly from Jared, but from his social media staff. ChatGPT supported me in my research. I documented these findings and tagged him in a post on Facebook.

Fortunately, the message reached him. I think he felt bad for me struggling to understand with only ChatGPT to rely on to learn what might be happening.

Shortly afterward, I received my first liked comment from Jared, and from that point forward the situation began to shift. The pattern of restriction gradually stopped, and within a few months it appeared to resolve entirely. At the same time, the positive interactions continued to increase.

One especially meaningful detail in how Jared began interacting with me was that his first comment like appeared on an older comment from my previous Instagram account, @nirvana.kurt.cobain.is.alive ))

While the comment itself wasn’t very old, it was from a moment just before I had formally transitioned away from that account — greying out the profile image and noting the change in my bio — and I soon after began engaging from my new account. A few more comments had already been made by the new acct by the time he liked the old one.

That first like was placed on the previous account, while all subsequent interactions came through my new one, @unity.life.mystery.school )) Because the earlier period of restriction had occurred on the previous account, this carried a special significance for me. It gave a clear sense that there was no confusion around my identity or the continuity of the connection, which felt both reassuring and deeply meaningful.

After the situation had resolved, I was able to look back on the experience with a greater sense of ease. During that difficult period, my friend Yang had shared a joke that stayed with me and helped shift my perspective. I had even included that in the post tagged to Jared which had led to resolution.

His humour drew on Marilyn Manson’s name which encodes a dual critique centring around the term “celebritarianism” or “celebretarianism” — one word with two different spellings, which each hint towards two different definitions of the word. The first name, Marilyn (referring to the legendary sex symbol & icon, Marilyn Monroe), represents “celebritrerianism” or celebrity idolization or worship — and the last name, Manson (the name of a famous serial killer, Charles Manson) representing “celebretarianism” or society’s fascination with death and violence as spectacle. Together, they describe a single cultural system that both elevates icons and consumes mortality through the same mechanisms of attention. Manson’s inverted cross imagery extends this logic visually, exposing how hierarchy, worship, and death are aestheticized, ritualized, and circulated — not opposed forces, but mirrored ones.

Yang suggested that social media PR staff might be sensitive to themes of death for sake of driving popularity, and that my work — which explores the idea of Kurt Cobain being alive — could be misinterpreted within that context as interfering with engagement-driven narratives 😂😂🖤🖤. In other words, Yang thought it was incredibly embarrassing to Jared how his staff had behaved. In that light, the situation became less painful for me and more reflective of how hurtfully these people had contradicted Jared’s ethics of self-preservation as a superstar much alike to Kurt who faces many similar challenges as he did. What had once felt distressing could now be seen with a sense of humour — a moment of misalignment with staff whose mindset is very alien to Jared’s — not a moment of rejection from someone truly tight-knit with him.

July 2025 - February 2026 ⨺ Jared & 30STM Reached Out

Against all adversity, my dream has begun to take fruition when I received much connection from Jared and 30 Seconds to Mars (which includes his brother Shannon) on instagram, just as I had always foreseen. In the first few interactions and ongoingly, it was Jared — and he strongly impressed on me in a very grounded and clear way (which you can learn about below) that he'd generally be into interacting with me in his own post comments rather than on my posts — even if it's sometimes way more about my content than his. This is a way to optimize communication which merges our two worlds into one — by making the whole story not just about him or me — but both our art. This way it shows how our art literally converges or blends. It came out that the band 30STM is just the same. It's minimalism, something which I find 30STM is very fond of
(Note : The interactions have continued to this day, but the dates in this title only reflect the current section of time being explained)

My First Time Contacted by Jared

After all I had been through the past year, it was so healing to finally hear from Jared on July 11th, '25. He specifically gave me my first comment-like right after I had tagged him in some of the very first UNITY LIFE Archives ever to be written — about him. To me, it was initially obvious that the timing of this was designed to show me that it was in response to these resources — but I later received much more confirmation of that. I also felt it was in response to my complaint about the fiasco with his staff the past year — resolving any confusion this may have caused about him.

The UNITY LIFE Archive offered here is Part 2 of a two-part series, following Part 1 released on July 3rd, 2025 — one of the very first ever. I’ve chosen to feature Part 2 since it builds from the first, carrying it further. When the Part 3 is arrives eventually (as promised), all three will be brought together into one unified piece. After this came out, I later explained on Instagram why I felt compelled to write it. I was facing active attempts at slander within my own community, where individuals were weaponizing anything I do to misportray me. It was obvious that false allegations surrounding Jared could be used to distort my image as a healer — even in the peaceful act of celebrating and mirroring with his art — framing me in ways that would be deeply inaccurate and harmful. Because I intended to engage more deeply with his work through UNITY LIFE, I recognized the need to first clearly prove the coherence of my certainty that he is innocent.

I was already well versed in Jared’s work at this time, when The UNITY LIFE Archive was just beginning and the website itself was brand new. It felt important to demonstrate that fact by writing a piece on his art that could reflect a deeper level of insight — especially as I would now be actively defending him against very misguided and troubling, false narratives against him that deeply anger me. This became one of the very first UNITY LIFE Archives : DOCUMENTARIES PRODUCED & DIRECTED BY JARED LETO. The piece grounds my perspective in a long-term, informed understanding of his work — centering on the pieces that say the most about his character, since he has fully guided them as both producer and director. These creations of his offer a particularly clear window into his core values, ethics, and character — revealing, in my view, his depth of integrity and humanity. It helps to prove that my defence is not uneducated.

I love showing this image right next to the other AI art that I created for the defence piece above. This black panther is a portrait of Jared, designed as an Ayahuasca-inspired reflection of the dual-mirrored tiger on the album cover of THIS IS WAR by 30STM. It's the antidote for the dynamics of conflict visually described by 30STM — but also in resonance with the ways that Jared works with the animal medicine of the tiger. This was the UNITY LIFE banner which came out when the website was first released around this time. Previously on Jared's birthday, December 26, 2024, I had sent him a video message through a birthday program in the Echelon letting him know the artwork had been specially dedicated to him — but my video was cut off and I was worried he didn't get it. His first contact with me was the day after he was tagged in the UNITY LIFE Archive explaining this artwork — and this came as a relief to know he had become aware of this.

Jared Reconnected ⨺ Reinforcing The Pattern of Communication

Intuitively, I was certain the last time I heard from Jared would not be the last — and how right I was. Again, on September 26th, 2025, he made a point of giving another comment like literally the day after I had just released potent new materials about him. This definitely reinforced the pattern from before — teaching that to like a comment of mine could be sometimes way more about my posts and not even so much his own. These archives truly are UNITY LIFE classics — their quality is extremely high. Jared may have found it most moving that I announced my plans then to get a 30STM tattoo on my hand, and offered mindblowingly beautiful and illuminating, culturally educational insight into my experiences as a defender of his and Marilyn Manson's from false allegations. I provided the screenshot in a short article about this.

Here we have Part 1 and 2 archives about the new Deadly Apples single SACRIFICE ᛉ. Part 1 explores the topic of my defence of Jared from false allegations — as the lyrics to SACRIFICE ᛉ support revelation about this issue in my life — and Part 2 deeply investigates the connection between his tattoos and the music video — in which a huge effigy of this symbol was burned. There is much fascinating info in here about geometry, alchemy and culture.

A Blending Of Two Worlds ⨺ My First Comment Reply From Jared

My first comment from Jared happened a month later on October 27th, '25. Here I started to experience how Jared's technique of using the medium of his own comments to communicate with me (even about my own separate posts) would cause inspiration to start intermingling more both ways between artists. I think he would have found the art I was posting about him just a week ago very resonant — but this time it felt more about the relevance of his movie Requiem For a Dream. This made me see that it would be extremely fitting if I would release a special UNITY LIFE resource about Addictions Awareness for future National Addictions Awareness Weeks, with a focus on harm-reduction and mental health through psychedelic medicines. Inspired by this, I got a good start into some writing for that future project.

About a week prior I had released THE UNITY LIFE BRANCH ◊ AN ECOLOGY WITHIN THE MASS MEDIA. This was the illustrating UNITY LIFE Archive for one of The 72 FACETS (IN 144) : FACET 6(78) ◊ FAMILY, which was later dedicated to him and Marilyn Manson, in honor of their birthdays. This is the same FACET which is host to The 7 of 9 ⨺ SOLVE COAGULA Mind Map (Prototype) — an extremely powerful card set also dedicated to them both. At the time, it was just an archive and some beautiful visual art to go with it — and of course also a coloring book page in The UNITY LIFE COLORING BOOK — but it was announced as the foundations of so much more to come. In this moment of my art, it was such a window into the future stage. Eventually I would become so immersed in way bigger projects with extreme depths of 30STM inspirations embedded throughout — that I would find my life is turning deeply into that direction.

Interacting With Jared in The Dream World ⨺ A New Artistic Direction

A couple days after the last comment reply from Jared — it was Halloween — and I was filled with an inspiration that would stay with me in the longterm. I had a fairly life changing dream about Jared which I couldn't help but feel had shown a real spiritual connection between us — and the proof of that was hard to ignore. I had been doing this before to some degree — but this brought forth a new, stronger interest in creating artwork that specifically mirrors Jared Leto (along with his band 30STM) and Marilyn Manson in unified pieces. The combination of tangible art and writing started expressing this new pathway and this developed into a major theme of The 7 of 9.

Partway through October I had a very powerful dream which is fully described in The UNITY LIFE Archive below — JARED LETO AS CHRIST ◊ THE 30STM BYZANTINE CROSS VARIATION — where Jared showed me a very special variation on the Orthodox Byzantine Cross which I had never seen before. In fact, I had not been at all familiar even with the Christian version of the cross, let alone the band's inverted version. To my amazement, I later (in December) found their image of the exact cross that had been in my dream presented by Jared, from art dating back to the Love, Lust, Faith & Dreams album era.

By Halloween, I had not yet seen that 30STM version or realized the importance of my dream — but I was already intent on creating a gold ornament of it from smoked salmon backing, to match another one I was currently working on of Marilyn Manson's current logo — the double inverted cross. But I had gotten the idea to transpose their two logos together on my white Halloween jack-o-lantern, pictured below, using Manson's gold ornament and a cut out from the pumpkin of the 30STM alchemical air symbol, their logo.

When I later found out that the two crosses had this kind of meaning together, I was filled with inspiration. This eventually made me decide to always do my best to artistically mirror the two artists, wherever possible. I found that the fact that they both come out with modified Christian crosses was one of multiple powerful artistic similarities between two artists you'd normally assume to be opposite — and I thought their fans might find this very compelling. Eventually I was amazed to find that the use of a dye cutter to create stencils of cardstock to overlay over holographic gold for the cards of The 7 of 9, which is dedicated to them both, followed in this artistic direction of cut out artwork.

The First Time The Band 30 Seconds To Mars Reached Out

Now it was starting to get way more obvious that interactions from Jared (which now included the band) might be about my resources. But in this case, the material I was offering was all about what was promoted in the posts of theirs that I was commenting on. I told Jared about my upcoming Tron : Ares & 30STM Discography archive on Nov 11th, '25 which caused him to view my story — then once it was posted I got my first like and comment from the band's official instagram on the18th. I was so blown away by what I had discovered about their discography by discussing Tron : Ares and had been spending so much time celebrating the movie with friends and on my own.

On November 11th, I released a very special UNITY LIFE Archive : THE SIMULATED ALCHEMY OF JARED LETO IN 30STM & TRON ARES. This was an extreme piece. It included not only a review of Tron : Ares, connecting the entire TRON saga with the 4 stages of Hermetic Alchemy, but also an interconnected examination of the 30STM discography. This magical archive revealed the likelihood of not only a 4th Tron movie in the future — but most interestingly, that the next upcoming 30STM album will be their last (assuming it is not a Vol. 2 of a previous album). This was discovered by compellingly comparing the discography with the 7 stages of laboratory alchemy. It seemed I was the first to offer this insight openly. In response, I received a beautiful and warm reception from both Jared — and for the first time, also the band 30 Seconds to Mars. I later offered a brief article about these transpirings.

A Comment From Jared ⨺ Signs Of The Future

This was a way more intense period for us both, as artists. The winter holidays can be consuming, but we were also both totally immersed in an intense inner chamber of art. While he was sealed off for ages from social media to work in the studio on his upcoming album, I was in a similar place creating the first tangible art prototypes and card system framework for The 7 of 9. This would later become my overarching longterm focus. I formally dedicated The 7 of 9 along with 2 FACETS to him for his birthday on Dec 26th, '25, and I'm still immersed in artwork to celebrate the occasion as I write this, March 30th, 2026. In fact, it will be that way for many more months — describing the coming time period in this timeline. It was so moving to be acknowledged with a comment when he returned, on a post about Tron : Ares which is related to the materials below.

On January 7th, I was so happy to hear from Jared once again with another conversation in the comments with me. Previous to that, in December and early January, Jared and Shannon had been away from social media and not interacting there for 3 weeks, rumoured to be in the studio working on the upcoming new album, on limited notifications. Jared's birthday came and went without a word from him on @jaredleto about it, unlike previous years. During that period, I tagged Jared in posts announcing quite a bit of powerful art from UNITY LIFE to do with him.

Not just 1 but 2 FACETS from The 72 FACETS (IN 144) were dedicated to him for his birthday, in celebration of his life. The choice was made to always add a little something (at least something small) to his special 2 FACETS each year when his birthday would come around, from then on. These included FACET 6(78) ◊ FAMILY and FACET 34(108) ◊ CREATOR. But that's not all. Also, a new major UNITY LIFE art-resource was announced, and was dedicated to him (including incredibly 30STM resonant artwork and theming throughout) and in some ways it was directly themed around The 30STM discography. This is a resource now found in the main navigation bar of this website under 7(9) : The 7 of 9 ⨺ SOLVE COAGULA Mind Map System (Prototype).

I wrote a short article to discuss our conversation, expanding on the significance and on my interpretations of it as had been casually expressed purely through emojis in an earlier Facebook post. That article is found here.

FACET 34(106) ◊ CREATOR : A multimedia resource page of The 72 FACETS (IN 144)

The 7 of 9 ⨺ SOLVE COAGULA Mind Map System (Prototype)

FACET 6(78) ◊ FAMILY : A multimedia resource page of The 72 FACETS (IN 144)

Jared & 30STM Connected ⨺ A Powerful Mirroring

On January 24th, the first of several unheard tracks were released with the 20th Anniversary Edition of the 30STM album A Beautiful Lie. While it was being promoted in advance I shared with the band the incredible significance of this to my music, and received a comment like from the band on January 16th, '26. Then, after I released my mirroring post to match theirs, Jared returned to reach out again personally on Feb 5th, '26. A very strong intuition came up for me at the time that this had really meant a lot to Jared.

Now it was time for 30STM to bring out a secret track from long ago during the album era of A Beautiful Lie, in 2005 — called God's Eye. I had the eye opening experience of realizing that I had recorded the same song (only with different lyrics and music) that same year of 2005. This song has a deep story behind it — so deep, infact, that it became my artist statement. Reflecting on this in the comments of 30STM's announcement of the upcoming track, I received a gorgeous response — and more response weeks later about this on another promotional post about God's Eye. I was so happy that I had mentioned it to them, as it was a deep enough story to inspire a new UNITY LIFE Archive all about it (linked here). That piece expanded on my comments from earlier. It came out on the day of their release of God's Eye. I wrote a beautiful mini-article about this deep connection between us as artists, which you can find here.

February 5th - March 22nd '26 ⨺ Reflection Intensified As Connection Continued

By this point, many big changes to the way that I view the relationship had happened — which led to a shift in the way I aim to communicate with them online. As all these paradigm shifts were happening in my mind, I sometimes felt scattered with various disconnected categories of my internal process — but ultimately experienced a unification of many layers of creative thought into a graceful synergy. Jared and the band continued interacting on Meta in a similar fashion, but my integration of those experiences shifted to a deeper level.

Shifts To My Perspective From This Time

Earlier, a simpler version of this ://A\\rc)}’Hi\\V//e: was posted which brought together all the scattered notes of all our interactions into a cohesive list which offered the earlier background and worked to bring context to each little event. Discussing the piece with ChatGPT was very frustrating. It was useful to create models of outside or public perception and how my piece could grow to accomodate differing perspectives or unintegrated frames of approach to information — but the artificial intelligence model wasn't enough. It took time, but intuitively I eventually felt this ://A\\rc)}’Hi\\V//e: had filtered through to Jared and I sensed that this brought me closer to imagining what his views would perhaps be. This was so much more valuable, and seemed to bring out my authentic inner truth in a new creative level. I changed ChatGPT's personality to be less sceptical and forged forward into an eventual new version after 2 months of experimentation.

Luckily, I became close friends with a wonderful Italian woman named Mary who runs a 30STM fan page mostly focused on Jared at @love_30stm_echelon )) She was constantly posting her countless interactions with Jared and the band, and her main reflection was on that topic. Her interest was far less on the content or context of the interactions but the volume and consistency. Eventually I found that our convesations in her comments and her posts that tagged and told stories of me were very likely to be seen by Jared and the band, which made me feel more ambitious about properly describing my ideas so that they could get the picture better. We spoke at great length, oscillating between English and Italian.

Eventually I started to come up with a creative model. Imagine if she was secretly hired by the band and working on their staff, with her job mainly to support the Echelon (fan community) to psychologically adjust to their expeirences of wishing and wanting for social media interaction with them etc etc. I'm not trying to say that's true, but this creative imagination led me to construe of what it would mean if she was speaking to me in code to support her staff role. In other words, using the character she plays as a language for her goals. Responding to her with those ideas in mind seemed so much more productive in conversation both ways. She shifted to a way higher level. It was like being colleagues of a sort. Through all our many conversations and her posts, I felt a new deeper layer of meaning in my relationship between myself and Jared & Shannon. This created much more psychologial depth for me.

This led me to imagine what it would mean if all the other Echelon fan pages that are often interacting with Jared and Shannon were of this nature — secretly 30STM staff. Imagine if say, The Hive (the previous version of the social media platform which was so customized by Jared) was modelled so that he'd never interact with anyone but hired people playing characters that each symbolize an archetype which many people might fall into in one way or another — designed to help them process through these reflections. I found @mars_unseenvids was the easiest study. I realized that would make me the only exception to the rule, and imagining this made me wonder more creatively how I should view our interactions. For whimsy, I often kept that in my mind.

In the winter, as Jared and Manson's birthdays were both approaching, I developed ideas of big art projects that I wanted to do in celebration of their lives. The whole plan to have everything actually done by the day of their birthdays didn't succeed, although that accidental misprojection of my time was very practical. This forced me to commit to a big series of projects which I feel was the ideal and landed a nice package of initial layout for what it would eventually include — which was ontime. During this mad rush to the deadline, I found myself working much harder than I had worked in a very long time. Every moment was completely channelled into productivity.

This didn't end at all when the holiday season concluded. I thought it would, but the pattern of working very intensively only continued, and now seems it will be forever. It's not that I was lazy before, but not everything I would dream to work on was strategically optimal to launch yet. So I was able to take it easy and enjoy that disadvantage in another way — chilling out. The shift into these new artistic directions were the dam released from artistic hopes and dreams that I've held for years — and it felt like the relationship with Jared and 30STM was incredibly beneficial and catalytic to that.

And as most people find, this kind of stepping up into more time demands involves skilling into easier versions of what you usually do which are still just as effective. It was a big change for me that felt good. Ultimately I felt there was more power in small actions based on all the work backing things up. For example : In this light, I decided not to impose deadlines on myself anymore to meet calendar dates, but instead when dates of important celebration or observance arrive, set intentions for a year's easy going preparation to meet the next year's mark without a big pressured push right at the end.

Eventually I realized it was taking me forever to make progress on each project for The 7 of 9 — meaning that the entire system would probably take many, many months — leading to years of work perhaps. There will be stages of completion and next levels to achieve once it is "finished" in first forms. I decided it's in my best interest to prune back how much other creative forms of expression I normally invest into. The 7 of 9 is deeply integrated with UNITY LIFE Mystery School on many levels, so this won't cause the overall body of work to suffer. Quite the opposite — many other things need upgrades to support The 7 of 9. But for one example, I'm no longer writing articles for The UNITY LIFE Archive unless it's a necessity of some kind.

With that as such a dominant focus, I hoped that 30STM would be pleased with the way it falls under the heading of fan art to the band, with a focus on Jared. I think they will. I also thought of NIRVANA, Marilyn Manson, and some of the important stars featured in UNITY LIFE. Similarly for them, I think they too will be pleased with this new focus area. As for 30STM, I started to realize this would help foster a language of interaction between us which is new — where it's no longer like I'm cycling through all these various types of arts as I interact with them, but now things are crystallizing in a new form. But I wondered if sometimes there are other focus areas they might like me to consider and I will speak more of that reflection later.

Always, I've made the effort to support the manifestation process by aligning my material goals with my perception of what would also be wanted for me by my favourite stars. My success has been hit and miss — but regardless of patchy success, I find this inspiring. It enhances my design of what types of things I should buy. By taking my own ideas, comparing them against an imagined story of what my favourite artists' would be, then merging the two into a nicely integrated whole, the qualities of the intentions become much more rich and well illustrated. This is the ecological strategy of getting mulitple different types of gain from a single action.

Well, when doing this with Jared and the band, I found it was by far much more effective than ever. Such a long series of unprecedented bursts of extra money started pouring into my life — styled perfectly to seem like appropriate funds to allocate to these very particular goals. It started with smaller things, then escalated to a $300 dye cutter machine to create The 7 of 9 — but the most impressive was a large art grant that I received for the rest of the materials I needed for that project, soon after. This was immediately followed by $500 from that same donor for me to get my hair done, which I had seen as an absolute priority before I move on with other spending for things more 30STM related. All this definitely got me thinking I should try it more.

Those who know me closely know that I've been an intimacy counsellor since October 2021. I remember what my father said when I first told him this news. He said "I can imagine that counselling people on that issue would bring up enormous challenges sometimes". To this day I am amazed with how insightful his words were. I've appeared happy with the business, but that joy has come from only certain sides of it. Unfortunately, the burdensome challenges and limitations on my life that it causes are extremely severe. The work doesn't nearly pay enough to make it all feel worthwhile. As well, I see greater potential in myself and I know I'd contribute better to the world if I drew from a deeper well of my creative passions.

It's doubtless that I want another career. The only question is what would that be? I wrote casually (as part of a joke) on this ://A\\rc)}’Hi\\V//e: in its earlier form that I would dream of being hired for design by 30STM. But I felt self-conscious later — what if they read that and took it seriously? Would graphic design really be what I want to do? They'd be the ideal clients, but I was catalyzed to think this through more seriously when I received an art grant for The 7 of 9 and was offered (by this same donor) a consultancy which drew on my skills as an intermedia artist. The consultancy would involve speaking online (phone, etc) about our ideas, then me producing written and visual art (and other mediums in an intermedia format), as a product of our discussions.

Initially this donor invited me to work ongoingly in graphic design for their firm. I turned it down, so they offered the intermedia consultancy as a modified format. That I took an interest in, but based on the $500 consultation, I decided to turn it down. The direction it was taking was not going where I wanted to go with my art and time. But as you can imagine, this transformed my vision of working with 30STM. The final dream so far has evolved to this type of consultancy, with an initial major focus on The 7 of 9 — the art produced could be part of UNITY LIFE. I imagined a combination between the spirit of the 7 of 9 art grant and this more open ended consultancy that could lead to many types of resources, allowing 30STM to have more input on my direction.

Continuing from the previous section : This reminded me of a prophetic intuition that I had years ago that this would someday happen with many of my favourite stars. Perhaps this was as early as 2018. In this model, it was writing based. I saw myself hosting a blog on a website dedicated to consultations with the stars. They would hire me to discuss with them, and produce articles to offer them support. I imagined this as some kind of a wing of The UNITY LIFE Website.

At the time I did not even have a single blog and my website was just image based and very simplistic compared to this one. It didn't seem realistic. But looking back on that from now, I can't believe how well this fits my current website. I also feel I've articulated well so far how my unique perspective would provide a value to even the wisest among them. I love the idea of a special area just for these writings, if sometimes they would not fit in as UNITY LIFE resources necessarily. It would be so cool to be able to brag somewhere here that I had been hired by these icons. It's such a beautiful thought. Perhaps if 30STM hired me it would attract other stars too someday.

The addition of the new UNITY LIFE Archive on intuition which was added at the beginning of this ://A\\rc)}’Hi\\V//e: made me feel a sense of permission to include more than just interactions on social media with Jared and Shannon. I added a new section to the previous time period before this to include a dream that I had of Jared. The truth really has been that intuition, the spiritual properties of dreams and other types of mysticism have been a profound layer for me all this time. I felt so much better when I gained confidence in voicing that as an element. For example, the dream of the modified byzantine cross created by 30STM (before I had known it existed) was a major interaction between us in my experience. I received no response to the archive on social media, but realized, that in itself had been a communication.

ABL20 & The 7 of 9 ⨺ 30STM Reached Out In a Merged Inspiration

The band's promotion of the upcoming re-release of A Beautiful Lie for its 20th Anniversary continued with many gifts. As vaulted old tracks from the era were being first released, magical vintage footage and already famous songs like The Fantasy & The Kill were being revisited with renewed inspiration. I felt so connected to them as I was working on The 7 of 9 during all this, and they reached out to me on February 26th, '26 in a way that reflected that atmosphere. I sensed recognition and respect from them of how they've adapted to my valuable & beautifully unique patterns of observation. At the time I wrote a short article about it, but I have a more updated view on the interaction below.

Progressively between Jan 29th and Feb 9th (2026), I "unvaulted" (as they were doing with ABL) my own old and very significant piece — an enormous pattern language study system called #diamonds2unitylife — something which reveals much about my unique patterns of perception. I had been discussing and hinting about it in prior UNITY LIFE materials about 30STM. Finally it was introduced in full as found here. To celebrate, I brought out a #diamonds2unitylife study about the hotel key in the music video for The Kill as a storytelling demo for The 7 of 9. Not all the cards were finished yet, so it was a very small demo until later it can be perfected — but one which would have inspired them about my outstandingly creative and expansive way of imagining my way through life. I also posted a #diamonds2unitylife study of their latest merch too, to add to this. Their way of affirming abstract or sub-layered patterns in their art seemed in that spirit.

Information Logistics ◊ Website Notice

On Valentine's Day, February 14th, 2026, this website started a new b(log) in the Behind The Scenes section in which every single significant website change was logged as it happened. That has served as a much more logistically sensitive read-out of what's going on with UNITY LIFE resources than the instagram. I just haven't had time to keep the instagram very updated in comparison. It's been advertised and put out there. At some stage, it's obvious to me that 30 Seconds To Mars (Jared & Shannon) became aware of this tool for how to stay up to date with what's really going on, and be more well informed. Even Jared or Shannon on such a busy schedule could have always used this to very quickly become incredibly well informed of how all these projects were coming along — and how I seemed to be doing personally, as well. It's so much faster to use this than to scan through instagram captions to detect the emotional energy and calculate trajectory of arts through posting patterns.

ABL20 & The 7 of 9 ⨺ Jared Connected During a Powerful Time

On Feb 26, '26, I was so happy to hear from Jared again. 30STM was continuing to unvault old unreleased tracks from A Beautiful Lie anniversary and I was especially moved to discover the lyrics of Over My Head. I was so excited when I found out the meaning of the song, which perfectly illustrated a Counteragent Strategy from The 7 of 9 called pooling. So far, I hadn't yet written that strategy publicly but it was already a thorough plan for the system as Kurt Cobain & NIRVANA had deeply inspired me about this since many years ago. In later days, I've planned to write a 7 of 9 Process Artifact Journal entry which explains the song meaning through that lens.

At the same time, I had posted some big revelations about how the production and design plans were going for the system, and I was getting a powerful intuition that this had reached Jared and he was most exceptionally inspired both visually and conceptually by the development. The 7 of 9 Process Artifact Journal entry you see here should basically sum up what it was about for someone new to it. But to be more specific, I sensed that Jared was hoping for assurance that the aesthetic outcome of The KEYS 16(32) Set would be to taste, and my instagram posts around this pivot in visual choice-making were designed to reassure him incase he was searching for that. Again, just on an intuitive level, I felt it worked out as I had planned. It was then that I manifested my dye cutter for this project which — as mentioned earlier in the section "Shifts To My Perspective At This Time" — felt spiritually supported from 30STM.

A Synergy Of Many Layers ⨺ ABL20, Shannon, The 7 of 9 & Voice

On March 22, 2026 I received two comment likes from 30STM on two posts of theirs about the new release of the acoustic version of The Kill along with a new music video for it — yet another beautiful gift for the 20th Anniversary edition of A Beautiful Lie. I had been feeling Shannon's presence much more intuitively and I felt the two comment likes were symbolic of two brothers. I had been pulling an all nighter working as hard as I could to finish The 9 Strategies of The COAGULA for The 7 of 9 and was thinking about their posts and what I would say in a comment as I worked. Throughout the night I was conflicted between many worlds of thought, unable to simplify my plan — but the moment the new strategies were posted, all these layers synergized into a perfect couple statements which summed up so much in so few poetic words. This experience described for me the nature of the new stage of this timeline. I've shared more about that time below.

In my mind, I've always wondered just how much Jared's brother Shannon may have noticed me online and considered me and my art. I developed my second running joke about Shannon since the early days, which I wanted to post about but it was too long. On his birthday recently I almost posted it but I was sick. Basically it was a joke where you just add "And Shannon" at the end of like every sentence, just to make sure he's included 😂😂. This is a reference in my mind to a very long story from my early days touring the UK with my band iFly. We used to add "Especially Dan" to the end of practically every sentence sometimes as a reference to my first ever Ayahuasca vision in my first ceremony ever. That's why it's a complicated one to tell quickly. I wrote the "And Shannon" joke many times in my diaries over the several months prior, but this never caused such a feeling as I started having around this time.

I had many intuitions at this time. My experience often includes a sense of strong presence from people, and this feeling of Shannon's distinct presence was very increasingly strong over the last while. I imagined his sense of humour and grounded nature in a way that felt based on vibration. It was as if his energy was being translated into creative thought. It wasn't like mind-reading — it was like getting the vibe really distinctly. I had recently released very nice graphics for the mock-ups of The COAGULA 27(54) Set of The 7 of 9, and I intuited that Shannon and Jared both found the imagery very moving. When I soon after released The 9 Strategies of The COAGULA, I knew the writing was extremely next level compared to any previous of my work. Intuitively I felt tagging them in all this big news really kinda blew them away. As if the beautiful designs weren't enough — it was such a double bomb. This way, I associated the comment likes being from the band rather than from Jared as signifying that — since the 30STM discography is so deeply integrated with The 7 of 9.

To elaborate on this synergizing effect in the comments, when I said to Jared that his voice was so healing, I was amazed that the idea came to me as this was not only deeply authentic (which was one of my goals in the comments), but also spoke of deep thoughts I've had about Jared at many various times throughout our history as they culminated in my perception of his voice in this one performance. It was such a perfect way to express so many important things at once. The other comment where I mentioned that the acoustic version transformed the song for me was also amazing that way. I have the intellectual knowledge that acoustic versions do that for songs and would have researched for hours until I find that level. But without even having to, it was like lightning bolts were hitting my brain providing an entirely new way to view the meaning of The Kill as I watched it — making this so magically fast and easy for me to authentically comment with a proper intellectual depth that matched my general standards. It was like magic.

In reflecting on my comment to Jared saying his voice was healing, I later had revelations inspired by him about how I'll do the writing for FACET 5(77) ◊ SEED. This 5th of The 72 FACETS (IN 144) series will be dedicated to me and my traditional Amazonian healing music which I do as a master healer whose only instrument is the voice (as a rarity). In light of how Jared inspires me, I've decided to write it just as as I wrote the Master Archive I started as a companion to this Timeline about intuition. It will be another Master Archive which teaches about how the human voice is considered the most powerful musical instrument from a sound healing perspective — and tells the mindblowing story about how my musical skills went from 2 to 20,000 strength by the power of the medicine, when I graduated as a full-fledged Ayahuasqera. The unrecorded quality of my singing and the content of this FACET is still quiet for purposes of molting (a 7 of 9 Strategy).

Late March '26 - Today ⨺ I Reached Out To 30STM Requesting a Job

In a striking turn of events in late March, I perceived that 30STM was reaching out to me covertly through an agent hired to coach me about my dream stated on this timeline, that I would like a role on their team as a graphic designer. This person gave me an art grant of $240 for The 7 of 9 in response to my post which catalogued my needs for supplies in the 7 of 9 Process Artifact Journal — and continued on to provide another $500 after moving, indepth consultations about what kind of a role would suit me best. Through this conversation I felt coached to be more honest and admit what I really wanted — to be hired not as a designer who would customise my skills to any company, but as an intermedia art consultant to work in a two-way consultancy in which we would both influence each other, with like minded artists only. I would provide many mediums of art as a product of our check ins just as the intermedia genre suggests. This person found end to his role, and I continued with the understanding that I was being supported to appeal directly to the band — empowered by this new perspective on what exactly to ask them for. At the same time, I was producing many stunningly beautiful visual art pieces for The 7 of 9 and the corresponding 16(2) along with extremely professional writing to go along with it.

After conversations had wrapped up with this donor who I felt was sent by them, I still felt a little nervous putting out my request to 30STM — but I did everything I could to self-encourage myself and grow my confidence enough to put this out there into the public on instagram in this way, with everyone watching it happen. I felt good about how it went posting this call-out to the band. I was confident they would receive it, and take it into gracious consideration. As well, responses on instagram were respectful, supportive and encouraging, including from one person I greatly respect who is very wise about these kinds of opportunities. Here is the text from the post :

⨺💎 )) OK … I’m ready to share my new dream !! ✨✨ Very exciting, my dream is to be hired by @30secondstomars and @jaredleto for an intermedia art consultancy ))   

◊⨺ )) I’d provide consultations with them or their helpers and produce visionary and psychedelic intermedia art as a product of our discussions )) A consultancy means both ways consulting each other, but I’m the one paid because I’ll produce the art, you see. Much or all of this could become UNITY LIFE Mystery School resources.   

◊🌈 I would also more than gladly go for the same dream only with my other favourite stars like NIRVANA, Marliyn Manson — right?! You know the crew )) OF COURSE !! )) But the reason I’m featuring 30STM today is because I honestly have developed the real suspicion that they’ve been hinting at me strongly that they already totally want this to happen )) And the whole story of how I got that distinct impression (which was MUCH more than intuition) is now documented (which is a riveting story), at this link

You go to unitylifemysteryschool.art 
◊ Then you find VISUAL STORYTELLING under 2(1) 
◊ There you find “WHEN I WISH UPON A STAR
◊💫💫” ◊ And it’s in there under “new hair and the dream of an intermedia consultancy”  ◊🌈🎁

“WHEN I WISH UPON A STAR ◊💫💫” is a spinoff from a section in the new 30STM Timeline ://A\\rc)}’Hi\\V//e: )) In that place I document all my interactions with Jared & Shannon and my experiences around that — (That’s now found under B(A) in the navigation bar)

  ◊🎁 WHEN I WISH UPON A ⨺💫 is about manifestation in my life. It’s only just (star)ted up, but at this point that post is a good (star)t with a nice bushel of stories and cool pictures too.   ⨺ 🤞🏿🤞🏾🤞🏽🤞🏼🤞🏻🤞 Cross ur fingers for me !! :))

In the slideshow above you can see a gallery of the tangible visual arts that I produced in this period of time. As you can see, it was so the next level of my path as a visual artist — stunning beyond any of my previous works. Some of the writings included 9 extremely professional posts on The 7 of 9 Process Artifact Journal. Also, as The 16 KEYS were being developed, I also put up a historical gallery of previous design versions of it on its diamond shaped presentation at 16(2) and a new wave of writing for both the triangular and diamond versions, along with creative plans for more. All these works were listed as they came out in the prominent website updates list on the Behind The Scenes Page of this site, and some on instagram.

Co-Creating This Dream ⨺ 30STM Responded With Increased Interaction

By cataloguing our interactions here, I'd noticed that Jared or the band had strictly interacted with me about every month (except twice it was two months, I think due to extenuating circumstances) for about the past year. I felt they had actually scheduled me into a planner for it. I had come to expect contact from them at this regular monthly interval, but all this changed after I put out the call for the job. A month after the last time, they interacted — then two weeks later — then one week later — then half a week later (today, June 8) — making it exponentially increased. This was an obvious message that they were leaning into me more at this time in response. At the same time, so much was going on for me on my end processing the possibility of this job that it was hard to find the words to update this timeline. I felt embroiled in many layers of intense reflection.

A Cry For Help ⨺ The Other Side Of The Coin

Although I was charged with the professional and artistic impulse to start crafting a masterpiece proposal for the band to upgrade my initial request, real-life had a much more challenging path laid out for me. Instead, an ongoing 4 year crisis at my current business exploded, leaving me financially unstable and grasping desperately for hope of a better opportunity. I decided to use this scenario as a chance to be vulnerable with 30STM rather than polished and perfect — viewing this as a valid way to illustrate the other side of the coin of why they would want to hire me — to save me. I had already shown that I'm a good investment, but the necessity of this happening quickly took over the story by force. I posted this blog entry on May 7th, and formalized it on The 7 of 9 Process Artifact Journal 2 days later — and to my relief, I received what appeared to be an initial response from the band about this immediately.

This was such a mindblowingly perfect interaction between us considering the matter at hand — my call for a job with them. I responded to a focus video they did, exploring a certain dancer who was part of their music video STUCK. I said I'm convinced that their staff are always chosen with a gorgeous story surrounding the connection of how their unique biography intertwines with 30STM and their role. They responded with hype emojis as a comment back. I wrote an article to discuss it in detail, complete with a work in progress of how I'd love to produce a UNITY LIFE Archive about this exact kind of magic between us.

Right now, if you follow the link and find the post "A CRY FOR HELP" you will find on the bottom of the post, a "blog inside a blog post" which really has so much meaning to this story. In this difficult time, there was a benefit within the painful struggle — I became much more liberated in free speech than usual. I allowed myself a blog to write unreasonably long, raw and unfiltered, messy rants with typos on the website not only to call for support but also to help myself process and understand what was taking place. I used this as a way to emote and express this complicated and intricate series of challenges I was facing. The process was not only emotionally therapeutic but provided some serious insight which I'm in the process of formally documenting here with carefully written archives, so that it can be smoothly processed by the reader.

Dark Sorcery From My Unique History Became Part of The Story

Brujería is a form of dark sorcery traditionally explored through the healing teachings of Ayahuasca psychedelic plant medicine. I've provided a dedicated UNITY LIFE Archive explaining my views on how this type of "witchcraft" may operate not only surrounding Amazonian traditions, but also within wider society. Ironically, this phenomenon which I had long associated with harm and obstruction eventually found itself woven into one of the most meaningful and inspiring stories of my life through 30 Seconds to Mars. Certain brujuería from a wide network centred from CoSM Chapel of Sacred Mirrors — that had been antagonizing me for years — had now been distinctly directed toward my relationship with Jared Leto. The agenda of this sorcery was clear : to powerfully dismantle my dream of working with him and Shannon. This proposed itself the complex extent that I wondered whether they had even managed to infiltrate parts of his broader professional network.

At the same time, I had suspected for years that this network was contributing to the difficulties within my work life. What appeared to me as an agenda to restrict my financial opportunities seemed to take an increasingly ambitious path, eventually intersecting with 30 Seconds to Mars, where a potential work opportunity existed. More information about this will soon follow when I have time to write more.

2 Weeks Later ⨺ Forming Pattern Languages of Connection

Two new patterns were formed by a new interaction, which — in combination with many deep layers of reflection — started to make me feel my posts, their posts and the comments were a beautiful game board that we were using for a co-creation of our interactions. This was the second time they interacted only 30 mins or so after I tagged them in a post. This time it was a post exploring how The 7 of 9 was coming along in such a way as to specifically support them as a band — by providing a cultural tool that helps people study the music deeper. I felt that they wanted to co-create a layered series of expressions to project the story of our connection to the community with various tiers of exposure. For example, a low-attention span, surface version that sums it up — and deeper layers of the story with more detail (which interconnect to these quick items). I was hopeful that this crafty approach indicated their intentions to hire me, showing they wanted the story of how they approach me about the job to be hyper-accessible (a multi-faceted diamond). At the same time, I reflected deeply on the quality of my intuitive connection with them, as this image illustrates. I will tell the story below, which inspired a plan for a Part 2 of the earlier mentioned archive : GOD'S EYE & BEAUTIFUL ONE ◊ TWIN SONGS FROM 2005.

At the time, I hadn't updated this Timeline ://A\\rc)}’Hi\\V//e: yet with the previous interaction, because I sensed that a pattern might be starting to want to form, and I was waiting to see in the next interaction what would happen. Technically, two occurances do officially form a pattern. When this next interaction took place, I was excited and happy to announce it. I wrote 2 articles about the 2 interactions, as a part 1 and 2 of each other. To review from the previous section, here is Part 1 — and here is Part 2 which arrived the same day about the interaction on May 26th.

On May 23rd I added into the CRY FOR HELP internal blog "Complex & Personal Emotional Rants" a note about the depth of my spiritual connection with 30STM which has long pre-dated my discovery of the band. I was embroiled in ongoing extremely painful and challenging dynamics to do with the issues mentioned earlier, but I found such a beautiful gem of insight in the eye of the storm.

In the story of God's Eye & Beautiful One, I shared how I created a song which was thematically a twin song to theirs, at the same time (only with different music and lyrics and from my own unique perceptual experience in how it is so special). A similar event was discovered from 2013 to further illustrate this phenomenon of how I feel I'm naturally living my life in co-empowering connection with the band in so many ways that are beyond what I would be able to perceive. It's a magical story of how my intuition works in a pure and beautiful way as an expression of resonance between us. I wrote a short equivalent of the concept in an instagram post that day on my personal blog at @ba.adonai ... here is the caption :

◊ I remember back in 2013 when I became obsessed with cyr wheels and it became a dream to want to get one and learn how to do these. Recently I was watching a 30STM video with a cyr wheel performance and it hit me that I should try to see if the timing corresponds together.

◊ Turns out yes, my obsession with cyr wheels came up for me right around the time when they first introduced it into their act. Funny thing is, I had never heard of them at all back then. I looked back into my old tumblr and found the exact post I made then of a cyr wheel as this was going on for me, to double check the date.

◊ I often feel spiritually connected to them and very often think that things I’ve been doing have been intuitively connected on deep levels with their art. Like for example, if I had shown Jared my obsession with cyr wheels at that time, you know he would have really LIT UP (lol). He wouuld have said “That’s soooo cool” *//

◊ Haha, that’s how I feel it goes … that’s like actually why I feel like when Jared saw my art, he really loved it like I can’t understand, you know? I could just feel it happening and I sensed that it was for reasons like that, like some things about it, I couldn’t have known just how relevant it was on deeper levels <3

◊ I just want to share how it’s been going for me in the creation of The 16 KEYS SUPPORT TOOL for The 7 of 9 and The 16(2) ……… But first — What you see here are the most recently created plates for :
KEY 3 ⨺ MIND OF FREEDOM (Knowledge of The Future)
KEY 4 ⨺ MIND OF WISDOM (Unlimited Strategic Ability)
Followed by all the ones I’ve finished so far (some of which will be redone eventually)

◊ So working on this … sometimes I feel out of balance because it’s not yet finished. It’s something I NEED on deep levels in order to properly use The 7 of 9 and also in order to express my ideas. I think it will have been 2 months creating this series when I’m finished sometime in June and I’m unstoppable till it’s done.

◊ Also, I feel like the band / fandom scenes are going to be way more hungry for the other 3 sets in The 7 of 9 and this will be considered a frill of the package — which eventually infatuates people — even though what they’re most into is the way more explosively music culture related stuff.

⨺ But then again it kinda holds the whole system together as imaginative and free, rather than JUST heavy hardcore )) Sometimes the brain needs some breathing room

⨺🪞⨺ I know personally at least, @jaredleto and @marilynmanson and @shannonleto from @30secondstomars would be in love with The 16 KEYS, especially considering my epic mind maps about their music with it and contemplations — but The 7 of 9 IS going to be so much more straight up as a tool to study the music deeper, more coming from other angles on the system.

◊ The challenge of rehashing the original 2019 videos about each KEY into something way more next level neo-visionary is REALLY fkn siiiiiivk, though — and I looooooove the writing process, just as it slowly comes out while I rest between designs each time. And there’s some great new introductory writing up now at :
unitylifemysteryschool.art/7-9 and unitylifemysteryschool.art/16-2

◊ By the time this is done it’s going to be way off the hook.

#CreativeProcess #ConceptualArt #VisionaryArt #IntermediaArt #UnityLifeMysterySchool

Eyes of Connection ⨺ Defending Jared's Innocence

I never felt that I received a social media interaction from Jared or the band in response to this, but something very special happened between us around May 31st, resonating an echo of connection between now, and the early days when Jared first started interacting with me. As this ://A\\rc)}’Hi\\V//e: documents earlier, I created this defence archive for Jared (part 2 of a very similar one which was released just before our first interaction). I had written that piece to be deeply styled out to what I felt was the artistic theming and trajectory of Jared and 30STM's art. I was right about this natural direction of their process, but they ended up making a huge announcement on May 31st (also found here as an info post) which looked like a response to my archive. It felt like an expression of what I had always intuitively felt from Jared about this and my other work about him — that he placed a very deep value on the art.

AIRMAIL’S NOT AIRTIGHT⨺ @jareleto is innocent ))
Comment “🔺” for the direct link to the UNITY LIFE Archive now renamed : THIS IS WAR II

⨺ It was a magical moment today when I saw the news on @30secondstomars that they are now using the World App (from the Tools for Humanity / “Worldcoin” project) to human-verify all ticket buyers ))

⨺ I was fascinated by that, since my previous defence archive for Jared was all about this exact issue. I said that it’s the lack of rigorous standards such as THIS to verify if a “person” claiming allegations against anyone is human at all — which are missing from journalism. The topic goes so deep, and much better handled by World App than by AirMail or any mainstream news outlet.

⨺ The world app scans your irises in person to develop a unique biometric signature for you. Then no one can have two world app accounts, and it’s used as a third party authenticator for anything you want. This filters out bots, synthetic identities, deepfakes and AI-generated accounts — something which is not at all airtight about those issues when it comes to news outlets like nasty ol’ airmail 🖤👺👎🏿.

⨺ While they misdirect our attention by claiming so much about corroborating factors (so and so said this, and a couple friends, and hoardes of trolls on the internet have agreed) we are clued out of the real question : “HOW MANY OF THESE PEOPLE WERE EVEN REAL?”.

⨺ Even if some of them were real, like in person verified with ID which they SOMETIMES (not always) do (and don’t tell us when), it could be fake ID — cause journalists don’t have police access to search the ID codes to ensure that it’s real. So all it takes is a bunch of actors with fake ID and some hoardes of AI bots to create what we saw happen to Jared on Airmail.

⨺ Also I didn’t know when this original archive came out with the THIS IS WAR image for it called Part, 2 that their upcoming album would be THIS IS WAR Vol. 2 )) !!!! So to commemorate that alignment I’ve renamed it THIS IS WAR II :))

#ThirtySecondsToMars #JaredLeto #MediaCriticism #DigitalIdentity #UnityLifeMysterySchool

I followed up the next day with an instagram reel which was also posted to TikTok. With these two posts combined, it's more than certain that this information will be included in the UNITY LIFE Archive it's about, in the planned time when I upgrade that piece to be more integrated with the first part. I'll be sure to include this story in it too. Here's the caption :

⨺ Close ups of @jaredleto’s eye for a little art project I’m doing.

⨺ This is a follow up to my latest post about the World App (which identifies people are real humans by scanning their irises in person). 30STM had announced that they are using it now to authenticate ticket buyers — and it was such an echo of what I was saying in my defence archive THIS IS WAR II, teaching Jared’s innocence ….. that it’s these types of important standards which are missing from journalism.

⨺ That archive was a part 2 of an initial one which had this picture of cosmic eyes with stars in space to depict a dream I had of Jared. In the dream, Jared leaned close and I looked deep into his eye and noticed a 5 pointed star developing inside his iris. In the dream, this filled me with clarity and assurance that everything will be OK despite the false allegations going around about him.

⨺ In the original defence archive I made a joke : I said I was PAID to do this archive but the payment was not money, it was a dream of the star in his eye (lol). I felt lke this dream had been spiritually given to me by Jared somehow. They say that if you’re monetarily rewarded for defending a star, it has less potency because that shows you’re motivated by money rather than honesty. I thought it would be funny to say I was paid through the dream.

⨺ The dream itself, though, has turned to make increasing sense that way — as it demonstrates the authenticity of my motivations in defending him but also rewards me a lot too now.

⨺ Now that scanning of the irises is how 30STM is actually authentcating ticket buyers, there’s a deep resonance voiced here between their world and mine. This supports me not only by joining together with them but also as a validation of the deep mystic awareness that creatively empowers all my art.

⨺ Until now I had not previously seen the depth of the choice to use the eyes and irises in this way as the artwork for the defence archive — that it would be such a potent statement about how a person is identified. Identification is a deep theme that runs through all my art.

#JaredLeto #ThirtySecondsToMars #ConceptualArt #DigitalIdentity

I must have been intuitively feeling all this coming, because I had recently posted a casual defence post on Instagram for Jared on May 19th as well. That post was part of me feeling less censored lately and more free to express myself openly and naturally at any time. I was also feeling the topic was so relevant to what I was going through right now with my concerns about the band staff, as mentioned eariler. For ease, rather than writing anything, I just took some quick videos of me saying a few things in his defence. If interested in the extra background info, you can see the post here. Here's the caption :

⨺ I saw on a facebook group someone said they went to high school with @jaredleto and he was super quiet and always kept to himself — which seems perhaps ironic. But introspection, or the ability to absorb and listen deeply and contemplate powerfully inside — having a world inside — are often what eventually make for the greatest performances or public displays.

⨺ I would have to say Jared and I seem surprisingly alike in many ways. Sometimes I feel he’s one of the few who would really understand me cause he has a very deep place in himself that goes into so much stillness — which must be the only way he can cope with his overstimulating life.

⨺ For that reason I often find myself wondering what his advice would be. I’ve grown a sixth sense for his opinions and found fascination with filtering some illusions of what exact types of priorities or opinions he might have, let’s say.

⨺ As I’ve gone through these layers of perception, I’ve realized false, untrue ideas that come to my mind (like seemingly innocent yet ultimately poisonous) are actually common illusions about him — although they’re not from inside me. Things I’ve thought which I later realized were untrue based on careful contemplation turned out to be in the media gossip I hadn’t even seen yet. I was being imprinted by something viscious out there, like a way of doctoring a false image of him.

⨺ I found so much evidence of poisonous psychic influence on me in these gutters, that had been affecting my internal process. I think this effects us all but some are more curious — or suspicious — about where any thoughts or assumptions even come from.

⨺ I started to become internally intimate with how lies about him and other greats are manufactured — and how they work as a formula which is totally unhinged from any search for truth — a recipe for weaponizing illusion. A way to gain status and power at anyone’s expense. This I was taught by Manson from his songs, but to see it in action on this level in my internal scape, I’ve never experienced that before.

⨺ So Jared’s enemies are literally my own. It’s a certain vendetta — and a “revenge vow” kinda, just to expose and humiliate the lies.

It's important to mention, it will never be my paid role to defend Jared from misrepresentation in the media, as it would make no sense to pay me for something if that would take away from the believability of my statements. The only thing I'll miss about not being on staff with 30STM once I'm hired is how blatantly obvious it is that I've never been paid for this one thing : Defending his innocence. That always needs to come from honesty which isn't driven by any incentive other than to appreciate an innocent man for all that he is and all that he gives in every way just by being himself naturally. It certainly has for me. I will never wish to be receiving money and in need of it, to take away from the clarity of my motivations in this area.

That all said, I've always felt intuitively that an enormous value was placed on all my artwork which includes Jared. This is something that came through so strongly for me since long before we interacted on social media. But here we see some interesting evidence of that in one way, which also has other meanings. The choice that 30STM made to offer 2 for 1 tickets for anyone who would register themselves with the World App (something which might lower sales and revenue) does have its merit and its practical value independently of any resonance with similar information around the band. However, it also represents a monetary investment into something we share through my art. This way, it shows an example of how financial investment is aligned with me, in this story of my journey towards a job with them.

I normally associate this symbol (( ⨺ )) of 30 Seconds to Mars's logo with the alchemical stage of conjunction, but it also symbolizes the element of air — a meaning which is very popular in the Echelon. Air is the element which represents communication and voice. Of course, this is perfect for a musical band. For me right now, I'm going through a time of opening my voice. I've felt like something was holding me back previously in speaking my mind more avidly online, and many of my posts are longer and more free and talkative now, such as the defence video post on May 19th.

When I came up with the new title for the defence Archive, AIRMAIL'S NOT AIRTIGHT, I noticed it's very catchy in that way. It just seems that while Airmail is not even remotely airtight, 30 Seconds to Mars is — while also we both deeply embody the element of air. Even in general, I myself am well known for being incredibly communicative. As you can obviously see from this timeline and the larger website, I naturally thrive on expressing from my powerful voice. I'm also a singer as well, myself. But this kind of indepth communication speaks of accountability and integrity which also reflects with MARS in their own way.

I would actually say the title of the archive is so catchy that it makes me want to sing and have fun, like you know that song "Ice Ice Baby"? I would say "Tight, tight, baby" is our song. We are TIGHT, like seriously accountable and integral to the truth. I associate this idea of being tight with the hardness of a diamond which is compacted tightly into a crystalline form from coal. Ice symbolizes diamonds, the main symbol of UNITY LIFE Mystery School. This diamond, to me, has many facets of symbolism, the most important being that of integrity such as that which would win a lawsuit. Having a tight case, and winning in court is the image I bring to diamonds, which may represent the earnings made in lawsuits.

Relief ⨺ Life Changing Realisations In Heightened Connection

For the first time ever, the band contacted me again only one week after the last interaction. The pattern of timing (as explained earlier) was now fully established to indicate that they were approaching with 'exponentially' increasing speed just as had been my greatest possible hopes at the time of our last interaction. This caused a huge sense of relief, not only to see that they were likely trying to convey their intentions to hire me before too long — but it also contained a very deep, real and true healing of the longterm brujería mentioned earlier which opened incredible perceptual integration for me within my inner world of intuitive reflection. The healing was not complete, but had been building strongly until the moment when they interacted it had reached a powerful level.

As I mentioned earlier in the story in the section about brujería, there had been some extremely dark and poisonous psychic energy coming at me, and intuitively I sensed that it was coming from a very specific source. I understood the exact group that was causing this, and saw this deeply intermixed with many things to do with my crisis at my current business and with 30STM at the time.

But in the days leading up to June 3rd, I started sensing that Jared and Shannon were doing something which was breaking this demonic psychic atmosphere. I knew they were doing practical actions, and I basically understood what these were. It was not a special magic or spell-casting at all, but these inevitable actions were liberating and healing my mind and emotions. T

his caused a huge series of breakthroughs about how my intuition works and how I could seek to express myself even more authentically — in terms of my artistic direction with UNITY LIFE. They then commented to me on instagram at the exact moment of the hugest breakthrough yet — one which I'm sure I'll remember for so long.

I've detailed the full story along with the breakthroughs in The UNITY LIFE Integrations journal.

Last night on June 7th when I settled down for bed, I had more powerful breakthroughs and even deeper healing, similar to before. I stayed up probably too late, writing beautiful poetry in my diaries about painful patterns in my life that I could now see so much more clearly and gracefully heal from, in such a way which revealed that the brujería was coming away. I was optimistic that this would continue to deepen, and the next day I was met with confirmation of my hopes, when 30STM continued to reinforce the pattern of expontentially increasing contact between us. This meant so much to me.

I had just finished updating this timeline to the latest interaction on June 3rd, and I found their notification in instagram. I found that funny and joyful to think I had finished all this, then immediately turn around and continue working on it more with such wonderful news to share. I wrote this short article to detail the interaction and some of my whimsical thoughts in that moment, as I quickly catalogued it.

Small author's note : It has come to my attention that there has been some historical division in the Echelon surrounding perceptions of the new band member Tomo (who was also previously in the band). Due to this, I have found need to clarify that his not being mentioned in this Timeline so far is by no means due to my sharing of those divided or negative perceptions of him. To learn of my views on Tomo, click here for my article about him. The article explores themes of brujería near the end, in reference to this current chapter of the timeline story.

After A Silence, A New Pattern Was Established

For now, just a quick update to let you know what's basically going on. Two more interactions followed, on the same day, which led to this short article about how I interpreted these events. These took place on June 18th, 2026. In short, it seemed that Jared and Shannon wanted to let me know that they had both carefully considered my last post, which updated about this Timeline so far. I guessed that each of them had interacted with me, at two times, as notifications informed me it was separated by 6 hours, that day. Here's the caption of the post that it seemed they were responding to, in which Shannon was also tagged. Later when I have processed more, I'll update this section with more illustration.

⨺💎 Things have changed between me and @jaredleto & @shannonleto of @30secondstomars ever since I reached out to them for a job as a consultant ))

◊ (( △ ▽ )) ⨺ The screenshots above are from my website where I document the story of all our interactions .... it’s called a Timeline ://A\\rc)}’Hi\\V//e: & it’s found in “Timeline Archives ◊ UNITY LIFE Integrations With Stars” at : unitylifemysteryschool.art/b-a

⨺📅 Last I updated you : By cataloguing our interactions in the ://A\\rc)}’Hi\\V//e:, I noticed that Jared or the band had strictly interacted with me about every month (except twice it was two months, I think due to extenuating circumstances) for about the past year. I felt they had actually scheduled me into a planner for it ))

⨺🔥🔥🔥🔥 But here’s the update : I had come to expect contact from them at this regular monthly interval, but all this changed after I put out the call for the job. A month after the last time, they interacted — then two weeks later — then one week later — then half a week later !! — making it exponentially increased !! 🔥🔥🔥🔥

⨺❤️‍🔥 This was an obvious message that they were leaning into me more at this time in response !! ◊🤞🏿🤞🏾🤞🏽🤞🏼🤞🏻🤞 ))

⨺ At the same time, so much was going on for me on my end processing the possibility of this job that it was hard to find the words to update the ://A\\rc)}’Hi\\V//e:. I felt embroiled in many layers of intense reflection.

⨺ Right now I’m still in shock from the one last night. I think soon my emotions and reflections will come up more powerfully ))

#ThirtySecondsToMars #JaredLeto #IntermediaArt #CreativeJourney #UnityLifeMysterySchool

The Future

Additional note added June 8th, 2026 : Although this story obviously begs of my dream of a job coming to fruition, I am actually leaving the text below just as it has been since the early days of this archive, for now :

Since my premonition of receiving so much interaction from Jared came true eventually, even after a long wait with no contact, I am filled with assurance that I will one day become his friend. And through him, I'd love to be friends with Shannon, of course, too.

Normally, just a single interaction is considered enormous. This has all been mindblowing. I've found it not only encouraging and inspiring of my art, but also personally emotional for me.

But despite my certainty of the future, I have no idea when this friendship might occur. Friendship can be used as a loose term sometimes, but when will this crystallize fully? Maybe it will be years from now. In the mean time, I'm finding it so fulfilling to carry on with our connection just the way it is. It's an honour to know that he and Shannon think of me and send their love always.

For those who have read the timeline so far, it is doubtless that the visionary and psychedelic intermedia art of UNITY LIFE Mystery School will always continue to expand with many more gorgeous resources in reflection with Jared and 30STM. Right now, I'm most excited about The 7 of 9, but there are countless treasures to look forward to.

Update added June 8th '26 : Now that the vision of a job with 30STM has started to come through, my view on how this will happen is beginning to take more shape. There are a couple major influences from Jared on an intuitive level that have started to affect my artwork in such a way which I'm sure will have impact on the overall website and much of my art. I look forward to sharing of these when I can. This job would allow Jared to take the additional step of making his influence on UNITY LIFE resources so much more directly collaborative, and I can't wait to see how these two worlds of connection come together to greatly enhance UNITY LIFE.

I look forward to that. I have so much renewed hope thaat it will happen. So far in life, their concerts (including the travel that would be often necessary) have been financially out of my reach. But my dream would be to be financially supported by the job I'm speaking of in order to do that finally. With all I've learned, it's become so close to my heart to know that they may not be touring forever, and each opportunity is important. Right now I can't safely travel to the USA, but I'm a citizen of England in addition to Canada (without documents of that but with freedom to live there for any length with greater entry liberty) and would love to travel to ideally a partially English speaking country like somewhere in Europe. However my greatest hope is always that they will come to where I am in Vancouver, BC, Canada.

It would be important to me to go with the VIP option if I had any trouble sending a present to them in the mail. That's a great chance to hand over a present and know they immediately received it within a time when it seems scheduled into their lives to take account. In general, VIP options appeal to me if money's not an issue, because it at least gets you early access to merch and makes the concert experience more smooth. Plus I'm starting to really crave an autograph. The idea of meeting them for the first time that way is really not bad, even though it could be very rushed. I bet you I would enjoy it a lot. But in general I'd be way more into something with real conversation though. It's just that I don't really care if the very first time ever is super brief or not if I get the job. It's more just the story of the concert, how I got there, and what that time meant, which matters the most if that's how we'd meet for the first time. The important thing is that I'm not flustered and overtaxed from the effort of arriving there.

I never did love the idea of seeing a concert from the side, as a VIP seating, cause I do prefer the front view. But then again it can be a little bit chaotic and exhausting sometimes in the pit, so I'm not even that sure which is better. If I had to guess, I'd go for the pit in many smaller venues, cause it seems like Jared coordinates the audience to dance safely. But at a way bigger festival it would suck, so I'd way prefer the side. But aside from that I have no doubts that the VIP experience would be really impressive and exciting to ponder over. I'd be so curious to see how they create these designs — the coolest thing about it is that it's well designed with so much meaning in every detail.

As an update to the previous text about this (found below), I have decided on an idea for my first gift to Jared and Shannon. I've decided to use whatever fan mail address I can find online, which I suppose is The 30STM address through the MGMT company most likely as the best one. I always thought it's a bit nervous to send fan mail if I'm not sure entirely that they will receive it, cause I'd hate for a gift to be lost if it was extra special. Besides, I don't have the money for anything like I was hoping to give them someday. But I realized I do have very special SOLVE et COAGULA coins I've been thinking about making.

It's a double sided coin, SOLVE conjunction (their logo) on the one side and COAGULA on the other. I'd love for them to at least own a coin like that, and I noticed their latest album has a coin for the cover. I was already planning to make coins for UNITY LIFE since quite a while back, originally inspired by The 64 CARDS which has a way of drawing a card with a coin flipping process for The I Ching. But I was very touched to realize after I thought of this just how perfect it is since they made their own special coin too, and it's on their latest album. I know they'll love it. I'll show a photo when it's ready to send.

It's a very powerful handmade piece of artwork, but it's small and the price is low for these — so there's no question they can both easily have one. In fact, I can surely afford to send more so the whole band can all have one if they want. It's really nice <3

There is an incredible, top secret and hyper-iconic letter and gift that I've been loosely planning to someday gift directly to Jared and Shannon. As much as stories of great gifts I have given to other stars are online, there is no hint anywhere of what it would be. The only thing is, it has a mystical story behind it which has actually made me wonder if I will receive a gift from them before I even have a chance to give them my present.

Normally I'd always assume it would be the other way around, but it's a very mystical and powerful — different — interesting reason why I have imagined the universe might surprise me and reverse the order of these transpirings. Either way, this one gift I have in mind for them is so special that it cannot be revealed anywhere online.

It's completely legal. It's not like I'm planning to give them psychedelic plant medicine or anything 😂😂. That in itself would actually be rude considering the traditional guidelines surrounding these plant medicines. But it's just for other (completely ethical) top secret, hugely iconic reasons which makes it one of the coolest presents. This gift cannot be in any way replicated with an online equivalent. It is truly a genius gift of great mystic proportions.

Concluding Thoughts

It’s now March 31st, 2026, and time to revisit this conclusion as this archive becomes the first of a new genre — the UNITY LIFE Timeline ://A\rc)}’Hi\V//e:. If you’ve read this far, you’re a desktop angel — this piece has grown far beyond what can comfortably be explored on mobile, and it will only continue to expand from here. For once, that doesn’t concern me. This is a timeline — an archival record. Ever since my formative years I always felt that the universe was writing poetry through my passing experiences, dreams and inspirations which seemed designed for art — this crystalized into documentation emphasis as I matured. As some of my favourite artists like Luke Brown have expressed : With time, the value of an artist's work and their journies through life increase monetarily as an expression of great truths, causing deep regrets start forming of lost accounts, artwork, diaries, etc. As they happen they feel they can be released as naturally and perfectly as a morning breeze — but this may be later seen as a regrettable young mistake. Documentation is one of my intermedia genres and not everyone can do as I do, but I know in my heart it's right for me.

TIMELINE ://A\\rc)}’Hi\\V//e: ⨺ JARED & SHANNON LETO ◊ 30 SECONDS TO MARS

A New Genre ⨺ UNITY LIFE Timeline ://A\\rc)}’Hi\\V//e:s

What are UNITY LIFE Timeline Archives?

What are UNITY LIFE ://A\\rc)}’Hi\\V//e:s?

A Journey of Intuition

J⨺red & Sh⨺nnon Leto of 30 Seconds To M⨺rs

2019 ⨺ Discovery of Jared Leto

◊📺🧬 The Magical Strange Realization When I First Saw Jared on YouTube

◊📺👯‍♂️ Discovering an Impersonation of Kurt Cobain by Jared

◊💎💎 Finding Connections Between Jared's Movie Roles & Kurt Cobain's Interests

◊🔑🌈 Creating An Artistic Series of Videos About Jared

2019 - 2024 ⨺ Poetry & Dreaming

◊2️⃣7️⃣ I Laboured Over a Challenging Art Project to Connect Jared With John Lennon

◊🎁 A FACET of The 72 FACETS (IN 144) Was Reserved For Dedication to Jared

◊💎😶‍🌫️🫥🥸 I Voiced One of These Art Themes to Jared on Facebook and Got An Eternal Top Fan Badge

◊😂😂 My Interest In Shannon Leto Was Limited To a Single Joke

◊💭 My Interest In Jared Over These Years Was Minor

2024 ⨺ Jared & 30STM Came Into Focus

◊💎🌈💝 A Sudden Extreme Shift of Focus Into Jared

◊🪞💎 Interpreting This Experience And Wondering What Was Causing It

◊💝💕 The Choice To Trust The Experience And Wait For Clearer Insight

◊🪞🪩 I Started Having Recurring Sleeping Dreams of Jared Constantly

◊📱📱 This Led Me to Invest My Thoughts Into Jared and 30STM's Instagram Presence

◊🧬💐 I Began to Also Feel Connected To Shannon Leto

2024 - 2025 ⨺ A Dream Of The Future

◊🕊🕊 An Intuition that Jared Would Make Contact With Me And Become My Friend

◊🖤 My Difficulty in Interpreting the Meaning of This Intuition

◊🖤⏳ Emotional Intensity and the Misinterpretation of Timing

◊🖤💔 A Negative Experience With Jared's Social Media System

◊🖤🌀 Questioning Myself Too Deeply ◊ The Emotional Impact of This Inappropriate Staff Behavior

◊❤️‍🩹💝❤️‍🔥 Successfully Contacting Jared About This — Leading to Resolution

◊💎🪞 Special Note ◊ Jared Clearly Acknowledged That He Knew Of Both My Previous & New Accts

◊🖤😂 A Lighthearted Reframing — Yang’s Joke About All This Re: Marilyn Manson & Kurt Cobain

July 2025 - February 2026 ⨺ Jared & 30STM Reached Out

My First Time Contacted by Jared

Jared Reconnected ⨺ Reinforcing The Pattern of Communication

A Blending Of Two Worlds ⨺ My First Comment Reply From Jared

Interacting With Jared in The Dream World ⨺ A New Artistic Direction

More Details ◊ The Dream Proved A Connection With Reality & Mapped Into My Artistic Path Seamlessly

The First Time The Band 30 Seconds To Mars Reached Out

A Comment From Jared ⨺ Signs Of The Future

Jan 7, '26 ◊ (( △ 🪞 ▽ )) ⨺ The 72 FACETS (IN 144) & The 7 of 9 ⨺ SOLVE COAGULA Mind Map System

Jared & 30STM Connected ⨺ A Powerful Mirroring

February 5th - March 22nd '26 ⨺ Reflection Intensified As Connection Continued

Shifts To My Perspective From This Time

Feb 5, 2026 ◊ This Timeline Was Posted In An Earlier Format, Leading To Much Reflection

I Developed a Close Friend In The Echelon & My Imaginative Thoughts of Her Shifted My Perception

Dec 2025 > Today ◊ I Became Much More Productive Than Before ◊ Learning To Be Effective With Less Effort

I Found The Need To Focus Primarily On The 7 of 9 For The Longterm

I Increasingly Started Noticing Things Were Manifesting Materially In Light of Jared & 30STM

Previous Dreams of a New Career Path Started Evolving In Stages, Inspired by Jared & 30STM

This Experience Flashed Me Back To An Extremely Old Prophetic Intuition About This

Revisions To This ://A\\rc)}’Hi\\V//e: Shifted My Perception of How We Communicate & Connect

ABL20 & The 7 of 9 ⨺ 30STM Reached Out In a Merged Inspiration

Information Logistics ◊ Website Notice

ABL20 & The 7 of 9 ⨺ Jared Connected During a Powerful Time

A Synergy Of Many Layers ⨺ ABL20, Shannon, The 7 of 9 & Voice

March 22, '26 ◊ (( △ 🪞 ▽ )) ⨺ Increasing Connection To Shannon, The 7 of 9 & Deepening Reflections

Late March '26 - Today ⨺ I Reached Out To 30STM Requesting a Job

April 8th, '26 ⨺ I Posted To Instagram & Tagged Them With My Offer of The Consultancy

⨺ Catalogue of Impressive Works Coming Out At The Time for 30STM To See

Co-Creating This Dream ⨺ 30STM Responded With Increased Interaction

A Cry For Help ⨺ The Other Side Of The Coin

May 10th, '26 ⨺ A Like & Comment From 30STM On A Comment About Their Staffing

Additional Notes About The Cry For Help Post ⨺ This Story Very Intricately Wove Into 30STM Context

Dark Sorcery From My Unique History Became Part of The Story

2 Weeks Later ⨺ Forming Pattern Languages of Connection

May 26th, '26 ⨺ Another Liked Comment Only 2 Weeks Later (With Mulitple Layers of Pattern Language)

In Retrospect, I Looked Back On My Beautiful Story of The Cyr Wheel Posted In The Cry For Help, May 23rd

The Caption of The 7 of 9 Update Post Which 30STM Was Tagged in 30mins Before Our Interaction

Eyes of Connection ⨺ Defending Jared's Innocence

May 31st ◊ (( 🪞 )) ⨺ Here's The Caption Of My Instagram Post That Day Which Explained Some of The Significance

June 1st 👁️⨺👁️⭐️ I Also Followed Up With Another Post To Detail Further Significance of This Alignment

May 19th May 31 ⨺☁️ For Background, This All Happpened After I Recently Put Up a Defence Post For Jared

⨺💎💎◊ This Seemed To Place a Monetary Value on UNITY LIFE Which Is Related To The Job

MARS & I Are Tight ⨺ The 30STM Element of Air As A Catchphrase Symbolic of More

Relief ⨺ Life Changing Realisations In Heightened Connection

June 3rd, '26 ⨺ Breaking a Dark Spell With a Comment Which Represented Much More

June 8th, '26 ⨺ The Spell Continued To Break, as 30STM Came Even Closer

After A Silence, A New Pattern Was Established